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- Immissione richiesta originale
- takamine noa, 黒ロングコート。フォーマルスーツ。ノーネクタイ。ミニスカート。タイトスカート。黒パンティストッキング。ハイヒール。 無表情。立ち。中国拳法。
- Modalità
- pro
- Tag qualità
- ﹝Prompt﹞
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
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character: takamine_noa
1girl, solo, takamine noa, grey hair, long hair, floating hair, brown eyes, expressionless, blank face, looking at viewer, standing, chinese martial arts, martial arts pose, horse stance, arms extended, open hand, black long coat, long coat, formal suit, suit jacket, white dress shirt, open collar, bare neck, no necktie, tight miniskirt, pencil skirt, black pantyhose, high heels, stiletto heels, full body, from below, low angle, dutch angle, dynamic pose, wind, hair blown back, dark background, spotlight, cool palette, tense, quietly formidable,
Low-angle shot from just above knee height, tilted a few degrees off level, looking up at a single woman who holds a Chinese martial arts stance: her weight sunk into a wide horse stance, left foot planted forward and turned out, right heel lifting slightly inside the shoe so the stiletto tip takes the load, both knees bent and pressed outward. Her torso stays upright and square, shoulders low, chin level. Her left arm sweeps forward at chest height, elbow softly bent, the hand open with fingers spread and palm turned out in a pushing palm; her right hand is drawn back against her hip, fingers curled into a half fist, knuckles towards the ground. The black long coat hangs open from her shoulders, its hem swinging out behind her right leg as the coat's fabric lags a beat behind the stance, and its lapels fall wide to either side. Beneath it the formal suit jacket is buttoned at the waist, a crisp white shirt collar stands open around her bare throat with nothing tied there and the top button undone, the bare skin of the neck and the notch of the collarbone catching the light. The tight skirt is black, narrow and hemmed high on the thigh, and it stretches taut across her front thigh with the stance, a horizontal crease pulling at the hip. Black pantyhose sheathes both legs in one continuous matte-dark tone from waist to toe, the fabric going faintly sheer and lighter over the kneecaps and the front of the shins where the legs bend. Black high heels with a slim stiletto heel and a pointed toe; the left shoe's toe box creases where the foot flexes.
Her face carries no expression at all: lips closed and level, no smile, no frown, brows flat, the eyes open and calm, looking straight ahead past the camera rather than at it, focused on an unseen opponent at her own eye level. Her long grey hair sweeps sideways and streams out behind her shoulder, several strands lifted and floating free of the mass, and the fringe is pushed back off her brow by the same air.
The ground is a seamless dark studio floor, unmarked and reflective enough that a soft, dim, blurred mirror of her shoes and the skirt hem sits under her feet, darker and softer than the figure itself. A single hard key light comes from the upper left, striking the left side of her face, the left lapel, the forward palm and the front of the left thigh, and dropping the right side of her body into deep shadow; a thin rim of cool light traces the outer edge of her right arm and the floating strands of hair. Beyond the pool of light the background is absolute black. The palette is narrow: black coat, black skirt, black hose and black heels, the white shirt collar and cuffs, grey hair, and a cool blue-white cast over the skin. Quiet, tense, and severe.
XXX XXX
xx
character: takamine_noa
1girl, solo, takamine noa, grey hair, long hair, floating hair, brown eyes, expressionless, blank face, looking at viewer, standing, chinese martial arts, martial arts pose, horse stance, arms extended, open hand, black long coat, long coat, formal suit, suit jacket, white dress shirt, open collar, bare neck, no necktie, tight miniskirt, pencil skirt, black pantyhose, high heels, stiletto heels, full body, from below, low angle, dutch angle, dynamic pose, wind, hair blown back, dark background, spotlight, cool palette, tense, quietly formidable,
Low-angle shot from just above knee height, tilted a few degrees off level, looking up at a single woman who holds a Chinese martial arts stance: her weight sunk into a wide horse stance, left foot planted forward and turned out, right heel lifting slightly inside the shoe so the stiletto tip takes the load, both knees bent and pressed outward. Her torso stays upright and square, shoulders low, chin level. Her left arm sweeps forward at chest height, elbow softly bent, the hand open with fingers spread and palm turned out in a pushing palm; her right hand is drawn back against her hip, fingers curled into a half fist, knuckles towards the ground. The black long coat hangs open from her shoulders, its hem swinging out behind her right leg as the coat's fabric lags a beat behind the stance, and its lapels fall wide to either side. Beneath it the formal suit jacket is buttoned at the waist, a crisp white shirt collar stands open around her bare throat with nothing tied there and the top button undone, the bare skin of the neck and the notch of the collarbone catching the light. The tight skirt is black, narrow and hemmed high on the thigh, and it stretches taut across her front thigh with the stance, a horizontal crease pulling at the hip. Black pantyhose sheathes both legs in one continuous matte-dark tone from waist to toe, the fabric going faintly sheer and lighter over the kneecaps and the front of the shins where the legs bend. Black high heels with a slim stiletto heel and a pointed toe; the left shoe's toe box creases where the foot flexes.
Her face carries no expression at all: lips closed and level, no smile, no frown, brows flat, the eyes open and calm, looking straight ahead past the camera rather than at it, focused on an unseen opponent at her own eye level. Her long grey hair sweeps sideways and streams out behind her shoulder, several strands lifted and floating free of the mass, and the fringe is pushed back off her brow by the same air.
