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AI artwork featuring #Gigantessa, #Fata, #Tramonto, #Vestito bianco, #1 ragazza, #Controluce, #Ali trasparenti and #occhi fuori dall'inquadratura
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Gigantessa, Fata

#Gigantessa#Fata#Tramonto#Vestito bianco#1 ragazza#Controluce#Ali trasparenti#occhi fuori dall'inquadratura
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Kyohraku

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1girl, solo, 20 years old, standing, self hug, arms hugging own torso, cowboy shot, head out of frame, eyes out of frame, mouth visible, smiling, closed mouth, from front, covered body silhouette, white dress, double flare skirt one-piece dress, sleeveless, fairy wings, long hair, blonde hair, contrapposto, head tilt, large breasts, many fairies, chibi fairies, cute fairies, flying fairies, fairies smiling, open mouth, short blonde hair, backlighting, rim light, glowing edges, bloom, bokeh, lens flare, warm golden light, silhouette, dark foreground figure, glowing background, depth of field, looking up, looking to the side, The camera sits low and slightly below chest height, frontal to the woman's torso, and the top edge of the frame cuts her off just under the nose: her mouth stays inside the picture, her eyes and everything above them are outside it. She stands with her weight sunk into her right hip, left knee relaxed and turned slightly out, shoulders tipped the other way in contrapposto, chin dipped and tilted toward her left shoulder in a small head tilt that stays readable even with the eyes cropped away. Both arms cross her own waist and draw inward in a self hug, her right hand closed around her left forearm just below the elbow, her left hand tucked flat against her right ribs, fingertips pressing the white fabric into shallow creases; the cloth pulls taut across her large chest and gathers in a soft Y of folds between her hands. Her dress is a single white piece with a double flare skirt: a fitted sleeveless bodice, then a first flared tier breaking at the hip and a second, wider tier swinging out below it, both hems lifting a little on the side away from her weight. Her body reads as a covered silhouette — the whole figure met by light from behind, the front of the dress falling into a smooth pale shadow, no detail resolved on the chest or waist beyond the fold lines, her long blonde hair hanging down past her shoulders and along her back where the strands nearest the edge catch fire. Behind her, tattered insect-like fairy wings spread wide and slightly up, and the backlight passes through their membranes so the veins show as dark threads and the panels glow translucent. The only light source is a low sun squarely behind her, so every edge of her — hair outline, shoulders, the rims of both skirt tiers, the wing margins — is drawn in a hot gold line while her front stays comparatively dark; a faint lens flare and a scatter of bokeh float where the light spills past her hip, and the ground beyond her is a warm hazy blur with no castle, no path, no architecture. Scattered around her at her chest and shoulder height, a swarm of chibi fairies flies: tiny plump bodies with round heads and stubby limbs, short blonde hair bouncing, mouths wide open in mid-laugh, each with small wings beating fast enough to blur. Three of them hover close to her right shoulder, one skims the crown of her hair, two more drift low beside the second skirt tier, and their tiny shadows and the disturbed glow around them mark where they cross the beam. Where each fairy passes in front of the sun its silhouette goes momentarily dark and its wing edge flares white. Palette is disciplined to three: warm gold light, deep umber shadow, and white — the dress, the wing membranes, the fairies' pale skin. The light behaves like real backlight throughout: her front is a softer, darker version of her outline, the wing membranes go bright only where the sun is directly behind them and stay dull at their edges, and the fairies nearest the beam are rimmed while the ones off to the side fall into shade. Soft anime cel shading with clean linework, a shallow depth of field holding the girl crisp and the golden haze behind her soft, no invented text anywhere in the frame. Warm, dreamy, gently radiant.
