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Joshua Froat

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1girl, solo, demon girl, red skin, colored skin, two black horns, horns on forehead, pointed ears, long spiky tail, demon tail, black hair, hair bun, back bun, long golden hair needles, hair ornaments, two long face-framing strands, red hairband, heavy-lidded eyes, almond-shaped eyes, black eyeshadow, black lips, full lips, golden dagger earrings, flower tattoo, facial tattoo, tattoo around right eye, large breasts, wide hips, thick thighs, large ass, curvy, muscular, athletic, short black leather dress, halter dress, sleeveless dress, backless dress, crimson lining, asymmetric skirt, back skirt longer than front, crimson belt, red belts around arms, red belt around upper thigh, thigh-high boots, black leather boots, high heels, red soles, bare hands, smashing boulder, breaking rock, rock fragments, dust cloud, hell, lava, fire, embers, bare arms, tense muscles, mid-swing, leaning forward, dynamic pose, from below, dutch angle, cowboy shot, wide shot The camera sits low and tilted a few degrees off level, looking up from hip height so the woman lifts above the frame edge and the burning cavern ceiling rears behind her. She is the only figure in the shot, planted in a wide braced stance on a cracked basalt ledge, her weight loaded on her back right leg while her left foot has just slid forward through a scatter of gravel, trailing a scuff. Both bare hands are clasped at the crown of a chest-high obsidian boulder that has split along a fresh fault: her fingers are driven into the widening seam, knuckle-deep, the stone's two halves falling apart away from her grip, and she is caught an instant after the break, arms still locked straight, shoulders rolled forward and down, the long spiky tail whipping out behind her to the left as a counterweight, its tip curled. Chips and dust burst outward from the fracture and hang in the air; a fine red-black grit coats her forearms and the fronts of her thighs, and the rubble around her feet is a fresh crescent of sharp new pieces, none weathered. Her face turns three-quarters to her right, chin dipped, heavy-lidded almond eyes narrowed and fixed down on the splitting rock rather than the viewer, one brow lifted in a lazy, satisfied half-smirk; black full lips parted on an exhale, black eyeshadow deep and matte, the flower-shaped tattoo open-petalled around her right eye and unbroken by the squint. Pointed ears prick back, golden dagger earrings swinging forward with the motion. Her black hair is pulled tight into a back bun pierced by two long golden needles, the red hairband a dark crimson band across the crown, and the two long face-framing strands have been thrown forward across her cheeks and shoulders by the swing. Her outfit is entirely black leather with crimson lining: the short halter dress straps behind her neck and leaves her back, shoulders and arms bare, the crimson lining flashing at the open back edge as she twists, and the skirt rides high in front while the longer back panel swings out behind her thighs. A crimson belt cinches the waist over the leather; red belts wrap her upper arms and one more circles her upper thigh, cutting into the muscle. Thigh-high black leather high-heeled boots climb over her knees, heels dug into the cracked ground, the red soles meeting the ledge. Everything is lit from below and behind: an open lava fissure opens the floor at the right of frame, throwing hot orange up-light across the undersides of her jaw, heavy breasts, forearms and thighs, catching the crimson lining and belt edges in a hot glow, while a dim red ambient fills the rest; the boulder's broken faces glow orange on their undersides only, and the darkness above her horns is near-black, threaded with drifting sparks. The palette is red skin, black leather, gold, and crimson against molten orange and basalt, and the low angle keeps her silhouette tall against the glow. Sweaty, volcanic, powerful.
