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greynico
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Mostra parametri
- Immissione richiesta originale
- masterpiece, best quality, 1girl, solo, short light blue hair, yellow eyes, .sad expression. Brightly lit police precinct hallway. Forcefully escorted, walking forward. Her body and torso face directly forward, while her head is turned to her left, looking to the right side of the frame in profile. Her arms, wrists, and hands are rigidly handcuffed behind her back, completely hidden behind her waist and torso, heavy metal shackles on her ankles. Two flanking female police officers walk slightly behind her, holding her upper arms firmly down against her sides to guide her. She is Wearing: glossy black PVC biker jacket, glossy white PVC crop top, glossy black PVC mini skirt with a front zipper, black sheer pantyhose, black heeled boots. Accessories: black choker around the neck. Detailed anime art style, sharp focus, vibrant colors, glossy PVC textures, shiny reflections, Female officers wear Japanese police uniforms and tactical vests. Harsh fluorescent lighting. The scene is set with bright cinematic lighting that highlights the intense glossy leather and PVC textures of all garments, leather reflections. High-quality anime art style, cell shading, three-quarter shot, medium-close framing, eye level, dynamic physics on accessories
- Modalità
- pro
- Tag qualità
- ﹝Prompt﹞
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
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1girl, 2girls, police officer, short hair, light blue hair, yellow eyes, sad expression, crying, tearful, looking to the side, looking right, head turned, profile, facing viewer, torso facing forward, walking, walking forward, escorted, handcuffed, arms behind back, hands behind back, shackles, ankle shackles, metal shackles, leg irons, chain, black choker, glossy black pvc biker jacket, white pvc crop top, black pvc miniskirt, front zipper, black pantyhose, sheer legwear, black heeled boots, high heels, japanese police uniform, police uniform, tactical vest, holding arms, gripping upper arms, three-quarter shot, medium-close framing, eye level, bright lighting, fluorescent lighting, glossy, shiny, reflections, specular highlights, cel shading, vibrant colors, dynamic hair, dynamic accessories, police station, corridor, indoors, depth of field, sharp focus, detailed background, multiple girls, 3girls
The camera sits at eye level in a medium-close three-quarter shot, and the corridor runs dead away from the lens so that the central figure walks forward out of that vanishing point straight toward the viewer, her hips, chest and skirt squarely frontal while her head is wrenched to her left, chin over her shoulder, showing her face in full profile with her yellow eyes cutting hard toward the right edge of the frame. Her expression is sad and held: brows drawn up and pinched at the inner ends, lower lid wet and shining, lips pressed thin and slightly parted, jaw tight. Short light blue hair swings back from the turn of her head, strands flicked across her cheek and lifted off her nape by the forward stride.
Behind her waist and torso both arms, wrists and hands are rigidly handcuffed, pulled fully out of sight between her shoulder blades and her skirt so the front silhouette of her jacket reads unbroken, the black PVC panels glistening along their outward curve. Heavy metal shackles lock around both ankles, thick dark iron bands with a short battered chain that hangs and clinks low behind her heel as her right boot lifts mid-stride from the floor.
To either side of her, slightly behind her shoulders, two female police officers in dark navy Japanese police uniforms pace forward, tactical vests strapped over their chests in stiff black webbing and pouches. The officer on her right reaches across and clamps her left upper arm, fingers dug in and pulling the glossy black PVC sleeve taut against her side; the officer on her left does the same with her right arm, thumb pressed in above the elbow, both of them steering her weight so her shoulders stay locked down. Their heads tilt toward her, one officer's gaze fixed on her face, the other staring ahead down the corridor.
Hard fluorescent tubes in a ceiling grid above flood the hallway with cold, even harsh light, laying long specular streaks down every glossy PVC surface, the white crop top and the black jacket blazing with wet-looking highlights, and pooling white glare on the polished floor tiles beneath the officers' shoes. The walls are institutional tile and painted cinderblock, and far down the corridor the perspective funnels into bright overexposed depth, a wall of doors and fluorescent glare rendered crisp in foreground and softening into the distance. The palette stays tight — cold neutral blue-white corridors, hard navy uniforms, one slab of white PVC at the center and the pale blue of her hair — under vibrant saturated color with clean cel shading.
The chain between the shackles, the swinging hair strands and the mirrored highlights chasing each other along the jacket and boots all carry the same bright tube lights moving with her as she walks.
greynico
1girl, 2girls, police officer, short hair, light blue hair, yellow eyes, sad expression, crying, tearful, looking to the side, looking right, head turned, profile, facing viewer, torso facing forward, walking, walking forward, escorted, handcuffed, arms behind back, hands behind back, shackles, ankle shackles, metal shackles, leg irons, chain, black choker, glossy black pvc biker jacket, white pvc crop top, black pvc miniskirt, front zipper, black pantyhose, sheer legwear, black heeled boots, high heels, japanese police uniform, police uniform, tactical vest, holding arms, gripping upper arms, three-quarter shot, medium-close framing, eye level, bright lighting, fluorescent lighting, glossy, shiny, reflections, specular highlights, cel shading, vibrant colors, dynamic hair, dynamic accessories, police station, corridor, indoors, depth of field, sharp focus, detailed background, multiple girls, 3girls
The camera sits at eye level in a medium-close three-quarter shot, and the corridor runs dead away from the lens so that the central figure walks forward out of that vanishing point straight toward the viewer, her hips, chest and skirt squarely frontal while her head is wrenched to her left, chin over her shoulder, showing her face in full profile with her yellow eyes cutting hard toward the right edge of the frame. Her expression is sad and held: brows drawn up and pinched at the inner ends, lower lid wet and shining, lips pressed thin and slightly parted, jaw tight. Short light blue hair swings back from the turn of her head, strands flicked across her cheek and lifted off her nape by the forward stride.
