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AI art "紅葉を楽しむお姉さん" featuring #maglione, #cappotto and #foresta
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紅葉を楽しむお姉さん

Arte IA «紅葉を楽しむお姉さん» di mochokoi su PixAI. Tag: foresta. Creato con Tsubaki.2.

#maglione#cappotto#foresta
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A photorealistic three-quarter editorial shot at eye level captures a 20-year-old Japanese woman, Yuno, mid-stride on a wooded path in a Tokyo garden. She is positioned centrally, turning her torso 45 degrees to the right while looking back over her shoulder with a sharp yet gentle gaze and lips gently closed. She has an oval face, large expressive brown eyes, and medium-length wavy chestnut-brown hair with light fringe. She wears an open burnt-orange wool coat over a precisely fitted cream knit top with a ribbed waistband and dark-grey wide trousers, with her left hand lightly gripping the coat's edge at her waist. The environment features an earthen path covered in amber and russet fallen leaves, flanked by dense trees that fade into a soft evening bokeh. The lighting is a soft, cloudy evening with low warm sunset breaks creating a rim light on her hair and subtle amber reflections from the leaves. The image has a cinematic depth of field, with high-fidelity skin textures and an 85mm lens perspective.
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Immissione richiesta originale
OBJECTIVE Three-quarter editorial shot, framed to just below the knees, 85mm lens look, vertical 4:5. Photorealistic fashion editorial photograph of one adult Japanese woman, Yuno (Sase Yuno), solo. Yuno is a fictional Japanese idol, 20 years old and an adult. The last soft light of a cloudy evening in the wooded path of a Tokyo garden: fox-coloured fallen leaves cover the earthen path, the trees deepen on both sides, and she looks back over her shoulder for one moment before slipping away. The fox is present only as an impression — in the colour of her coat and the leaves, in the depth of the wood, and in the sharpness and softness of her gaze. No fox, no mask, no shrine, no costume. The scene, fashion, camera and story may change; she does not. Never substitute a generic AI beauty face. IDENTITY — YUNO (fidelity mitigation v2) Use the attached Yuno01.png as her exclusive identity anchor (the face visual sheet supports angles/expressions; the primary governs frontal structure). Preserve: a balanced, longer oval face with a smooth forehead-to-chin flow, a gently tapered jaw and a softly defined chin — her face must NOT be slimmed, narrowed or sharpened, and must NOT be rounded, shortened, widened or softened either: no added cheek volume, no rounder jaw curve, no fuller lower face than her reference; clearly defined, naturally arched eyebrows with real presence; large expressive brown eyes with a defined double-eyelid line and a crisp lash line, and a sharp yet gentle, intelligent gaze — her expression must NOT go muted, sleepy or unfocused; a straight, well-defined nose bridge with a refined tip; full, well-defined lips in a saturated rosy pink with a natural glossy sheen, at her reference's natural mouth width — her lips must NOT go pale, matte, thin or muted; clear skin with natural texture; medium-length wavy chestnut-brown hair with soft volume, loose waves and light fringe. No facial redesign, no generic AI beauty-face substitution, and no trait borrowed from Lumina. Default expression: lips gently together; any smile must be specified explicitly in the brief. BODY LINE — YUNO (§5A + §5B + SOFT FULLNESS + PROPORTION TARGET + §5C layered / open coat + fitted knit) Preserve her established body proportions and silhouette: balanced, realistic proportions throughout; soft, smooth skin with natural texture and subtle tonal variation; a graceful, continuous curve from her waist to her hips, maintained across outfits, poses, angles and scenes, with natural variation from pose and lighting only, and no artificial exaggeration. Give her the shared approved body-line setting: a beautifully full, softly rounded bustline — a rich, attractive, feminine fullness with a smooth, generously rounded silhouette, shaped and supported elegantly by the garment's fitted bodice, with realistic fabric tension and draping that follow the curve without distorting surface detail; the fuller rounded bodice set against a clearly defined, narrower waist. Carry the chest simply: one plain, continuous garment surface over the bust, no seam panels across the bust and no ruching or gathering sculpting the chest. SOFT FULLNESS: her silhouette is softly fuller in both its upper and lower lines, her waist staying clearly defined and narrower between them — defined by the garment's fit and the smooth fall of its silhouette, never by a tense or athletic line; her whole figure reads soft and supple, with smooth, pliant curves and fabric that settles over the curves with calm, even tension; this softness belongs to her body's silhouette only and never changes her face. PROPORTION TARGET: a generously rounded, richly full upper line whose fullness is distributed broadly across the horizontal width of the bodice, and a lower line that eases out fuller by a matching amount, the two balanced around a waist that stays distinctly and clearly narrower than either — at roughly two-thirds of their read — the contrast strong and unmistakable, carried only by the garment's fitted silhouette, its smooth drape and its calm, even fabric