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A slim very athletic red skinned demon woman, two black horn on her forehead, a long spicky demon tail, black hair pulled into a back bun with long golden needles, with two long strands framing her face,a red hair band, heavy lided almond shaped eyes, black eye shadow, black full lips, Golden dagger earrings, pointed ears, large breasts, a large ass, thick thighs, wide hips, flower shaped tattoo around her right eye, wearing A short black backless, leather halter sleeveless dress with crimson lining with the back skirt longer then the front, a crimson belt, thigh high black leather high heeled boots with red souls, red belts around her arms, red belt around her upper thigh, in hell, training, by braking bolders, with her bare hands
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
Avatar image of Joshua Froat
1girl, solo, red skin, demon girl, two black horns, horns on forehead, pointed ears, long spiky tail, demon tail, slim, very athletic, toned, large breasts, wide hips, thick thighs, large ass, black hair, hair bun, back bun, long golden hair needles, hair ornaments, two long hair strands, face-framing strands, red hairband, heavy-lidded eyes, almond-shaped eyes, black eyeshadow, black full lips, golden dagger earrings, flower tattoo, tattoo around right eye, short black dress, black leather dress, halterneck, sleeveless dress, backless, crimson lining, high-low hem, back skirt longer than front, crimson belt, red belts on arms, red belt on upper thigh, thigh-high boots, black leather boots, high heels, red soles, leaning, leaning on rock, holding phone, scrolling phone, looking at phone, from below, dutch angle, hell, fiery background, embers, The camera sits low and slightly off-axis, tilted a few degrees, looking up past the woman's left thigh and hip toward her face. She leans back against a tall jagged black basalt rock at the right of the frame, hips pressed to the stone, shoulder blades flat to it, the rock's sharp edge crossing behind her bare back so the open back of the dress shows her spine's curve against stone. Weight rides on her right leg, straight and braced; her left knee is bent, boot heel hooked against a spur of the rock, the long back hem of the black leather skirt drooping behind her calf toward the ground while the short front hem rides high across her thighs, red lining flashing where the leather folds. Her right forearm rests on the rock's sloping ledge above her hip, the red belt on that arm pressed flat against stone; her left hand holds the phone up at chest height, thumb mid-scroll, and her chin tips down toward the screen, heavy lids lowered, black lips parted a hair. Her eyes stay on the glow, not the viewer. The two long strands framing her face slide forward over her collarbone with the tilt of her head, golden needles catching light in the black back bun, red band visible at its base. Her long spiky tail curls out from behind the rock and hangs forward at her hip, tip twitching above the red upper-thigh belt. Pointed ears jut through the hair; dagger earrings hang and swing slightly. The flower tattoo rings her right eye, ink dark on red skin. Behind her, a hellscape recedes: black volcanic spires and charred crags filling the left and lower background, molten fissures cracking the ground in the middle distance, ash haze and a low burning sky of dull crimson and soot-grey above. The only light comes from below and behind her, from the molten ground and the sky's ember glow: hot orange rim light climbs the back of her thighs, the edge of the boot soles, the underside of her jaw, the rock's facets; her front stays in warm shadow with the phone's small cold blue-white glow underlighting her mouth, chin, nose and the gold needles in her bun. Embers drift upward, not sideways, and none settle on her skin; a few have come to rest glowing faintly in the cracks of the rock. Palette held to red skin, black leather, crimson belts and lining, gold, and the orange of hell, nothing else. Detail budget on her face, hands and the places her body meets the rock. Quiet, untouchable confidence.
Joshua Froat
AI artwork
Avatar image of Joshua Froat
1girl, solo, demon girl, blue skin, athletic, muscular female, tall, heavy-lidded eyes, shark eyes, half-closed eyes, thick eyelashes, black and red eyelashes, two-tone eyelashes, eyeshadow, high cheekbones, plump lips, black lips, black and red hair, two-tone hair, high topknot bun, tight bun, hair loops framing face, two hair loops, pointed ears, elf ears, earrings, two curved horns, horns on forehead, curved horns, flame tattoo, facial tattoo, tattoo over right eye, wide hips, large breasts, thick thighs, curvy, black leather dress, chinese dress, qipao, sleeveless qipao, red flame patterns, flame motifs on dress, black stockings, thighhighs, red silk arm bands, silk ribbons on arms, black and red chinese slippers, martial arts, training, fighting stance, high kick, raised leg, arms up, outstretched arm, dynamic pose, motion blur, swirling embers, hell, lava, fire, brimstone, from below, dutch angle, foreshortening, cowboy shot, looking down at viewer, smug, open mouth, grin, parted lips, dutch angle, cinematic lighting, strong rim light, warm underlighting, high contrast, hellish atmosphere, dark fantasy, dramatic, powerful A low, tilted dutch-angle cowboy shot from below, the camera close to the cracked basalt ground so that the crouched martial-arts stance looms and the figure's raised leg and snapping arm read larger than life through foreshortening. She is caught mid-movement in a training drill: pivoting on the ball of her left foot in its black and red Chinese slipper, right knee lifted and snapped forward at hip height, toes pointed inside the stocking, her weight travelling through the supporting shin while the hips twist sharply so the wide curve of her ass and the flare of the leather qipao swing away from the kick. One arm is extended in a claw-like guard, fingers spread, the red silk band wound around that forearm lifting and curling in the hot updraft; the other arm is pulled back tight against her ribs, fist at her waist, the second silk band streaming behind her elbow. Her head is tilted down the line of the raised leg and she looks straight down into the lens from under those heavy shark lids, half-lowered, unimpressed and predatory, mouth open in a smug lopsided grin, plump black lips parted over a flash of teeth. The thick black lashes with red tips lie heavy along the upper lid; the eyeshadow is a deep smoky red-violet smeared out toward the temple, and the flame tattoo over her right eye coils visibly across the cheekbone, its outline stretched by the cheek's high ridge. The tightly pulled high topknot sits at the crown, black hair shot with red and lacquered flat to the scalp, and the two hair loops hang down either side of the face, their red streaks catching the glow; the two curved horns sweep back from the forehead above the brow. Pointed ears break the silhouette on both sides, each earring swinging out from the lobe with the turn of the head. Below the hip-slit dress her stockings run uninterrupted into the slippers, the leather qipao's red flame patterns licking up the front and around the hip where the fabric tauts. Behind and beneath her a hellscape of black volcanic rock shelves and a cracked floor veined with molten orange: the primary light comes from below and behind, molten light in the fissures throwing hot orange up the undersides of her jaw, arms and raised thigh, rimming the black leather with a burning edge, while the smoke above her skull dries into a dark ceiling. Sparks and fine embers drift upward from the fissures and gather around the silk bands, which are lighter than the air and lift first; a thin sheen of sweat on her blue shoulders picks up the orange from below and a sharper white highlight from the upper haze. Palette locked to blue skin, black leather and hair, red flame and red silk, and the molten orange of hell -- nothing else. The tension held in her still-hovering back fist keeps the whole frame coiled, powerful, dangerous.
