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AI art "쪼그려 앉음" featuring #Gonna, #1 ragazza and #Love Live! Sunshine!!
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쪼그려 앉음

똥지림

#Gonna#1 ragazza#Love Live! Sunshine!!
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solo, 1girl, woman, squatting, crouching, deep squat, facing left in profile, full body, from side, low angle, pleated skirt, beige skirt, midi skirt, light fabric, skirt pulled aside, skirt bunched at the waist, diarrhea, defecating, soiling her skirt, dark trail running down the back of the skirt, liquid pooling in the pleated folds, wet dark patch spreading across the fabric, grimacing, clenched teeth, brow furrowed, eyes squeezed, one eye closed tight, blush, embarrassed, looking down over her shoulder, hands gripping her knees, knuckles pale, toes curled inside shoes, sweat drop, tension, indoor public restroom stall, tiled floor, white tiled wall, closed metal stall door, overhead fluorescent light, cold green-white light, shadows pooling under her thighs, plain green palette, unadorned hair, hair completely unadorned, bare ears, both ears bare, bare neck, nothing at the throat, plum hair, long hair, sidelocks, brown eyes, dark skirt, sailor collar, pleated skirt, running liquid, wet fabric, shiny fabric, halftone texture, cel shading, thin dark linework, limited palette A full-body side view, seen in low-angle profile from her left as she squats deep on the tiled floor of a narrow public restroom stall, heels together under her hips and both feet flat on the tile, weight settled back over her ankles with her upper body pitched forward a little and her chin turned to look down and back over her own shoulder. Her long plum hair spills off her lowered shoulder, the sidelocks brushing her collar, and the plain sailor-style top sits unadorned at the ears and throat. Her beige pleated midi-skirt is gathered and pushed up in one hand at the waist so the light fabric bunches in tight folds beneath her grip; the hand that is not holding the skirt is braced on one knee, the fingers pressing the knee hard enough that the knuckles pale, and the hem of the pleated fabric rides up the backs of her thighs. The diarrhea has already gone through the cloth: a dark, wet, shiny trail runs down the back of the skirt from the waistband to the hem, the pleats at the seat soaked through and sticking flat to the fabric rather than standing out, and a thin liquid bead gathers at the lowest fold against her thigh, the fabric hanging heavy and darkened where the weight of the moisture drags it. Below her the squatting thighs part and the skirt drapes away; the wet patch reads all the way through the back of the pleated garment so the fabric sags, not billows. Her face is turned down over her shoulder in profile: brow pulled in, one eye squeezed tight, the other cracked open and looking down at the mess, lips parted around a grimace and a small sweat drop at the temple, cheeks flushed. The only light source is the fluorescent strip overhead; it strikes the top of her hair and her shoulders, glints off the wet sheen of the soiled hem and dies in the pleats, and everything under her hips and behind the stall door falls into cold green shadow, the tile joints showing shadow lines where the light reaches. Palette is restricted to beige, deep plum, cold white tile and shadow green, nothing else admitted. Quiet, squalid embarrassment.
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Immissione richiesta originale
쪼그려 앉은 여자가 치마에 설사를 지리는걸 그려줘
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt

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1girl, solo, petite, short, slim, skinny, frail, pale skin, long hair, curly hair, red hair, brown eyes, private school uniform, navy blazer, striped navy tie, navy pleated skirt, white shirt, timid, meek, shy, insecure, shoulders drawn in, head lowered, looking down, sidelong glance, blush, half-closed eyes, downturned mouth, hands clasped together, fidgeting, standing, weight on one leg, knees together, from above, close-up, upper body, diagonal composition, school corridor, lockers, window light, muted palette, soft atmosphere, Shot from above and slightly to the side, looking down at the girl from a high angle so the corridor floor recedes behind her compressed shoulders. She stands pulled in on herself against a run of pale green lockers, weight sunk onto her left leg with the right knee bent inward and both feet close together, the toes of her shoes turned toward each other. Her hands are clasped low in front of her skirt, fingers laced and knuckles whitened, thumbs pressing and rubbing over one another. Her chin is tucked down so the crown of her head tips toward the camera; her curly red hair falls in loose, frizzy ringlets past her shoulders, one heavy coil swinging forward over her blazer lapel while the rest bunches behind her neck. Brown eyes lift only partway from under her brows, sliding a sideways glance off to the lower left, not meeting the lens; a faint flush sits across her cheeks and the bridge of her nose, her lips pressed thin and pulled down at one corner. The navy blazer hangs loose on her narrow, bony shoulders, sleeves slightly long so the cuffs swallow her wrists half up; the white shirt collar sits a little crooked under the striped navy tie, which is knotted short and slightly askew; the navy pleated skirt drops to just above her knobbly knees. Cold daylight comes in from a tall window at frame left and strikes the left side of her face, the flat of her cheek and the edge of her jaw, leaving the right side of her face and the hollow of her throat in soft grey shadow; the window's reflection stretches in a long pale band across the polished floor behind her, and her shadow falls short and compressed toward the camera's feet. Palette stays muted: the navy of the uniform, the warm rust-red of her hair, and the pale skin as the only bright note against the drab corridor green, all of it quiet and subdued. Her skirt hem and one loose curl are caught mid-sway, the only things in the frame that are moving. Timid, tender.
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