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AI art "field of flowers"
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field of flowers

Arte IA «field of flowers» di Pier Doon su PixAI. Tag: coda di cavallo, Pelle scura, ornamento per capelli. Creato con Tsubaki.3.

#Seno#sdraiato#Vestito#coda di cavallo#Pelle scura#ornamento per capelli#solo#Capelli neri#Supino#campo#fiore#sguardo verso lo spettatore#1 ragazza#Tatuaggio#bocca chiusa#Donna dalla pelle scura
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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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刘
1girl, solo, medium breasts, breasts, short hair, black hair, multicolored hair, blue eyes, sidelocks, looking at viewer, open mouth, parted lips, arched back, arms behind back, holding weapon behind back, weapon, full body, cowboy shot, full-body tights, bodysuit, skin tight, tight fit, outline, only bodysuit, bare shoulders covered by bodysuit, character centered, center composition, giant stone hands, cupped hands, pale gray stone, moss, finger joints, cracks, wildflowers, blue mirrortree blossoms, magenta bellflowers, golden buttercups, strong wind, swirling spiral, blue petals, dandelion fluff, motion blur, stone fingers, sunlit ruins, overgrown sanctuary, green cliffside, emerald hills, flower fields, misty blue mountains, clear sky, cumulus clouds, golden sun rays, backlighting, rim light, high fantasy, from below, foreshortening, A full-body view from slightly below, the girl placed dead center in the frame so that she stands at the exact midpoint between the two enormous stone palms rising on either side of her. The camera sits low, near the level of the moss-covered wrists, so she is seen against the sky: her whole figure from the boots of her seamless bodysuit to the crown of her head fits inside the frame with a breath of air above her hair and below her heels, and the giant hands frame her like the two halves of a cupped cathedral. Her single garment is a full-body skin-tight bodysuit that sheathes her continuously from the base of her throat to her ankles and along both arms to the wrists, no seam, no gap, nothing worn over or under it -- the only thing on her body, stretched thin enough that it reads the contour of her shoulders, her medium breasts, the flat of her stomach and the muscle of her thighs, and catching a hot gold rim of light along every outer edge so the silhouette glows white-gold against the darker stone behind. She arches her back, chest pushed up and hips tilted forward, spine bent in a long C, both arms swept behind her where her gloved-in-suit hands grip the haft of a weapon held low and out of sight behind her waist -- only a sliver of the shaft and the curve of a blade tip escape past her right hip, and the strain of holding it pulls her elbows back and her shoulder blades together. Her short black hair is chopped at the jaw with long sidelocks falling past her cheeks, and the multicolored strands -- a flare of deep blue and a thread of magenta through the black -- whip sideways in the gale, some locks flung across her face. Her chin tips up, her lips are parted and her mouth open as if she is shouting something into the wind that the picture never lets us hear, and her blue eyes are fixed straight on the viewer, bright and unafraid. Behind her and to either side, the giant stone hands rise out of the hillside: pale gray stone, weathered and pitted, each finger joint carved as a distinct bulging knuckle, deep cracks running along the knuckles and the palm lines and packed with dark soil, cushions of green moss filling the creases and creeping over the upcurled fingertips, and the two palms cupped toward each other, enclosing a bowl of air in which she stands. In the hollow of those cupped hands, wildflowers grow out of the moss: blue mirrortree blossoms clustering in five-petaled drifts, magenta bellflowers nodding on thin stems from the crevices, golden buttercups scattered low and bright. The strong wind bends every stem the same direction and lifts a swirling spiral of blue petals and dandelion fluff that turns counter-clockwise through the air around her, the nearest petals smeared into soft motion-blur streaks while the stone fingers behind them stay crisp and sharp. The whole scene is a sunlit ruin reclaimed by an overgrown sanctuary: broken columns and toppled masonry half-buried in green, a green cliffside dropping away at the frame's left edge, emerald hills rolling out below, terrace upon terrace of flower fields banded with color, and beyond them the misty blue mountains fading in pale layered haze under a clear sky stacked with white cumulus clouds. The sun sits low behind the stone hands and behind her, so the light comes from the rear: golden sun rays break between the fingers and fan out past her silhouette, the stone palms fall mostly into shadow with their edges burning gold, and her body is lit only by that rim light and the bounce off the sunlit moss -- a bright hot edge down her arms, her flank, her thigh and the side of her jaw, her front falling into a cool shadow that keeps her blue eyes readable. Palette held to pale gray stone, emerald and moss green, gold, and the two flower accents of blue and magenta, nothing else admitted. The cascade of petals and the gold of the rim light make the wind visible. Soaring high fantasy, windswept and triumphant.
刘暗星

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