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AI artwork featuring #Serie Fate, #Fate/Grand Order, #Giovanna d'Arco and #Giovanna d'Arco
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Giovanna d'Arco, Giovanna d'Arco

#Serie Fate#Fate/Grand Order#Giovanna d'Arco#Giovanna d'Arco
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character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha cowboy shot, 1girl, solo, waist up, leaning forward, hands clasped, closed eyes, crescent eyes, smiling, open mouth, big smile, blonde hair, very long hair, single braid, braid over shoulder, blue ribbon, white sleeveless shirt, bare shoulders, bare arms, navy blue necktie, necktie, wristwatch, completely clear unmarked skin, from side, looking at another, train station, morning, sunlight, rim light, warm lighting, depth of field, blurred background, heartwarming A three-quarter view from slightly to her left and a touch above her eye line holds her at a cowboy shot, cropped just below the waist, her upper body tilted a few degrees toward the friend arriving at frame right who is out of view. She leans slightly forward with delight, the weight carried on her rear right foot while her left toes just bear a little, hips a few centimetres back so the whole torso tips toward the person she has been waiting for. Both hands are clasped together in front of her chest, fingers laced and drawn close against her sternum, knuckles lightly touching the white sleeveless shirt; the thumb of her upper hand rocks once over the other. Her white sleeveless shirt sits crisp and softly folded at the shoulders, the armholes cleanly framing bare shoulders and bare arms that catch the low sun. A navy blue necktie hangs straight down the shirt front, its knot properly at the collar. The cuff of the white shirt is plainly rolled up at her left wrist, and the wristwatch rides just above it — a pale round dial, thin metal case, leather strap. Her long blonde braid is gathered into one heavy plait that comes forward over her right shoulder and spills down the front of her chest and to her waist, peppered with fine loose strands near her temples; a blue ribbon is tied at the head of the braid so it rests forward over the shoulder, its two tails tilted off to the side. Her skin is completely clear and unmarked — bare, even shoulders, bare arms, nothing inked anywhere the crop allows. Her eyes are shut in two clean crescents above a big warm open smile that shows a bright sliver of teeth and one lifted corner on the side turned to the viewer; her brows lift a touch, and her chin is raised faintly, as though she has just spotted them. Her gaze, though her lids are closed, is angled straight at the person out of frame right, at the exact height of their face. The warm soft morning sunlight comes in low across her right shoulder and paints a gentle rim of gold along her bare shoulder, the top ridge of her braid, and the blue ribbon and the navy necktie; her left side falls into soft shade, and a faint cast shadow of her tied ribbon lies across the front of her shirt. The background is a blurred station facade: pale stone columns and a suggestion of glass roof and a departure board, all drained to a soft grey-blue bokeh, deepening the edge behind her silhouette. A small station clock reads out of focus above her head, catching a fleck of the same morning light. Palette is white, navy and blonde gold, warmed by the sunrise. Heartwarming, calmly joyful.
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AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, jeanne_d_arc_(fate/apocrypha), long blonde hair, single braid, very long braid, blue ribbon in hair, blue eyes, white sleeveless shirt, bare shoulders, bare arms, navy blue necktie, wristwatch, wristwatch on left wrist, leaning against pillar, leaning back against pillar, standing at an angle, cowboy shot, waist up, from side, profile, looking at watch, puffed cheeks, pout, impatient, glancing sideways, looking to the side, train station entrance, plaza, morning, sunlight, sunbeam, blurred background, crowd, depth of field, sharp lineart, clean lines Viewed from the side in a waist-up cowboy shot, she stands at a slight backward angle, spine and one shoulder blade pressed flat against a square concrete pillar at the mouth of a train station entrance, weight settled on her right leg with the left knee bent and the left foot turned out, so the pillar carries her rather than her own stance. Her left forearm is raised across her chest, sleeve-less shoulder lifted, and her right hand pinches the crown of a silver-cased wristwatch strapped to her left wrist, thumb worrying the bezel; she has just tilted the dial toward the light. Her chin is tucked down at the watch but her eyes have slid off it, cutting sideways across the plaza, lids low and bored, lower lip pushed forward between two round puffed cheeks that hold a small swallowed breath of impatience. A navy blue necktie knotted at her bare collarbone hangs slightly askew, its tail flipped over by the morning air, the open sleeveless shirt leaving both shoulders and both arms clean bare skin with no mark anywhere on them. Her long blonde braid, gathered at the nape with a blue ribbon, drops past the waist edge of the frame behind her arm and swings its loose tail forward across her hip, the ribbon's ends lifting. Warm low morning sunlight rakes in from the upper left along the pillar's face, laying a hard bright edge down one corner of the concrete and striping her shoulder, cheek and the watch crystal with gold while the pillar's shadow stays deep behind her back; past her, the station forecourt recedes into soft-focus depth, where commuters in coats move as blurred dark shapes through the light shafts, one passing figure smearing a shadow across the paving. Palette of warm gold and pale concrete grey around her, drawn tight to the white of the shirt, the navy of the tie and the blue of ribbon and eyes, with clean sharp linework and flat crisp cel shadows. Quiet, sun-warmed, faintly sulky.