The ground is a seamless dark studio floor, unmarked and reflective enough that a soft, dim, blurred mirror of her shoes and the skirt hem sits under her feet, darker and softer than the figure itself. A single hard key light comes from the upper left, striking the left side of her face, the left lapel, the forward palm and the front of the left thigh, and dropping the right side of her body into deep shadow; a thin rim of cool light traces the outer edge of her right arm and the floating strands of hair. Beyond the pool of light the background is absolute black. The palette is narrow: black coat, black skirt, black hose and black heels, the white shirt collar and cuffs, grey hair, and a cool blue-white cast over the skin. Quiet, tense, and severe.
XXX XXX
xx
character: takamine_noa
1girl, solo, takamine noa, grey hair, long hair, floating hair, brown eyes, expressionless, blank face, looking at viewer, standing, chinese martial arts, martial arts pose, horse stance, arms extended, open hand, black long coat, long coat, formal suit, suit jacket, white dress shirt, open collar, bare neck, no necktie, tight miniskirt, pencil skirt, black pantyhose, high heels, stiletto heels, full body, from below, low angle, dutch angle, dynamic pose, wind, hair blown back, dark background, spotlight, cool palette, tense, quietly formidable,
Low-angle shot from just above knee height, tilted a few degrees off level, looking up at a single woman who holds a Chinese martial arts stance: her weight sunk into a wide horse stance, left foot planted forward and turned out, right heel lifting slightly inside the shoe so the stiletto tip takes the load, both knees bent and pressed outward. Her torso stays upright and square, shoulders low, chin level. Her left arm sweeps forward at chest height, elbow softly bent, the hand open with fingers spread and palm turned out in a pushing palm; her right hand is drawn back against her hip, fingers curled into a half fist, knuckles towards the ground. The black long coat hangs open from her shoulders, its hem swinging out behind her right leg as the coat's fabric lags a beat behind the stance, and its lapels fall wide to either side. Beneath it the formal suit jacket is buttoned at the waist, a crisp white shirt collar stands open around her bare throat with nothing tied there and the top button undone, the bare skin of the neck and the notch of the collarbone catching the light. The tight skirt is black, narrow and hemmed high on the thigh, and it stretches taut across her front thigh with the stance, a horizontal crease pulling at the hip. Black pantyhose sheathes both legs in one continuous matte-dark tone from waist to toe, the fabric going faintly sheer and lighter over the kneecaps and the front of the shins where the legs bend. Black high heels with a slim stiletto heel and a pointed toe; the left shoe's toe box creases where the foot flexes.
Her face carries no expression at all: lips closed and level, no smile, no frown, brows flat, the eyes open and calm, looking straight ahead past the camera rather than at it, focused on an unseen opponent at her own eye level. Her long grey hair sweeps sideways and streams out behind her shoulder, several strands lifted and floating free of the mass, and the fringe is pushed back off her brow by the same air.
The ground is a seamless dark studio floor, unmarked and reflective enough that a soft, dim, blurred mirror of her shoes and the skirt hem sits under her feet, darker and softer than the figure itself. A single hard key light comes from the upper left, striking the left side of her face, the left lapel, the forward palm and the front of the left thigh, and dropping the right side of her body into deep shadow; a thin rim of cool light traces the outer edge of her right arm and the floating strands of hair. Beyond the pool of light the background is absolute black. The palette is narrow: black coat, black skirt, black hose and black heels, the white shirt collar and cuffs, grey hair, and a cool blue-white cast over the skin. Quiet, tense, and severe.
XXX XXX
xx
character: takamine_noa
1girl, solo, takamine_noa, long grey hair, floating hair strands, brown eyes, long coat, formal suit, open bare collar, no necktie, nothing at the throat, tight miniskirt, black pantyhose, high heels, standing, chinese martial arts stances, wide stance, bent knees, one arm extended forward, other hand drawn back at the hip, open palm strike, from below, cowboy shot, dutch angle, looking down at viewer, grin, :d, head tilt, long coat billowing
The camera sits low and tilted a few degrees off level, looking up at a slim young woman with long grey hair and brown eyes, standing in a wide low horse-stance on a seamless dark studio floor. Her weight is sunk into both bent knees, hips low, front foot planted forward and rear foot turned out, black-clad thighs braced into the stance, and she is caught partway through an open-palm strike: her right arm thrust forward at chest height with the palm turned out and fingers spread, her left hand drawn back and held at her hip in a fist. Her chin tips down toward the lens, one eyebrow arched, a lopsided grin with the tongue just touching her lower lip. The long coat hangs open and falls past her knees, the hem peeled back and lifted at one corner by the momentum of the stance so its lining shows; it sits over a formal suit jacket whose lapels are open wide enough to bare her throat completely, the collar standing open with nothing tied at it. Beneath the jacket, a tight black miniskirt crosses her hips and gives with the bend of her legs, and black pantyhose runs unbroken down both legs into high heels, the rear heel lifted a few centimetres off the floor, its point the only part of that foot in contact. A single hard key light from high on the left rakes across her forearms, the coat's shoulder seam, and one cheek, throwing a long soft shadow back across the seamless grey behind her; her face's shadow side keeps a faint cool bounce. Palette is grey, black and skin warmth, nothing else admitted. The coat fabric is wool with a slight sheen at the shoulders, the pantyhose a matte fine mesh that knits darker where the knees are bent, and the pose's energy runs from the grounding rear heel up through the low hips to the open palm. Confident, effortlessly sharp.
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