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AI art "Gobbo" featuring #goblin femmina

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Gobbo

#goblin femmina

Pubblicato il Nov 4, 2026

GGFF

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1girl, solo, goblin girl, shortstack, very short, green skin, vibrant green skin, bright red hair, long hair, messy hair, wild hair, hair flowing out from under veil, pointed ears, sharp fangs, barely visible fangs, extremely large breasts, covered breasts, black nun habit, full-length robe, long sleeves, fully covered body, fully covered arms, white coif, black veil, white collar, cross necklace, kneeling, seiza, prayer pose, hands clasped, hands clasped in front of chest, eyes closed, gentle closed eyes, calm expression, devout expression, slight blush, serene, portrait, cowboy shot, from side, profile-ish three-quarter view, from below, dimly lit bedroom, wooden floor, wooden planks, bedside lamp, warm light, soft lighting, cast shadow, night, indoor, high detail, wholesome The camera sits low and slightly to her left, a from-below three-quarter view that keeps her small stature and makes the kneeling figure fill the portrait frame: her head and coif near the top edge, the spread of the black robe pooling across the planks at the bottom. She is a tiny 90cm shortstack, kneeling upright with her weight sunk back onto her heels, knees pressed into the wooden floorboards, the long black habit robe spread around them in a wide bell of wool, sleeves hanging to her wrists so that only her green face and her clasped green hands are bare. Her hands meet in front of her chest at sternum height, fingers laced, the two thumbs resting together, the cross necklace hanging just above the knuckles on its chain against the white collar banding her throat. Her chin is tipped slightly down, eyelids gently shut, a faint flush of pink across the cheeks and the small bridge of her nose; the corners of her mouth are soft and level, the tips of two small sharp fangs just showing past her lower lip. Her pointed ears jut out sideways through the white coif, which hugs the top, back and sides of her head with a plain band across the forehead, and the black veil falls from it over her shoulders and down her back. Her bright red hair cannot be contained: wild strands burst out at the temples, at the nape, and along the veil's edge, one long lock spilling forward over her shoulder onto the black wool, other strands curling loose down her back, every one of them catching the light. Beneath the habit the fabric strains over her extremely large breasts, the wool drawn into taut diagonal folds from the collar down, no skin or cleavage showing anywhere. The only light is the bedside lamp at the left of the frame, off-camera except for its warm rim on the edge of a nightstand; it is the sole source, throwing a warm amber pool across the left side of her face, her hands and the front folds of the robe, while the right side of her cheek and the deep folds of the black habit fall into soft brown shadow. Behind her the bedroom recedes into darkness, a suggestion of a bed frame and a wall, and her shadow stretches to the right across the floorboards, sharpening where the planks' seams break it. Palette is confined to the black habit, the white coif and collar, the vivid green of her skin, and the fiery red of her hair burning against the dark; the lamp's amber keeps the wood warm. Fine detail concentrates on the laced fingers, the fang tips, the loose hairs and the wool's weave. Serene and wholesome.

Gobbo

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