鷹の目
AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, jeanne d'arc \(fate/apocrypha\), long blonde hair, single braid, very long braid, blue ribbon in hair, blue eyes, bare shoulders, sleeveless white shirt, navy blue necktie, wristwatch, navy blue thighhighs, bare arms, no tattoo, unmarked skin, cowboy shot, waist up, standing on tiptoes, tiptoes, looking around, head tilt, puzzled, cute, open mouth, raised eyebrow, looking to the side, from below, shallow depth of field, blurred background, crowd, commuters, train station entrance, morning, soft morning sunlight, bright, cheerful, sharp clean line art, anime style, From a low angle just above waist height, the blonde young woman is caught mid-tiptoe on the scuffed granite of a busy station entrance, framed in a cowboy shot that cuts her at the hips. Both heels are lifted clear of the ground, only the balls of her feet and the toes of her shoes pressing down on the stone, ankles angled and calves taut inside the navy thighhighs that run up under the hem of the frame; her weight is rolled onto her left foot, the right knee slightly bent for balance, hips pushed a touch forward to counter the lift. Her back is gently arched, chest up, shoulders drawn back and completely bare — the white sleeveless shirt sits with its shoulder seams on the slope of each deltoid, leaving the whole line of her neck, collarbones and arms uncovered, the loose cotton puckering under one arm where the fabric bunches. A narrow navy necktie falls from an open collar down the center of the shirt, its tip tilted off-vertical by the lean of her torso, the knot pulled small and neat. On her left wrist, a plain wristwatch with a round pale dial and a slim case sits just below the cuff-less sleeve, the strap slightly loose so it has ridden toward the wrist bone. Her long blonde braid is the heaviest thing in the shot: it comes over her right shoulder in a single thick plait that falls forward past her collarbone, the woven strands catching the morning light on their upper facets and going warm amber in the grooves between them, the blue ribbon tied in a bow near the crown of her head with its loops beginning to lift and flutter in the drift of air from passing people. Her head is tilted — the crown leaned toward her left shoulder, chin lifted so that from this low camera her jawline and the underside of her chin read cleanly against the bright station roof behind her. Her blue eyes are open wide and scanning sideways and up over the heads of the crowd, brows drawn slightly together in a small pinch, lower lip pushed out and mouth just parted in a puzzled, cute look of someone who has been waiting and cannot find who she is waiting for; her right hand is raised loosely to chest height with the fingers half-curled as if about to check the time and forgetting to. The morning sun comes in low from the left and behind her, warm and soft, rimming the top of her braid and the shelf of her bare right shoulder in pale gold while the front of the shirt stays in gentle open shade; a faint shadow of her own raised forearm falls across the white cotton, and the braid's shadow lies over the navy tie. Behind her the station entrance is a wide, bright mouth of glass and steel with its roller shutters rolled up, and the crowd streaming through it is thrown far out of focus — a soft grey-and-colour wall of anonymous commuters whose heads and shoulders break into rounded bokeh, backlit so that pale discs of sunlight drift through the gaps between them; the lettering on the boards above is smeared into illegible bands by the depth of field. Foreground granite and a fragment of tiled step sit at the bottom edge, cropped by the frame, and the whole frame is keyed to a bright, cheerful palette of white, navy, warm honey-blonde and pale morning gold with nothing heavy or dark admitted. Crisp confident linework with clean, evenly weighted contours and flat cel-shaded colour, bright and expectant.