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Immissione richiesta originale
1girl, many fairy, backlighting, #1girl, 20 years old, standing, self hug, cowboy shot, head out of frame, smiling mouth, closed mouth, form front, covered body silhouette, white dress, double flare skirt one-piece, fairy wings, long hair, blonde hair, contrapposto, head tilt, large breasts, #many fairy, chibi, cute, flying, smile, open mouth, short hair, blonde hair,
Modalità
flash
Dimensione
992 x 992
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.90k

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AI artwork
Avatar image of Kyohraku
1girl, solo, many fairies, multiple fairies, backlighting, 20 years old, adult, standing, self hug, arms crossed over chest, hands gripping opposite upper arms, cowboy shot, head out of frame, eyes out of frame, nose and mouth visible, from front, covered body silhouette, white dress, double flare skirt one-piece dress, fairy wings, long hair, blonde hair, contrapposto, head tilt, large breasts, smiling mouth, closed mouth, chibi fairies, cute fairies, flying fairies, fairies smiling, fairies open mouth, fairies short hair, fairies blonde hair, small wings, glowing rim light, golden backlight, bloom, bokeh, translucent glow, warm palette, shallow depth of field, serene, luminous The camera is frontal and low-set in a cowboy shot that cuts the main figure at mid-thigh, and the top edge of the frame slices clean across her face just below the cheekbones: the eyes and brow are entirely outside the image, while her tipped chin, the soft curve of her closed smiling mouth and the bridge of her nose stay in view. She stands in contrapposto, weight sunk into her left hip and left leg, right knee relaxed and turned slightly inward, shoulders counter-tilted the opposite way so her torso draws a long shallow S. Both arms fold across her chest in a self-hug, forearms stacked over the white fabric, each hand clamped around the opposite upper arm with fingers pressed flat into the sleeve, the squeeze pulling the bodice taut so the bust reads full and rounded beneath it. Her head tilts toward her right shoulder, chin dipping, and the long blonde hair spills down that side and gathers over her wrapped arms, its ends lifting slightly as if stirred by the wings' downwash. The fairy wings rise behind her shoulders, iridescent membranes faintly veined, edges dissolving into the glare. All around and above her, the swarm of chibi fairies flies — diminutive round-limbed figures with short blonde hair and small wings, each one caught mid-flight with open-mouthed smiles, some hovering at her shoulder height, a few darting higher through the flare of light, one little fairy poised right at the cropped upper edge where her hidden eyes would be. The light source sits directly behind her and the swarm: a strong golden backlight that rims her hair, her shoulders, the wing edges and every fairy in a hot glowing outline while their front faces fall into soft relative shadow, the white dress turning luminous at its border and dimmer toward the middle of her body; bloom blooms around the brightest edges, and loose bokeh discs of warm light float in the deep space behind. Airborne dust and fairy dust catch the beam as tiny sparks that glow only where they cross the light — nothing glows on the shadowed front of her. The palette is held to warm gold, cream white, pale blonde and honeyed shadow, nothing else admitted. Quiet, luminous serenity.
Kyohraku
#Capelli biondi#Sorriso#Ali
AI artwork
Avatar image of Kyohraku
1girl, solo, 20 years old, adult, long blonde hair, fairy wings, white dress, double flare skirt, one-piece dress, covered body silhouette, large breasts, standing, contrapposto, self hug, arms crossed over chest, hands gripping own upper arms, head tilt, closed mouth, smiling, smile, facing front, cowboy shot, head out of frame, eyes out of frame, nose and mouth visible, from below, many fairies, chibi fairies, cute fairies, flying fairies, short blonde hair fairies, open mouth fairy smiles, backlighting, glowing edges, rim light, golden hour, bokeh, bloom, lens flare, warm gold palette, airy atmosphere Shot from below in a tight cowboy shot, the frame cuts clean across the woman's brow so her eyes stay outside the image while her tilted face angles down into view from the left — nose, closed-lipped smile and the soft underside of her chin visible, chin dipping toward her own right shoulder in the head tilt. Her body faces the camera square, weight sunk onto her right leg with the left knee bent and the left hip lifted, the contrapposto pushing the white one-piece off-axis; both arms cross in front of her chest in a self hug, each hand closed lightly around the opposite upper arm, fingers pressing shallow dents into the fabric, the double flare skirt of the one-piece breaking into two soft tiers that swing away from her right hip. Long blonde hair falls forward over both shoulders and past the crossed arms, faintly blowing to one side. Her fairy wings lift from her back, translucent, faint vein structure catching the light, the right wing angled wide and the left wing half-folded behind her shoulder. Behind her, a cluster of palm-sized chibi fairies with short blonde hair and pale wings hovers at chest and shoulder height, each mid-flight and each with an open-mouthed happy smile — one banking steeply with knees tucked near her left arm, another hovering just above her shoulder with wings blurred in a fast beat, a third nearer the lens and slightly out of focus so the cluster gains depth without competing with her silhouette. Their wings smear with motion; hers hold the light still. The single light source sits low and far behind the subjects: a warm gold backlight that rims her hair, her shoulders and every fairy's outline in a bright halo, leaves the front of the white dress in soft shadow with only a gentle bounce lifting the fabric folds, and pools the background in warm haze — no other light source admitted. The overlapping wings of the flying chibis throw faint, softly-edged colored shadows onto her white skirt where they pass between her and the glare, so the air in front of her is visibly lived-in. Palette is gold, cream and warm translucent white, with cool grey-blue kept only in the shadows of the dress and the fairies' wing membranes. Quiet, dreamy, luminous.
