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C9I

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C9I

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single jellyfish, one jellyfish only, glowing jellyfish, translucent bell, delicate trailing tentacles, long filamentous tentacles, pale blue and violet bioluminescence, neon glow, gentle glow, self-luminous, alien otherworldly appearance, ethereal, fragile, mysterious, floating, drifting, suspended in water, pitch-black underwater abyss, completely black empty surrounding water, deep blacks, cinematic macro shot, close-up, from below, slight upward angle, dark background, no text, no letters, no typography, no watermark, no signature, clean image surface, film grain, 16:9, cinematic lighting, hyper-detailed, silent, beautiful, quietly mesmerizing. A cinematic macro shot framed from slightly below, looking up at one single jellyfish suspended alone in a pitch-black underwater abyss, the only living thing in the frame and the only source of light. Its translucent bell fills the upper-middle of the 16:9 frame, tilted a little off-axis and mid-pulse: the bell's rim has just begun to curl inward on the near side, the far rim still flared open, the thin ectoderm stretched glassy so the black water reads faintly through its crown. From the underside of the bell hang the delicate tentacles, long filaments and a few finer ruffled oral arms, trailing softly downward and to the right on a slow current that the eye can trace as a gentle S-curve; the outermost strands thin to single threads and fade out into the dark, the nearest ones crossing in front of the bell's glowing rim so the light fringes them. Nothing else is in the water: no fish, no particles of note, no horizon, no surface, no seabed, no caustics, no sand, no plants, no bubbles rising anywhere but the faint few shed from the bell's edge; the surrounding water is completely black and empty on all sides, framing the animal in a wide margin of negative space that swallows the frame edges. The creature's alien otherworldliness comes from its geometry and its light: a pale blue radiance blooms through the bell's dome and along its rim like a thin neon halo, while the tentacles and oral arms carry a colder violet glow that intensifies toward their tips and fades out before their ends, so each filament looks like a strand of light rather than flesh. The glow is the scene's only light source and it lights almost nothing: a scant pale-blue falloff kisses the water within a hand's width of the bell's rim and dies instantly into absolute black beyond it, and there is no key light, no fill, no other source anywhere; where the bell overlaps its own tentacles the near filaments silhouette dark against the glow behind them, and the tentacles cast no shadow because there is no surface to catch one. Colour discipline: deep black ground, pale blue in the bell's dome and rim, violet in the trailing filaments, and nothing else admitted. The film grain sits visible in the smooth black gradients as well as on the lit tissue, and the black is a true deep black that clips to darkness at the frame edges, not a lifted grey. Detail budget goes to the bell's translucency, the wet sheen along its rim, and the separate, individually readable filaments of the trailing tentacles thinning to points. Fragile, glowing, silent; quietly mesmerizing.
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A single, ethereal jellyfish floating in a pitch-black underwater abyss. Its delicate tentacles are trailing softly, and it emits a gentle, neon-bioluminescent glow (pale blue and violet). It looks like an alien from another world. The surrounding water is completely black and empty. Mood: fragile, glowing, mysterious, silent, beautiful, floating. Cinematic macro shot, deep blacks, glowing blues and purples, 8k, hyper-detailed, film grain. No text, no watermark. --ar 16:9
Modalità
pro
Dimensione
992 x 992
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of C9I
single jellyfish, one jellyfish only, glowing jellyfish, translucent bell, delicate trailing tentacles, long filamentous tentacles, pale blue and violet bioluminescence, neon glow, gentle glow, self-luminous, alien otherworldly appearance, ethereal, fragile, mysterious, floating, drifting, suspended in water, pitch-black underwater abyss, completely black empty surrounding water, deep blacks, cinematic macro shot, close-up, from below, slight upward angle, dark background, no text, no letters, no typography, no watermark, no signature, clean image surface, film grain, 16:9, cinematic lighting, hyper-detailed, silent, beautiful, quietly mesmerizing. A cinematic macro shot framed from slightly below, looking up at one single jellyfish suspended alone in a pitch-black underwater abyss, the only living thing in the frame and the only source of light. Its translucent bell fills the upper-middle of the 16:9 frame, tilted a little off-axis and mid-pulse: the bell's rim has just begun to curl inward on the near side, the far rim still flared open, the thin ectoderm stretched glassy so the black water reads faintly through its crown. From the underside of the bell hang the delicate tentacles, long filaments and a few finer ruffled oral arms, trailing softly downward and to the right on a slow current that the eye can trace as a gentle S-curve; the outermost strands thin to single threads and fade out into the dark, the nearest ones crossing in front of the bell's glowing rim so the light fringes them. Nothing else is in the water: no fish, no particles of note, no horizon, no surface, no seabed, no caustics, no sand, no plants, no bubbles rising anywhere but the faint few shed from the bell's edge; the surrounding water is completely black and empty on all sides, framing the animal in a wide margin of negative space that swallows the frame edges. The creature's alien otherworldliness comes from its geometry and its light: a pale blue radiance blooms through the bell's dome and along its rim like a thin neon halo, while the tentacles and oral arms carry a colder violet glow that intensifies toward their tips and fades out before their ends, so each filament looks like a strand of light rather than flesh. The glow is the scene's only light source and it lights almost nothing: a scant pale-blue falloff kisses the water within a hand's width of the bell's rim and dies instantly into absolute black beyond it, and there is no key light, no fill, no other source anywhere; where the bell overlaps its own tentacles the near filaments silhouette dark against the glow behind them, and the tentacles cast no shadow because there is no surface to catch one. Colour discipline: deep black ground, pale blue in the bell's dome and rim, violet in the trailing filaments, and nothing else admitted. The film grain sits visible in the smooth black gradients as well as on the lit tissue, and the black is a true deep black that clips to darkness at the frame edges, not a lifted grey. Detail budget goes to the bell's translucency, the wet sheen along its rim, and the separate, individually readable filaments of the trailing tentacles thinning to points. Fragile, glowing, silent; quietly mesmerizing.
