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三又ルベ
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- Immissione richiesta originale
- 先端に針がついた尻尾の生えたメイド服を着ている原神の男主人公が ピーチ城内1fロビー(マリオ64)を 飛行している
- Modalità
- pro
- Dimensione
- 1104 x 1824
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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copyright: super_mario_64, genshin_impact
1boy, solo, blonde hair, short braided hair with a long braid down the back, golden eyes, hair ornament, single braid, maid outfit, black and white maid dress, frilled apron, puffy short sleeves, white cuffs, white collar, black ribbon at the chest, black thighhighs, brown boots, tail, needle at the tip of the tail, long thin tail with a glinting steel needle tip, flying, in flight, suspended in midair, leaning forward into the flight, arms trailing back, coat-tails and skirt flaring, from below, wide shot, dutch angle, looking down, open mouth, exhilarated grin, indoors, Super Mario 64 Peach Castle first floor lobby, Peach's Castle lobby, sunlit marble floor with the sun emblem, red carpet runner, tall columned walls, arched doorways, wooden double doors, blue sky visible through the windows, chandelier, flying through the air, dust motes, long cast shadow on the floor
The camera is low and tilted, a wide shot from below and slightly off-axis, so the whole vaulted first-floor lobby of the castle opens overhead and the flying figure crosses the upper third of the frame. He is mid-flight, body pitched forward and horizontal in the air, chest low, hips higher, both arms swept back past his hips with fingers spread, legs extended behind him and slightly apart, one knee bent more than the other so the silhouette reads as a body genuinely cutting through air rather than floating. His maid dress — black bodice laced at the chest over a white frilled apron, puffy short sleeves with white cuffs, a black ribbon at the collar — is pulled taut at the waist by the airstream; the skirt and apron flare backward and upward, ruffles lifted and separating, and his long braid streams behind his shoulders and swings out to one side. The thin tail grows from behind the skirt's waistband, whipping back along his legs in a smooth arc; at its very end the steel needle is a hard bright point, catching the light, tilted toward the camera. His head is turned down and forward, chin lowered, eyes looking down across the lobby floor below him, mouth open in a delighted, reckless grin, one brow lifted, hair lifted off his temples by the motion. The lobby: a wide polished floor checkered with pale marble panels and a warm sun emblem set into the center, a red carpet runner leading to wooden double doors, tall white columns and arcade arches around the perimeter, a chandelier hanging from the shadowed ceiling, tall windows on the far wall letting in bright afternoon sky. Sunlight pours through those windows from the right, laying long warm bars across the marble, striking the right side of his face, shoulder and the lifted apron frill, while the underside of his chin, the front of his thighs and the left side of his body fall into soft cool shade; the chandelier hangs dark against the ceiling. His shadow streaks across the sunlit floor far below him — long, stretched, and blurred at the leading edge — and a faint bright thread runs along the marble where the sunlight reflects. Palette of cream and pale marble, deep red carpet, black-and-white dress, gold hair, and warm afternoon light, nothing else admitted. Dust motes drift in the light bars. Joyful, airborne.
三又ルベ
大広間を舞う、元気いっぱいのメイドさん！
三又ルベ
大聖堂を駆けるメイドの跳躍
三又ルベ
copyright: super_mario_64, genshin_impact
1boy, solo, male protagonist, blonde hair, long braid, golden eyes, maid dress, frilled apron, white frilled headband, thighhighs, black maid shoes, tail, needle-tipped tail, sharp metal needle tip, flying, hovering in midair, floating, arms out for balance, from below, wide shot, dutch angle, looking down, open mouth, exhilarated expression, indoors, Peach's Castle second floor interior, Super Mario 64, checkerboard floor, stone masonry walls, arched windows, wooden beams, stained glass, floating candelabra, deep perspective, warm torchlight, cool window light, dynamic composition
The camera looks steeply up from below at a dutch angle, and a single figure hovers in midair near the ceiling of Peach's Castle's second floor: the blonde-haired young man in a black-and-white maid dress, his long golden braid hanging free beneath him and swinging to one side from his motion, the frilled apron and the skirt bellied upward by the rush of air. He is caught mid-flight, body tilted forward in a skimming diagonal, arms flung out wide for balance, his knees drawn slightly under the flared hem, and the long tail sweeping behind and above him curls up in an S so that the sharp metal needle at its tip glints just short of one stone beam — the needle its whole point of focus, catching the light in one thin line. His chin is tipped down, golden eyes fixed on the checkerboard floor far below as if judging his landing, mouth open in an exhilarated whoop, a strand of hair lifted across his cheek. He does not touch anything: the air holds him, the hem and braid pulled upward and back, the apron ties streaming.
The room opens around him in deep perspective: the second-floor hallway of the castle, a red-and-black checkerboard floor receding far beneath his feet, stone masonry walls of large pale blocks, tall arched windows on one side letting in a cool blue daylight that catches the left side of his face and the frilled headband, while warm torchlight from iron candelabra along the opposite wall rims the tail, the needle and the ruffled shoulder in amber. Faint dust motes swirl in the torchlight where his passage has disturbed them, the only trace of his movement. Stained-glass panels and carved wooden beams overhead frame the top edge; the checkerboard pattern stretches and compresses with perspective into a vanishing point at the far end of the hall.
The palette is controlled: the castle in pale stone grey, deep red and black from the floor, cool blue window light and hot amber torchlight; the figure in crisp black and white, with the only gold in his hair, his eyes and the needle's bright tip. High detail spent on the face, the hands, the streaming frills and the needle; the far end of the hall simplified into a soft darkening corridor. Airborne, joyful, dizzying.
三又ルベ
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