Kyohraku
#Capelli biondi#Sorriso#Fata
AI artwork
Avatar image of Kyohraku
1girl, solo, many fairies, multiple fairies, backlighting, backlit, cowboy shot, head out of frame, forehead cropped, eyes out of frame, mouth visible, from front, front view, standing, contrapposto, hip sway, self hug, arms crossed over chest, hands gripping own upper arms, head tilt, closed mouth, smiling, closed-mouth smile, large breasts, white dress, one-piece dress, double flare skirt, layered flared skirt, fairy wings, translucent wings, long hair, blonde hair, covered silhouette, chibi fairies, cute fairies, flying fairies, short hair fairies, blonde fairies, fairy open mouth, fairy smile, glowing wings, bloom, bokeh, lens flare, golden light, warm rim light, dark foreground silhouette Front view, cowboy shot cropped at the mid-thigh, and the frame's top edge cuts straight across the blonde woman's forehead so that her brow, eyes and the crown of her head sit outside the picture: only the lower half of her tilted face is in frame, the small closed smile meeting the lower lip of the frame, the chin angled down and to her right by the head tilt while the whole torso stays square to the lens. She stands in contrapposto, weight carried on her left leg with the right knee bent and the right hip dropped, and her arms fold in across her own chest in a self hug, both hands gripping the opposite upper arms, fingers pressing pale dents into the cloth; the white one-piece dress pools over her large chest and drops from the waist into a double flare skirt, a short upper tier over a longer lower tier, the hem catching the backlight as a bright translucent fringe that lets the dark of the room glow faintly through its fabric so the silhouette of her legs reads as a soft mass rather than an outline. Her long blonde hair falls in loose waves past her shoulders, its edges lit into fine flying threads, and behind her, huge and unfurled, the fairy wings spread to either side of the torso, membranes catching the light source into pearlescent gold. That light comes from a source low and directly behind her, a warm low sun beyond the wings: bright rim on the hair, shoulders, wing edges and skirt hem, a soft bloom and bokeh discs floating there, while the front of the dress and her arms stay in shadow, a quiet grey-lilac, and a long soft shadow falls forward out of frame toward the viewer. A swarm of palm-sized chibi fairies flies in a loose ring through that glow, all of them small, cute, short-haired and blonde, some with mouths open in bright laughter, some with soft closed smiles, one near her shoulder with both tiny hands up, several drifting into the flare; where they cross the light their wings flash and their bodies keep their shadowed inner sides darker than the burning edges, and where the light leaves them they dim to warm embers against the darker air. There is no ground detail, only a deep amber-to-violet falloff of open air. Golden hour warmth and tenderness.
Kyohraku
#Vestito#Capelli biondi#Ali
AI artwork
Avatar image of Kyohraku
1girl, solo, 20 years old, adult woman, long blonde hair, blonde hair, fairy wings, white dress, one-piece dress, double flare skirt, large breasts, standing, contrapposto, self hug, arms crossed over own chest, hugging own shoulders, head tilt, facing front, covered body silhouette, smiling mouth, closed mouth, blush, cowboy shot, head out of frame, face cropped above the nose, mouth and chin visible, eyes out of frame, many fairies, multiple chibi fairies, cute fairies, blonde fairies, short hair fairies, fairy wings, flying, hovering, spread around the frame, open mouth, smile, backlighting, rim light, bloom, bokeh, glowing edges, dark silhouette body, warm golden light, dramatic backlight, The camera is a cowboy shot cropped hard at the top: only the lower half of her face enters the frame -- a soft closed-mouth smile, the corner lifted on the right, the lips parted no wider than a breath, chin and jaw visible, everything above the nose cut off by the top edge of the image, so the eyes never enter the frame. She stands facing the viewer squarely, weight dropped onto her left leg with the left hip pushed out while the right knee bends and the right foot rests forward on its ball, an easy contrapposto S through the waist. Her head tilts toward her right shoulder, which pulls a lock of long blonde hair down over the collarbone. Both arms are folded across her own chest in a self hug -- her right hand grips her left upper arm, her left hand clasps her right elbow, the fingers pressing into the fabric so it creases. The white one-piece dress is fitted through the chest, straining gently at the bust, then falls into a double flare skirt: a crisp first tier gathered at the natural waist, a wider second tier breaking away from it and finishing below her knees, the hem swinging forward on her left side from the weight shift. Her fairy wings rise from her shoulder blades and spread behind her, half unseen past the crop, the membrane translucent. The backlight sits low and directly behind her, a golden sun that makes her entire silhouette read dark by comparison while a bright rim traces her shoulders, the curve of her bust, the arms wrapped around it, the skirt tiers and the edges of her wings and hair. The front of her body and dress sits in soft shadow with only a bounce of warm reflected light along her arms and jaw; the skirt is thin enough that the light glows through the lower flare where the fabric is doubled. The fairies crowd the air around and behind her -- chibi, tiny, round-limbed, blonde short hair catching the same rim, small wings blurred by motion -- each one smiling open-mouthed, some hovering at her shoulder height, a couple drifting between the camera and her hip so their glow blooms into soft bokeh circles. Each fairy faces roughly toward the viewer or toward her, their little bodies lit from behind too, so they read as sparks of gold in a warm hazy field. The backdrop is a bright, blown-out golden haze with heavy bloom and shallow depth of field; the fairies nearest the camera are soft-edged and the ones at her back are sharp. No other figure, only her and the swarm of fairies. The palette is white, gold and shadowed warm grey, nothing else admitted. Gentle, luminous.
Kyohraku
#Capelli biondi#Angelo#Fata

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