C9I
AI artwork
Avatar image of C9I
single jellyfish, one jellyfish only, glowing jellyfish, translucent bell, delicate trailing tentacles, long filamentous tentacles, pale blue and violet bioluminescence, neon glow, gentle glow, self-luminous, alien otherworldly appearance, ethereal, fragile, mysterious, floating, drifting, suspended in water, pitch-black underwater abyss, completely black empty surrounding water, deep blacks, cinematic macro shot, close-up, from below, slight upward angle, dark background, no text, no letters, no typography, no watermark, no signature, clean image surface, film grain, 16:9, cinematic lighting, hyper-detailed, silent, beautiful, quietly mesmerizing. A cinematic macro shot framed from slightly below, looking up at one single jellyfish suspended alone in a pitch-black underwater abyss, the only living thing in the frame and the only source of light. Its translucent bell fills the upper-middle of the 16:9 frame, tilted a little off-axis and mid-pulse: the bell's rim has just begun to curl inward on the near side, the far rim still flared open, the thin ectoderm stretched glassy so the black water reads faintly through its crown. From the underside of the bell hang the delicate tentacles, long filaments and a few finer ruffled oral arms, trailing softly downward and to the right on a slow current that the eye can trace as a gentle S-curve; the outermost strands thin to single threads and fade out into the dark, the nearest ones crossing in front of the bell's glowing rim so the light fringes them. Nothing else is in the water: no fish, no particles of note, no horizon, no surface, no seabed, no caustics, no sand, no plants, no bubbles rising anywhere but the faint few shed from the bell's edge; the surrounding water is completely black and empty on all sides, framing the animal in a wide margin of negative space that swallows the frame edges. The creature's alien otherworldliness comes from its geometry and its light: a pale blue radiance blooms through the bell's dome and along its rim like a thin neon halo, while the tentacles and oral arms carry a colder violet glow that intensifies toward their tips and fades out before their ends, so each filament looks like a strand of light rather than flesh. The glow is the scene's only light source and it lights almost nothing: a scant pale-blue falloff kisses the water within a hand's width of the bell's rim and dies instantly into absolute black beyond it, and there is no key light, no fill, no other source anywhere; where the bell overlaps its own tentacles the near filaments silhouette dark against the glow behind them, and the tentacles cast no shadow because there is no surface to catch one. Colour discipline: deep black ground, pale blue in the bell's dome and rim, violet in the trailing filaments, and nothing else admitted. The film grain sits visible in the smooth black gradients as well as on the lit tissue, and the black is a true deep black that clips to darkness at the frame edges, not a lifted grey. Detail budget goes to the bell's translucency, the wet sheen along its rim, and the separate, individually readable filaments of the trailing tentacles thinning to points. Fragile, glowing, silent; quietly mesmerizing.
C9I
AI artwork
Avatar image of C9I
single jellyfish, one jellyfish only, glowing jellyfish, translucent bell, delicate trailing tentacles, long filamentous tentacles, pale blue and violet bioluminescence, neon glow, gentle glow, self-luminous, alien otherworldly appearance, ethereal, fragile, mysterious, floating, drifting, suspended in water, pitch-black underwater abyss, completely black empty surrounding water, deep blacks, cinematic macro shot, close-up, from below, slight upward angle, dark background, no text, no letters, no typography, no watermark, no signature, clean image surface, film grain, 16:9, cinematic lighting, hyper-detailed, silent, beautiful, quietly mesmerizing. A cinematic macro shot framed from slightly below, looking up at one single jellyfish suspended alone in a pitch-black underwater abyss, the only living thing in the frame and the only source of light. Its translucent bell fills the upper-middle of the 16:9 frame, tilted a little off-axis and mid-pulse: the bell's rim has just begun to curl inward on the near side, the far rim still flared open, the thin ectoderm stretched glassy so the black water reads faintly through its crown. From the underside of the bell hang the delicate tentacles, long filaments and a few finer ruffled oral arms, trailing softly downward and to the right on a slow current that the eye can trace as a gentle S-curve; the outermost strands thin to single threads and fade out into the dark, the nearest ones crossing in front of the bell's glowing rim so the light fringes them. Nothing else is in the water: no fish, no particles of note, no horizon, no surface, no seabed, no caustics, no sand, no plants, no bubbles rising anywhere but the faint few shed from the bell's edge; the surrounding water is completely black and empty on all sides, framing the animal in a wide margin of negative space that swallows the frame edges. The creature's alien otherworldliness comes from its geometry and its light: a pale blue radiance blooms through the bell's dome and along its rim like a thin neon halo, while the tentacles and oral arms carry a colder violet glow that intensifies toward their tips and fades out before their ends, so each filament looks like a strand of light rather than flesh. The glow is the scene's only light source and it lights almost nothing: a scant pale-blue falloff kisses the water within a hand's width of the bell's rim and dies instantly into absolute black beyond it, and there is no key light, no fill, no other source anywhere; where the bell overlaps its own tentacles the near filaments silhouette dark against the glow behind them, and the tentacles cast no shadow because there is no surface to catch one. Colour discipline: deep black ground, pale blue in the bell's dome and rim, violet in the trailing filaments, and nothing else admitted. The film grain sits visible in the smooth black gradients as well as on the lit tissue, and the black is a true deep black that clips to darkness at the frame edges, not a lifted grey. Detail budget goes to the bell's translucency, the wet sheen along its rim, and the separate, individually readable filaments of the trailing tentacles thinning to points. Fragile, glowing, silent; quietly mesmerizing.
C9I

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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