Joshua Froat
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Avatar image of Joshua Froat
1girl, solo, red skin, demon girl, two black horns on forehead, long spiky demon tail, pointed ears, black hair, long hair, hair in a back bun, long golden hair needles through the bun, two long face-framing hair strands, red hair band, heavy-lidded almond-shaped eyes, black eyeshadow, black full lips, golden dagger earrings, flower-shaped tattoo around right eye, slim very athletic body, large breasts, wide hips, thick thighs, large ass, short black leather halter dress, sleeveless, backless, crimson lining, back skirt longer than front skirt, crimson belt, thigh-high black leather high-heeled boots, red soles, red belts around arms, red belt around upper thigh, standing in a summoning circle, head tilt, slightly confused, from below, cowboy shot, leaning weight on one leg, looking down at the circle, dutch angle The camera sits low near the floor of a vast bare stone chamber and tilts a few degrees off level, looking up at her from below so the summoning circle sweeps across the foreground in a wide ellipse of scratched slate. She stands at the circle's center with her weight settled into her left leg, right knee bent and right hip dropped, right toe turned in across the chalk line; her torso twists a quarter-turn away from the lens while her shoulders stay square to the glow, so the long back panel of the black leather skirt hangs lower than the short front hem and the crimson lining catches the light at the split. Her heavy-lidded almond eyes are cast down and to her right, following the outermost ring of sigils at her feet, one brow drawn a fraction higher than the other and her black lips parted on a half-formed question; the flower-shaped tattoo curls around her right eye in ink that sits darker than her red skin. Her arms hang loose between the lit sigils: the red belts around each forearm are buckled snug over the leather-smooth skin, her left fingers loosely curled, her right thumb hooked behind the crimson belt at her waist, and the red belt around her upper thigh bites a shallow crease into the muscle above the boot's cuff. The thigh-high black leather boots shine where the glow strikes the front of each shin and go matte in the shadow behind, and the red soles show as a thin hot line where her boot edges meet the stone. A single long golden needle slips a little further out of the back bun as her head tilts, and the two long face-framing strands swing forward past her jaw, one of them crossing the black halter strap at her collarbone; the golden dagger earrings hang straight down from her pointed ears and swing on their own beat, the only vertical in the frame that ignores her tilt. Her long spiky tail arcs out behind her hip, its tip lifted and curving back toward the camera, spines reading as a serrated silhouette against the darker stones. The summoning circle is the only light source: cold crimson-violet light rising off the chalk and pooled sigils, brightest at the ring's near edge and falling off fast, so her face is lit from below and in front, her chin and cheekbones and the underside of her breasts taking the glow while the back of her neck, the exposed line of her bare back and the underside of the back skirt sink into real darkness. Deep shadows rake upward behind her and the chamber walls beyond the circle dissolve into black; a soft violet bounce returns off the floor into the crimson lining and the red of her skin. Palette held to red skin, black leather and hair, crimson lining and belts, and gold at the needles and earrings, everything else swallowed by the dark. Fine chalk grit and a faint drift of dust hang in the air above the ring, and the light from the circle throws her long shadow outward across the slate toward the viewer, stretched and thinned by the low angle. Quietly uncanny, statuesque.
Joshua Froat

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