鷹の目
AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, cowboy shot, waist up, running toward viewer, caught mid-run, leaning forward, waving, hand raised high, huge radiant smile, open mouth, joyful wide eyes, wide-eyed, looking at viewer, blonde hair, very long hair, single braid, braid swinging with motion, hair in motion, blue eyes, white sleeveless shirt, bare shoulders, navy blue necktie, wristwatch, clean unmarked skin, bare arms, no tattoo, morning, train station plaza, blurred background, depth of field, bokeh, soft morning light, lens flare, backlighting, dynamic pose, cheerful, from below, foreshortening, A low three-quarter-front view, camera slightly below her eye line and tilted up so she comes at the lens with real momentum, cropped at the waist: one knee drives forward out of the bottom edge while the trailing leg and hip push off behind, the whole torso pitched a few degrees into the run, shoulders tipped so her raised arm leads the charge. Her right arm is thrown up and out past her head, palm open and fingers spread, elbow locked high; her left forearm is bent across her chest mid-pump, the wristwatch strapped on that left wrist, its silver case and white dial catching the light. Her chin lifts, brows drawn up, both blue eyes wide open and fixed straight on the viewer with the whole pupil showing, mouth open in a huge radiant grin that pulls her cheeks up and shows her upper teeth, a small crease at the bridge of her nose. The long blonde single braid sweeps out sideways and back from her right shoulder, its tip lifted and lagging a beat behind the turn of her head, loose strands pulled across her face by the rush. Her white sleeveless shirt hangs off both bare shoulders with the whole upper arm exposed, the fabric pulling taut across the chest from the lifted arm and fluttering away from her ribs; the navy blue necktie sits knotted at the open collar and streams out to the side opposite the braid, its tip flicked upward by her speed. Skin on shoulders and arms is clean and smooth and completely free of any marking. Behind her, an open train station plaza in the early morning, thrown far out of focus: a low station canopy sagging across the top of the frame, stanchions and a row of blurred commuters reduced to soft warm grey shapes, wet pale paving stones reflecting the sky, a few green shrubs at the plaza edge. Morning sun burns low from behind her right shoulder, so the light rims the crown of her head, her raised arm and the braid in a hot gold outline, flares across the upper-left of the frame in a string of soft hexagonal ghosts and a long streak, and throws her shadow forward and off the bottom edge of the crop. Everything in front of her is lit warm and pink-gold; the deep folds of her shirt and the underside of her jaw hold cool blue-grey shadow. Palette held to white, navy and warm blonde gold against the pale grey-morning plaza, with the lens flare's rainbow fringe as the only other colour. Sharp clean line art with crisp cel shading, thin precise contours and flat clean colour blocks, high contrast between highlight and shadow edge. Bright, infectiously buoyant.
鷹の目
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Avatar image of 鷹の目
character: jeanne_d'arc_(fate), jeanne_d_arc_(fate/apocrypha), copyright: fate/apocrypha 1girl, solo, full body, jeanne_d'arc_(fate), long blonde hair, single braid, very long braid, blue ribbon in hair, blue eyes, white sleeveless shirt, bare shoulders, navy blue necktie, navy blue shorts, navy blue thighhigh socks, wristwatch, no tattoo, bare skin free of markings, leaning against pillar, leaning back against wall, left shoulder blade and upper back flat on the pillar, left heel hooked against its base, both hands raised, checking wristwatch, left wrist turned up, right index finger tapping the watch face, puffed cheeks, pout, annoyed but cute, impatient, furrowed brows, half-lidded eyes glaring down at the watch, looking at watch, head tilted down, train station entrance, station plaza, commuters blurred in background, bokeh, depth of field, morning, sunlight, backlighting, sharp clean line art, cel shading, from side, cowboy shot, dutch angle slight, anime style, crisp outlines, high contrast shading, cool blue shadows, warm gold morning light The view is a three-quarter side angle from slightly below, the camera a couple of steps off her left hip and tilted a few degrees off level, framing her head to feet so the tiled plaza floor runs out beneath her shoes. She stands with her back and left shoulder blade pressed flat to a square concrete pillar beside the station entrance, the pillar's painted edge cutting vertically just behind her braid; her weight rides on the left leg, the left heel hooked back against the pillar's base plinth, while the right leg is loosely crossed in front with only the toe of the sneaker touching the tile. Both arms are lifted in front of her chest: her left forearm is turned up so the round face of the wristwatch catches the light, and the right hand hovers over it, the right index finger frozen mid-tap on the crystal. Her chin is tucked down and her eyes are angled straight at the watch, brows drawn in, mouth pulled into a small tight pout with both cheeks visibly puffed full of held breath; one sharp sidelong glance flicks off toward the far end of the plaza where a date should be arriving. Her long blonde braid drops over her right shoulder and hangs down her front almost to her hip, its blue ribbon tied in a bow at the top of the plait, the loose tail of the braid stirring slightly in the morning air; the bare shoulders above the sleeveless shirt are unmarked skin, no ink or design anywhere on them. The sleeveless white shirt is tucked into the navy shorts with a soft crease at the waist where she leans, the navy necktie hangs straight down over the shirt front, and the navy thighhigh socks come up to mid-thigh with a slight compression ring pressed into the skin above each band. The sun sits low behind and to the left of the station, so a long shaft of warm gold morning light rakes across the plaza and strikes the right side of her face, shoulder and thigh, while the pillar's shadow falls in a hard diagonal across her front, leaving the puffed cheek and the watch in cool blue shade. The watch crystal throws one small bright specular glint back toward the lens. Around her, the station forecourt recedes: a clot of commuters in dark coats and bags moving toward the gates, rendered soft and out of focus so their shapes smear into the bokeh, their long shadows stretching across the pale stone tiles toward her feet, and the station's steel-and-glass canopy edge above them catching the light. Muted palette of warm cream stone, cold navy cloth, blonde gold and a single blue ribbon, nothing else admitted. Late-for-someone, tenderly impatient.
鷹の目

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anipix
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ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic. , painterly anime illustration, thin lineart, airy dreamy atmosphere, best quality, s[im, long bangs, long eyelashes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
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