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Pulitovsky
Arte IA di Pulitovsky su PixAI. Creato con Tsubaki.3.
Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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1girl, solo, red hair, long hair, sitting, sitting on couch, on couch, couch, indoors, living room, bare feet, feet, soles, toes, showing feet, one leg raised, leg up, ankle crossed over knee, leaning back, arm support, hand on couch cushion, looking at viewer, half-closed eyes, light smile, head tilt, barefoot, bare legs, short shorts, oversized shirt, off shoulder, collarbone, from below, foreshortening, low angle, full body, wide shot, warm lamp light, evening, window, curtains, hardwood floor, rug, cushions
The camera sits low on the floor, tilted up, so the near foot and the couch's front edge loom large and the girl's body recedes up and back into the frame — strong foreshortening on the raised leg, the sole of her near foot presented to the lens with the toes slightly curled and the heel resting on the couch cushion's front lip. She is sprawled rather than posed: hips sunk into the middle cushion, spine slouched against the backrest, left shoulder dropped lower than the right, right elbow propped on the armrest with her cheek almost against her knuckles. Her left leg is bent up with the ankle crossed over the right knee, which is why the sole faces the viewer; her right foot is planted flat on the seat cushion, pressing a shallow dent into the fabric. She wears an oversized washed-out shirt slipping off one shoulder and short soft shorts, bare legs barefoot, nothing on her feet. Her red hair falls long past her shoulders, loose, a few strands stuck to the cushion behind her neck, the rest spilling over the armrest edge. She looks down the length of her own raised leg straight into the lens, chin tipped, one brow arched higher than the other, lips closed in a small lopsided smirk — a lazy, knowing look rather than a polite smile. The room behind her is a lived-in living room: the couch's back cushions compressed behind her shoulder blades, a knitted throw bunched on the far armrest, a low wooden coffee table out of focus in the extreme foreground edge, a curtained window in the back wall. A single warm floor lamp stands behind and to the left of the couch, so the light rakes across her raised shin and the top of her near foot, leaves the underside of the sole and the cushion gap beneath her hips in soft shadow, and throws her long shadow up the backrest and onto the wall behind; the window contributes only dim blue evening ambient at the right edge. Palette: warm amber lamp light against the couch's muted green-grey upholstery, the red of her hair the single saturated note, her skin and the pale shirt the brightest values. Quiet, lazy, effortlessly comfortable.
Xkdm
Lazy sunday
hellezya
p
Pulitovsky
n1
artist: ratatatat74
1girl, solo, long vibrant red hair, straight hair, hazel eyes, glasses, clear-rimmed rectangular glasses, oversized cream cable-knit sweater, sweater slipping off one shoulder, bare shoulder, tiny black lace panties, bare legs, striking hyper-feminine silhouette, sitting on couch, lounging, knees drawn up, watching tv, looking at television, holding remote, apartment interior, living room, sofa, television screen glow, volumetric lighting, light shafts, depth of field, blurred background, detailed background, white outline, beautiful face, sharp cel-shading, high contrast, rim lighting, dramatic backlighting, cinematic perspective, wide angle, moody atmosphere, sharp eyes, from below, three-quarter view, close-up, dutch angle
The camera sits low and off-axis, looking up and slightly tilted from below and to her left, so the couch cushions rise into the foreground and her figure occupies the right two-thirds of the frame in a three-quarter view turned toward the television off-frame left; her head is angled toward that screen, chin tipped down, hazel eyes narrowed behind clear-rimmed rectangular glasses with the screen's cool light caught as two small rectangular reflections on the lenses, a faint pleased closed-lip smile and one brow slightly raised. She lounges deep into the cushions rather than sitting square: her weight sinks on her right hip, her right shoulder pressed back into the seat, her left leg folded up with the knee raised and the bare foot hooked over the couch edge, her right leg stretched along the cushion with the heel resting on the far armrest; her left hand rests loose on her raised knee, fingertips just dimpling the knit, while her right hand lies beside her thigh with the television remote flat under her palm on the cushion. The oversized cream cable-knit sweater hangs loose off her left shoulder, exposing the bare curve of that shoulder and collarbone, its ribbed cuff bunched at her forearm, thick cabling twisting across the chest and the hem riding high over tiny black lace panties; her long vibrant red hair spills over the cushion behind her right shoulder and a few strands fall forward across her glasses' arm, while the far end of the sweater and the loose hair both lift faintly in the warm air current from a floor vent. Every contour of her — hair edge, sweater shoulder, raised knee, foot, the line of the couch — is traced with a crisp white outline that separates her cleanly from the darker room behind.
The room is a real apartment living room in medium depth: the couch in the midground, a low wooden coffee table in the foreground holding a half-finished mug and a folded blanket, a rug under it, and behind her a wall with a bookshelf, a slatted blind window and a standing lamp, all softened by shallow depth of field into a detailed but gently blurred backdrop; a small warm pool of lamplight behind the couch and the cold blue-white spill of the unseen television from frame left are the two light sources, and nothing else competes.
The palette is split by those sources — cold television blue on her left side, her glasses, the raised knee and the front of the sweater, warm amber on the right side of her hair, shoulder and the couch cushions, against the deep teal-brown shadow of the room; the sweater's cream and the red of her hair are the loudest colours, with the television glow raking volumetric shafts of faint dust through the air between lamp and screen. Her body compresses the cushion beneath her hip and the seat edge bows slightly under her heel; the woven blanket on the table crumples where it was dropped. Effortlessly cozy, moody and cinematic.
nyx14
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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