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AI artwork
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artist:iwato_suzume, A striking corporate dominatrix gazes unflinchingly at the viewer from a high-backed leather chair - legs parted deliberately to showcase garters stretched taut against toned thighs, the sinuous curve of a dragon tattoo peeking beneath her scandalously hiked skirt. Her unbuttoned blazer slouches off one shoulder to reveal lace clinging to full breasts, while crimson hair cascades in razor-straight perfection framing predatory blue eyes. The penthouse office glows with golden lamplight catching her glossy parted lips and the glint of stiletto heels planted with authority on polished hardwood. Every element radiates controlled power - from the way her manicured fingers grip the armrests to the subtle arch in her lower back that pulls the sheer stockings tighter. The atmosphere thrums with unspoken tension, ultra-HD details spotlighting each texture: the sheen of nylon, the grain of expensive leather, the metallic glint of garter clips biting into flawless skin.
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Immissione richiesta originale
Masterpiece, best quality, ultra-detailed, 1girl, solo, full body, Suzume sitting on a leather office chair, legs open in a confident dominant posture, skirt riding dangerously high revealing garter belt and sheer stockings, dragon tattoo on thigh visible, blazer slipping off one shoulder exposing lace bra, crimson hair falling straight with perfect bangs, seductive blue eyes staring directly at camera, red heels planted firmly on floor, dim golden office lights reflecting on her glossy lips, penthouse backdrop, powerful and erotic corporate vibe, 8k Negative prompt: blurry, low quality, deformed, extra limbs, huge breasts, flat ass, no tattoos, innocent
Tag qualitร 
high quality, year_2025, year_2024, ๏นPrompt๏นž
Dimensione
768 x 1280
Passaggi di campionamento
25
Metodo di campionamento
Euler
Scala CFG
4.5
Negativo
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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1girl, solo, gacha game anime style, red hair, very long hair, hair to hips, long side locks, hair framing face, straight hair, elegant, stern expression, serious, dignified, light lipstick, tall, mature female, office lady, business suit, tailored blazer, pencil skirt, form-fitting clothes, large breasts, high heels, boss aura, sitting, sitting on chair, crossed legs, from below, cowboy shot, looking at viewer, arm support, hand on armrest, private executive office, high-rise office, bright interior, floor-to-ceiling window, city skyline, daylight, high contrast, sharp focus The camera sits low, below knee height, tilted up so the woman gains height as she sits: a verticals-heavy frame in which she occupies the left two-thirds, her chair planted on the near side of the room. Both her legs are crossed at the knee, right thigh over left, the right calf swinging slightly toward the lens so the black pump on her right foot reads sharp and separated from the floor, its stiletto heel planted on the carpet where it presses a shallow dent into the pile. Her left foot stays flat, toe forward, the ankle angled outward. She leans back into the tall leather executive chair, weight sunk into the left armrest, her left forearm resting along it and her left hand draped loose over the end, fingers relaxed; her right hand holds a slim manila folder upright against her thigh, its edge pressing a faint crease into the pencil skirt. The skirt is dark charcoal and hugs the hip and thigh, the blazer beneath it a deep midnight navy with a single button closed at the waist, the lapels sharp and the sleeves pushed down to her wrists. The blazer's cut pulls taut across the large chest in one clean diagonal plane of tension, buttons strained but holding. A cream silk blouse shows at the open collar, a single narrow opening, and no tie or scarf or jewellery without exception: the collar is open and bare at the throat, both wrists are bare and unadorned, both ears are entirely bare and both earlobes visible and unobstructed, and the hair holds no clip and no pin and no comb. The red hair falls from a center part, the long side locks sweeping down past the cheekbones to frame the face symmetrically and reaching the collarbone, the main mass falling straight behind her shoulders and spilling over the backrest, its ends grazing her hips where the skirt begins. Her chin is level, her eyes fully open and directed straight into the lens, her expression firmly unsmiling, brows level and close, the lips closed and the mouth set in a flat line with a single soft gloss of light pink lipstick, a faint gleam on the lower lip from the window light. The office behind her is bright and clean: a wall of floor-to-ceiling glass to the right of frame floods the room with cool white daylight from a high, overcast sky, the city's towers receding in pale blue-grey bands through the glass, and that single source throws her cast shadow leftward and long across the pale grey carpet, its edge sharp near her heels and softening as it stretches. A white lacquer desk sits at the frame's right edge, partially cropped, its surface catching a hard rectangular highlight; a low bookshelf of pale wood and a single tall potted plant stand against the far wall in the midground, both simplified and low in contrast so they never compete with her. The palette is a tight three-way discipline: red hair and light pink lip as the only warmth, midnight navy and charcoal as the tailoring, and cool white and pale grey as the room and the daylight. Her silhouette is the strongest shape, the chair the second-strongest, everything else quiet. The reflection on the glass warms faintly where the red hair and the window's own reflection overlap. Composed, authoritative, coolly glamorous.
darkbydark

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