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HeisMad
Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Mostra parametri
- Immissione richiesta originale
- dynamic scenery,dynamic pose,shiny skin,elegant,round big breasts,wide_hips,small_waist,round breasts,slutty,sharp_eyes,sharp_face,young woman,dutch angle,adult,looking at viewer,blushing,parted lips,steamy breath "The same stunning ebony-skinned executive, her platinum blonde bob now slightly disheveled, a single strand falling across her angular face. Her charcoal blazer is discarded, leaving her in the crisp white button-up, now untucked and with the cuffs rolled to her elbows, revealing her toned forearms. Black leather gloves grip a solid iron rod — a sleek, weighted cylinder — held diagonally across her body in a defensive stance. Her heels are kicked off; she stands barefoot, planted wide on the polished marble floor of the corporate lobby, shattered glass from the entrance doors scattered around her. Her head is lowered, her silver-rimmed glasses slightly askew, but her dark eyes burn with cold fury above that signature, cruel smirk. Her full chest heaves with controlled breaths, the white fabric straining. Her tailored trousers are smudged with dust, one knee of the fabric torn, revealing a hint of her dark thigh. She twirls the iron rod once in her grip, the motion fluid and practiced, daring anyone to step closer." niji style, semi-realistic, detailed eyes, masterpiece, cinematic lighting, high quality, ethereal,
- Modalità
- standard
- Stile
- Retro Glam Anime
- Dimensione
- 768 x 1280
Stile: Retro Glam Anime
Modello e LoRA utilizzati
Immagini simili
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白髪マスクの美女・妖艶なスーツ姿
千夜牙龍
s1
sdfsdds11s#0
s1
sdfsdds11s#0
xx
character: takamine_noa
1girl, solo, takamine_noa, grey hair, long hair, floating hair, brown eyes, expressionless, blank stare, black long coat, open coat, formal suit, black suit jacket, white dress shirt, open collar, bare throat, no necktie, black tight miniskirt, pencil skirt, black pantyhose, high heels, martial arts, fighting stance, combat stance, clenched fist, outstretched arm, from below, full body, dutch angle, dynamic pose, motion blur on coat hem, looking at object, bare hands, serious, cold
Low dutch angle from just above floor level, the camera tilted a few degrees so the vertical lines of the room lean; the woman in the black long coat fills the frame from the soles of her high heels to the top of her head, her body turned three-quarters away from the lens with her shoulders in profile and her face swung back toward the camera. She is caught mid-technique: her weight is sunk into the back leg, the rear high heel planted flat and bearing, the front heel lifted so only its tip and the ball of the foot touch the floor, that front knee bent and tracking outward. Her front hip is cocked down and back, her torso twisted, her right arm extended across her body at chest height with the elbow soft and the fist closed, knuckles forward, the other fist drawn tight to her ribs. Her chin is slightly tucked and her jaw set; her eyes, brown and level, are fixed on the empty space her extended fist aims at, just past the frame edge, and her mouth stays a flat, closed, unreadable line.
The black long coat is open and falls from her shoulders past her knees, its hem swung out and away from her rear leg by the rotation of her hips; the coat's lapels sit wide so the formal suit jacket underneath shows its own black lapel, and below the collar the white shirt opens in a clean bare notch with nothing tied at the throat. The jacket stops at the waist and the black tight pencil miniskirt continues the same line to mid-thigh, where black pantyhose take over, glossy along the front of her shins and matte where the leg turns. Her long grey hair is in motion, lifted off her shoulders and swept in the direction of her pivot, one lock crossing in front of the raised coat lapel.
The setting is a stripped, empty hall: bare pale concrete floor, a blank grey wall behind her with one horizontal seam, a broad window at the left pouring hard cool daylight across the floor so the light strikes her left cheek, the front of her coat and the extended forearm, while the right side of her face, the inside of the coat and the space behind her back fall into a deep even shadow; her shadow is thrown long and clean to the right, deformed at its edge where it passes under the lifted coat hem. Palette: black, white, cool grey concrete, brown eyes, nothing else admitted. Smudged contact shadow where the planted heel meets the concrete. Cold, disciplined.
XXX XXX
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