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Joshua Froat

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Joshua Froat

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1girl, solo, pale skin, brown hair, ponytail, big round eyes, blue eyes, freckles, snaggletooth, wide hips, large breasts, plump ass, school uniform, white short-sleeved button-up shirt, pleated navy plaid skirt, knee socks, white knee-high socks, ditzy clueless look, vacuous smile, riding subway, sitting, from above, three-quarter view, looking up, head tilt, gripping strap, leaning back, open mouth, :d, half-closed eyes, blush, cowboy shot, train interior, overhead handrail, Shot from above in a three-quarter view, the camera looks down the length of a moving subway car onto one young woman seated alone on a molded orange bench seat, the frame cropped at mid-thigh. She sits low and slack in the seat, weight spilled onto her right hip so her plaid skirt rides up on one side and fans across the plastic, one bare thigh pressed against the seat edge, the other knee lolling outward; her white knee socks are pulled to just below the knee, their cuffs slightly slouched, both flat soles planted wide apart on the rubber floor. Her right arm is flung up and her fingers curl loosely around the hanging stainless-steel grab strap, the strap pulled taut and angled back toward the overhead rail; her left hand rests palm-up and forgotten on her own thigh, fingers half-curled. Her spine curves, shoulders slumped, chest pushed forward against the buttoned white shirt so the placket strains, her wide hips filling the seat and the skirt bunching under her rear against the bench. Her head tips back and to one side, brown ponytail swinging loose over her left shoulder and its tail resting along her collarbone, loose strands stuck to her cheek. Her big round blue eyes are wide and unfocused, aimed up past the rail at nothing, lids heavy at the outer corners; her mouth hangs slightly open in a lopsided vacuous smile, one crooked tooth jutting over her lower lip; freckles scatter across the bridge of her nose and both cheeks, and two hard highlights catch in each iris. A faint blush sits high on her cheeks. The car's fluorescent strip lights run down the ceiling and throw a cold greenish-white light from above, so the tops of her thighs, the shelf of her chest and the crown of her head are lit while soft shadow pools under her chin, beneath her jaw, in the folds of the skirt and the crease where her hip meets the seat; a long thin shadow of the grab strap falls diagonally across her shirt. Behind and around her, brushed-steel poles and maroon bench backs recede in perspective, the far end of the car falling into dimness; the window beside her shows only the black tunnel with a single streak of passing light, its reflection ghosting faintly and darker than her face on the dark glass, and a small tilted paper ad pasted above the window carries deliberate illegible micro-print. Muted institutional palette: cold fluorescent white, worn orange seating, navy-and-cream plaid, dulled steel, the warm coppery brown of her hair the only saturated note. Faint sway of the moving car: the strap leans back at its angle and the ponytail drifts away from her neck. Sleepy, blissfully vacant.
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Immissione richiesta originale
A pale woman, with brown hair in a pony tail, big blue round eyes, freckles, a snaggletooth, wide hips, large breasts, a plump ass, Wearing A school uniform, knee socks, with a ditzy clueless look, and a vapied smile, ridding a subway,
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pro
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๏นPrompt๏นž
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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PixAI DiT.3

Tsubaki.3
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1girl, solo, pale skin, brown hair, ponytail, high ponytail, big round eyes, blue eyes, freckles, snaggletooth, wide hips, large breasts, plump ass, white blouse, button-up blouse, knee length skirt, black leather jacket, cropped leather jacket, knee socks, white knee socks, half-closed eyes, blank stare, vapid smile, closed mouth smile, head tilt, sitting, riding subway, seat, metal seat, hanging strap, subway car, from side, cowboy shot, dutch angle, looking to the side, looking at nothing, arm support, leaning back, warm fluorescent lighting, cool night window, public transit, oblivious, drowsy The view is a low dutch-angle cowboy shot from her side and slightly below, in a subway car that runs an ordinary route we never see. She is seated across the car's forward-facing bench, hips canted to the right and sunk into the blue molded plastic seat, both knees pressed together with her calves angled left, her backside flattened against the cushion, and her shoulders drooping under the cropped black leather jacket. Her pale skin reads washed and cool against the jacket's waxy sheen and the crisp white blouse underneath, the blouse buttoned high to the collar and tucked into the navy knee-length skirt, which rides short against the seat edge; white knee socks stack above her ankles, one toe pointed in a loose idle bounce. Her brown ponytail is gathered high and swept over her right shoulder so the tail lies along the jacket collar, a few loose strands stuck to her cheek from leaning her head against the window frame. One hand hangs from a stainless passenger strap overhead, the strap's webbing stretched and twisted in her grip; the other hand rests palm-up and open on her own knee. Her big round blue eyes are half-lidded, unfocused, drifting toward the far dark window; a faint, closed-lip, vapid smile lifts one corner of her mouth, and the snaggletooth catches the overhead light. The car's fluorescent tubes run in a broken line above her and lay a flat, greenish stripe down her face and the white of her blouse; the window beside her is a black glass mirror of the car's interior, with a single tunnel light sliding past as a stretched, softer smear than the tube it reflects. The palette is strictly blue, white, black and pale washed skin: cold mint fluorescent light, stainless steel and the blue bench, the white blouse and socks, the leather jacket's black, and no other color admitted. Her faint reflection in the glass is dimmer and less sharp than her real figure, and the floor's worn gray rubber matting shows the scuff of many shoes. Sleepy, oblivious, adrift.
Joshua Froat

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