Behind her waist and torso both arms, wrists and hands are rigidly handcuffed, pulled fully out of sight between her shoulder blades and her skirt so the front silhouette of her jacket reads unbroken, the black PVC panels glistening along their outward curve. Heavy metal shackles lock around both ankles, thick dark iron bands with a short battered chain that hangs and clinks low behind her heel as her right boot lifts mid-stride from the floor.
To either side of her, slightly behind her shoulders, two female police officers in dark navy Japanese police uniforms pace forward, tactical vests strapped over their chests in stiff black webbing and pouches. The officer on her right reaches across and clamps her left upper arm, fingers dug in and pulling the glossy black PVC sleeve taut against her side; the officer on her left does the same with her right arm, thumb pressed in above the elbow, both of them steering her weight so her shoulders stay locked down. Their heads tilt toward her, one officer's gaze fixed on her face, the other staring ahead down the corridor.
Hard fluorescent tubes in a ceiling grid above flood the hallway with cold, even harsh light, laying long specular streaks down every glossy PVC surface, the white crop top and the black jacket blazing with wet-looking highlights, and pooling white glare on the polished floor tiles beneath the officers' shoes. The walls are institutional tile and painted cinderblock, and far down the corridor the perspective funnels into bright overexposed depth, a wall of doors and fluorescent glare rendered crisp in foreground and softening into the distance. The palette stays tight — cold neutral blue-white corridors, hard navy uniforms, one slab of white PVC at the center and the pale blue of her hair — under vibrant saturated color with clean cel shading.
The chain between the shackles, the swinging hair strands and the mirrored highlights chasing each other along the jacket and boots all carry the same bright tube lights moving with her as she walks.
greynico
1girl, 2girls, police officer, short hair, light blue hair, yellow eyes, sad expression, crying, tearful, looking to the side, looking right, head turned, profile, facing viewer, torso facing forward, walking, walking forward, escorted, handcuffed, arms behind back, hands behind back, shackles, ankle shackles, metal shackles, leg irons, chain, black choker, glossy black pvc biker jacket, white pvc crop top, black pvc miniskirt, front zipper, black pantyhose, sheer legwear, black heeled boots, high heels, japanese police uniform, police uniform, tactical vest, holding arms, gripping upper arms, three-quarter shot, medium-close framing, eye level, bright lighting, fluorescent lighting, glossy, shiny, reflections, specular highlights, cel shading, vibrant colors, dynamic hair, dynamic accessories, police station, corridor, indoors, depth of field, sharp focus, detailed background, multiple girls, 3girls
The camera sits at eye level in a medium-close three-quarter shot, and the corridor runs dead away from the lens so that the central figure walks forward out of that vanishing point straight toward the viewer, her hips, chest and skirt squarely frontal while her head is wrenched to her left, chin over her shoulder, showing her face in full profile with her yellow eyes cutting hard toward the right edge of the frame. Her expression is sad and held: brows drawn up and pinched at the inner ends, lower lid wet and shining, lips pressed thin and slightly parted, jaw tight. Short light blue hair swings back from the turn of her head, strands flicked across her cheek and lifted off her nape by the forward stride.
Behind her waist and torso both arms, wrists and hands are rigidly handcuffed, pulled fully out of sight between her shoulder blades and her skirt so the front silhouette of her jacket reads unbroken, the black PVC panels glistening along their outward curve. Heavy metal shackles lock around both ankles, thick dark iron bands with a short battered chain that hangs and clinks low behind her heel as her right boot lifts mid-stride from the floor.
To either side of her, slightly behind her shoulders, two female police officers in dark navy Japanese police uniforms pace forward, tactical vests strapped over their chests in stiff black webbing and pouches. The officer on her right reaches across and clamps her left upper arm, fingers dug in and pulling the glossy black PVC sleeve taut against her side; the officer on her left does the same with her right arm, thumb pressed in above the elbow, both of them steering her weight so her shoulders stay locked down. Their heads tilt toward her, one officer's gaze fixed on her face, the other staring ahead down the corridor.
Hard fluorescent tubes in a ceiling grid above flood the hallway with cold, even harsh light, laying long specular streaks down every glossy PVC surface, the white crop top and the black jacket blazing with wet-looking highlights, and pooling white glare on the polished floor tiles beneath the officers' shoes. The walls are institutional tile and painted cinderblock, and far down the corridor the perspective funnels into bright overexposed depth, a wall of doors and fluorescent glare rendered crisp in foreground and softening into the distance. The palette stays tight — cold neutral blue-white corridors, hard navy uniforms, one slab of white PVC at the center and the pale blue of her hair — under vibrant saturated color with clean cel shading.
The chain between the shackles, the swinging hair strands and the mirrored highlights chasing each other along the jacket and boots all carry the same bright tube lights moving with her as she walks.
greynico
g2
character: march_7th_(honkai:_star_rail), copyright: honkai:_star_rail, honkai_(series)
March 7th from Honkai: Star Rail. She has short pink hair, light eyes, sad expression. Brightly lit police precinct hallway. Forcefully escorted, walking bent slightly forward, head bowed. Her arms are tightly handcuffed behind her back, heavy metal shackles on her ankles. Two flanking female police officers walk slightly behind her, firmly holding her cuffed arms down behind her back to guide her, without lifting them. She is wearing a glossy black leather. She wears an open black leather jacket over a tight black leather crop top with white text graphics. She wears tight black leather mini-shorts with a lace trim at the hem. She has shiny, dark pantyhose and black leather ankle boots. She wears blue drop earrings and a black leather choker. Female officers wear Japanese police uniforms and tactical vests. Harsh fluorescent lighting, leather reflections. High-quality anime art style, cell shading, full body shot, eye level
grey23
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