Nov 2, 2026

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Livana Shiroyama

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#Orecchie da animale #Seno #sideboob #capelli lunghi #Volpe a nove code #Capelli neri #Cuffie #salopette su corpo nudo #kitsune #coda di volpe #occhi gialli #più ragazze #orecchie da volpe #tenere #all'interno #vista laterale #seno medio #statua

Pubblicato il Nov 2, 2026

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1girl, solo, adult woman, kemonomimi, kitsune, nine-tailed fox, big fox ears, animal ears, whiskers, nine fox tails, white fur, fur with ginger streaks, ginger-tipped tails, vanilla white skin, pale skin, raven black hair, long straight hair, black hair, yellow eyes, epicanthic folds, sharp wine red eyeliner, calligraphy-like eyeliner, delicate feminine face, full carmine lips, lips pressed together, tongue out, concentrated, slender, soft curves, athletic arms, defined arms, triangle-patterned dungarees, overalls, red blue and yellow triangles, India ink contours, front pockets, paintbrushes in pocket, paint tubes in pocket, raspberry red headphones, over-ear headphones, brown and yellow striped slippers, chiseling, hammer and chisel, sculpting, stylized angel statue, marble dust, art deco gallery, twelve zodiac statues, painted statues, indoors, from side, cowboy shot, looking at object, leaning forward, both arms raised, profile, The shot is a three-quarter side view from slightly below, camera at chest height, catching her in profile as she works: her body is turned toward a tall pale marble angel statue on a wooden turntable at the right of frame, her head tipped down and forward toward its wing, chin tucked, the tongue pressed just past the corner of her full carmine lips while both lips stay sealed in concentration. She stands with her weight on her back right leg, left knee bent and left slipper half off the heel, hips angled away from the statue; her athletic forearms are lifted, the right hand closed around a short steel chisel whose edge bites into a shard of the angel's feathered shoulder, the left hand swinging a small mallet and stopped mid-arc above it. Yellow eyes with heavy intense epicanthic folds are narrowed and fixed on the chisel tip, wine red sharp calligraphy eyeliner trailing past the outer corner like a brush flick with a dry-brush break at its end. Her vanilla white skin catches the light with visible fine pore texture across the cheekbone, the bridge of the nose and the forearm, faintly flushed at the knuckles. Raven black long straight hair falls in a heavy unbroken sheet past her shoulder blades, cut strands of it lifted and floating at her nape and the tail ends swaying with the mallet swing. Nine fox tails fan out behind and to the left of her hips in a slow overlapping sweep, pure white fur with ginger streaks running along their lengths and ginger tips, one tail curling up over her lower back and another drooping to brush the floor; the big fox ears on top of her head stand upright, right ear swiveled toward the statue, left ear dipped, their white fur streaked and tipped with ginger, thin pale whiskers springing from her cheeks and caught against the light. Her dungarees hang from shoulder straps over a bare sleeveless torso, the bib and the trouser fabric printed edge to edge with red, blue and yellow triangles outlined in dense India ink contours, ink lines slightly misaligned along the seams; the two front pockets bulge with used paintbrushes, their handles and splayed bristles poking out, and crimped tubes of paint squeezed flat. Brown and yellow striped slippers sit under her at the turntable base, one toe scuffed with marble powder. Raspberry red headphones cup both ears, the headband pressing a shallow dent into the black hair behind the fox ears, a thin cable running down the front of the bib. The art déco gallery recedes behind her: a stepped black-and-gold chevron floor, fluted vertical pilasters, a row of painted statues of the twelve Chinese zodiac signs in lacquer colors along a low plinth — a gilded ox, a cobalt rat, a cinnabar dragon — arranged in a marching rhythm that converges to the far arched doorway, all of them rendered softer than the foreground figure. Cool white daylight comes from the high clerestory windows on the left, raking across her jaw, her raised chisel arm and the angel's pale marble, throwing a long hard shadow of her and the statue across the chevron floor to the right, with the gallery deepening into cool grey-blue shadow toward the vault. The palette is white, raven black and marble grey around a warm core of red, blue and yellow triangle color, with a single soft raspberry note at the ears. A fine white drift of marble dust settles on the upward faces of the statue's wing and on her forearms, and the fresh chisel shard hangs in the air just below the blade. Semi-realistic anime rendering, highly detailed skin texture, focused and absorbed.

Livana Shiroyama

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