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AI artwork featuring #The Idolmaster, #The Idolmaster Shiny Colors and #Hinana Ichikawa
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Hinana Ichikawa, The Idolmaster

#The Idolmaster#The Idolmaster Shiny Colors#Hinana Ichikawa
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character: ichikawa_hinana 1girl, 1boy, ichikawa hinana, large breasts, brown hair, long hair, parted bangs, single side bun, hair bun, brown eyes, white shirt, frilled skirt, ribbon, jacket, nail polish, walking close together, arm in arm, looking up, looking at another, small smile, blush, flashily dressed young man, light brown hair, styled hair, undercut, leopard print shirt, open shirt, white tank top, gold chain necklace, hands in pockets, entertainment district, neon signs, night, from side, cowboy shot, three-quarter view, depth of field, bokeh, Seen from the side at a slight low angle in a cowboy shot, the two of them walk the width of a crowded entertainment-district street at night, the girl on the near side of the frame and the young man a half-step behind her on the far side, her left arm hooked through his right elbow so the crook of their arms is the only real contact between them. She leans her shoulder toward him and carries her weight on her forward right foot, hips swung, the fabric of her white shirt stretched across her large chest by the pull of her hooked arm, the shirt half-tucked into a short frilled skirt that swings with the stride; her parted bangs fall across one eye while the rest of her long brown hair is gathered into a single side bun low behind her ear, and the loose strands lift in the warm updraft from a vent grate they are passing. Her chin is tipped up toward his jaw, brown eyes fixed on his face, a small closed-mouth smile with a faint flush on her cheeks; he looks down the street ahead rather than at her, chin lifted, one hand loose at his side and the other jammed in his pocket, the leopard print shirt hanging open over the white tank top, two gold chains catching the sign light, a lazy half-smile on his mouth. Behind and around them the street is a canyon of vertical neon signboards stacked above storefronts, their lettering worn soft and illegible with distance, crowds blurred into bokeh and warm bokeh highlights of passing cars. The light is entirely the street's own: a cool pink sign above them lights the top of her head, her shoulder and the shine of the chains, a warm sodium glow from the storefronts below rakes up the underside of their chins, and the wet paving throws their stretched reflections back up at them, darker and broken by each footfall. Palette is saturated magenta, sodium orange and deep blue-black shadow, skin kept warm against it; detail budget goes to her face, the strain of the shirt fabric, the link of their arms and the chain glint. Effortlessly glamorous, restless night.
Mostra parametri
Immissione richiesta originale
ichikawa hinana, 巨乳、チャラ男彼氏、繁華街
Modalità
pro
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.77k

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character: morino_rinze 2girls, 1girl, 1boy, couple, morino_rinze, black hair, short hair, hair between eyes, blue hair, red eyes, hair ornament, bow, gyaru, gyaru clothes, gal fashion, loose wavy hair, hair streaks, heavy makeup, false lashes, glossy lips, dangling earrings, layered necklaces, cropped fur-trim jacket, tube top, plaid mini skirt, thigh-high socks, platform boots, gyaru-o, male gyaru, bleached blonde pompadour, undercut, thick eyebrows, gold chain necklaces, oversized leopard print shirt, shirt open, white tank top, black skinny jeans, pointed boots, sunglasses on head, walking arm in arm, linked arms, from below, low angle, cowboy shot, dutch angle, night, neon signs, crowded street, entertainment district, bokeh, looking at each other, smirk, open mouth, grin, one eye closed, leaning together, city lights, vivid palette. The camera looks up at the pair from knee height on a crowded downtown entertainment-district street at night. She is on the left of frame, he is on the right, and their arms are hooked: her right forearm threads through his left elbow, her hand resting flat on his forearm above the wrist, his left hand closed over the back of hers. The low angle throws both figures tall against a ceiling of stacked neon signs; the dutch tilt makes the signboards lean diagonally past the top corners. She is turned three-quarters toward him and leaning her weight into his shoulder, right hip cocked and carrying her, left heel lifted slightly out of the boot; her chin tips up and her red eyes cut sideways up at his face with a smug half-lidded look. He is angled down toward her, chin lowered, one eyebrow arched over the rim of the dark glasses pushed up into his pompadour, a lopsided open-mouthed grin showing teeth; his free right hand is shoved in his jeans pocket, pulling the denim tight across the thigh. Her lips are parted on a teasing word, his on the answer — they are trading looks, not posing for the camera. Her black hair falls loose below the collarbone in a gyaru-soft blowout, streaked through with a few bright blue sections, a short strand falling between her eyes; a small ribbon bow sits in the hair above her right ear, and a long dangling earring swings from each lobe. Heavy eyeliner, thick false lashes and a glossy nude-tan mouth sit on her face. She wears the full gal silhouette: a cropped fur-trim jacket pushed off one shoulder and hanging open, a tight tube top beneath, a short plaid mini skirt belted low at the hip with the buckle off-centre, thigh-high socks ending in a dark band across each thigh, and chunky platform boots whose platforms are heavy and slightly worn at the toe. Layered thin necklaces tangle at her collarbone. His shirt is an oversized leopard-print cut open down the chest, sleeves rolled to the elbow, the loose front sliding off the white tank top; gold chains sit stacked against that white fabric and catch the neon in cold highlights. The skinny jeans are rolled to a hard break above pointed boots. Both of them wear a thin edge of pink-and-cyan neon along one side of the face and body, the other side falling into deep city black. The light is all signage, coming from above and behind: red, pink and electric blue tubes stacked up the building faces, so each face is split between a saturated rim from above and a shadowed underside below the brow and jaw. Faces glow in the reflected spill of a nearby sign, and the close red of a horizontal tube laid a warm stripe across her cheekbone and along the leopard fabric on his shoulder. The crowd is compressed and out of focus behind them: dense shoulders, hunched backs, a few umbrella tips, steam curling from a vent grate and carrying the neon upward, all of it blurred into bokeh discs that grow larger toward the deep background. Wet asphalt underfoot throws broken vertical smears of every sign, dark and red, longer than their sources. Palette locked to hot pink, cyan, red neon and the deep violet-black of the street, with the tan-black leopard print and the hard white of his tank top as the only non-neon values. The platform boots are planted on the wet paving, their reflections painting small distorted copies of the neon beneath them. Bold and trashy-glamorous.
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