tension. Garment interaction (layered / open coat + fitted knit): her burnt-orange mid-length wool coat is worn OPEN over the precisely fitted cream knit top named in her wardrobe below, so the body line is carried by the fitted layer at the open front — its fine knit surface smooth and continuous over the bust, its defined ribbed waist band carrying the waist contrast; her wide trousers then carry the lower line by their long, straight drape from the waistband; the coat's own weight and open front edges follow gravity naturally and never soften the read. CAST, POSITION AND ACTION (frame terms) Solo frame, three-quarter length to just below the knees. Yuno is caught mid-stride on the earthen path, turning back: her torso is turned roughly forty-five degrees toward frame-right so her bodice silhouette, inward waist line and waist-to-hip line read as one continuous side-aware line, her head turned back over her shoulder so her face stays near-frontal and readable. Her weight rests on her frame-left leg, her frame-right foot just placed ahead on the path, the coat's hem beginning to swing with the step. Her gaze meets the camera, sharp yet gentle, lips gently together. Her frame-left hand lightly holds the open front edge of her coat at the side of her waist — a named garment contact, with its small contact shadow — leaving the centre of her waist uncovered; her frame-right hand rests empty and relaxed at her side. Both hands and arms stay clear of the bodice line. She holds no props. WARDROBE — YUNO (Design → Construction → Material → Behavior) Design: a burnt-orange mid-length wool coat worn open, over a cream fitted knit top and dark-grey wide trousers, with boots. Construction: the coat has a clean open front with no fastening worn closed, soft structured shoulders and straight sleeves; under it, the precisely fitted fine-knit top presents one plain, continuous surface from its round neckline to a defined ribbed waist band at her natural waist; the wide trousers fall straight from the waistband with a clean front crease; small gold stud earrings only. Material: matte wool coating for the coat, fine smooth knit for the top, smooth matte suiting cloth for the trousers, smooth leather for the boots. Behavior: the coat's open front edges hang and swing slightly with her step by their own weight, never covering the knit top's waist band; the knit follows her contours with calm, even tension; the trousers drape in long, unbroken lines from the waist. ENVIRONMENT (as space — a beautiful background) Foreground: fox-coloured fallen leaves — amber, russet and burnt orange — scattered thickly at the lower edge of the frame, softly out of focus. Midground: Yuno on the narrow earthen path, with trees and shrubs standing one to three metres behind her on both sides, their trunks individually readable near her and softening with distance. Background: the wood deepening behind her into soft evening bokeh, thin warm shafts of the last sunlight finding the gaps between the trees, the path curving away and disappearing into the shade. No other people, no signs, no readable lettering anywhere. LIGHTING (by role, one named scheme: soft cloudy evening with low warm sunset breaks) Key: the soft diffused evening light from frame-left models her face and the open coat front, revealing the knit texture at the waist band. Fill: open-sky ambient keeps the coat's wool texture and the trousers' drape readable in shadow. Rim: a low warm break of sunset through the trees behind frame-right separates her wavy hair's edge and the coat's shoulder from the darker wood. Reflected: the warm leaf litter returns a faint amber bounce into the coat's lower folds. She casts one soft, physically consistent shadow onto the path beside her, lit by the same light as the garden. FINISH — PHOTOREAL TEXTURE & OPTICS Skin: photorealistic skin texture with fine pore detail and a natural subsurface warmth where the light passes at her ears and fingertips; subtle natural imperfections only where her own reference shows them; never plastic, never airbrushed, never waxy. Eyes: highly detailed irises with natural catchlights from the soft evening key light; gaze as specified in CAST. Hair: individually rendered strands, with fine wisps catching the warm rim light at the edges; no helmet-like hair mass. Optics: cinematic depth of field — the wood behind her melted into soft bokeh while she stays tack-sharp; calm evening air; she is lit by the same light as her environment. Lighting: soft cloudy evening with low warm sunset breaks, physically consistent across the whole frame. CAMERA AND INTEGRATION Three-quarter framing to just below the knees at eye level, 85mm lens look, vertical 4:5; her head in the upper third with the wooded path deepening behind her. Integration: one photographic environment — consistent perspective, scale, light direction, reflections and shadows across her, her wardrobe and the garden; nothing pasted-on. NEGATIVES No fox animal, no fox mask, no animal ears or tail props, no shrine and no costume or stage styling — an everyday evening editorial only; no second person and no background people; no trait borrowed from Lumina and no generic AI beauty face; no readable text, signs, logos or lettering anywhere; no plastic skin, no airbrushed skin, no waxy skin, no 3D-render look, no oversaturated colour.
Modalità
standard
Dimensione
768 x 1280

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
20.08k

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