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AI art "Elegant White-Haired Beauty in the Fitting Room"
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Elegant White-Haired Beauty in the Fitting Room

I'm completely captivated by the graceful charm of this white-haired girl with striking red eyes; she looks absolutely stunning trying on that outfit in the mirror. There's just something so elegant and captivating about her style that I can't help but admire. If you love this aesthetic as much as I do, please hit like and follow for more content, and let me know your thoughts in the comments!

#rossore#occhi rossi#Albino#capelli lunghi#gambe nude#1 ragazza#Figura intera#specchio
Avatar image of Sergio ivan Esquivel
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Sergio ivan Esquivel

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1boy, solo, long hair, white hair, waist-length hair, albino, red eyes, large eyes, white eye highlights, light pink lips, lipstick, feminine, androgynous, high-neck top, turtleneck blouse, sleeveless blouse, loose pleated mini skirt, pleated skirt, red high heels, high heels, fashion boutique, trying on clothes, fitting room, full-length mirror, looking at reflection, from behind, over-shoulder composition, standing on one leg, hand on own hip, head tilt, open mouth, smile, blush, hand on mirror, modern digital anime style, clean lineart, crisp defined outlines, cel shading, large expressive eyes, looking at reflection, The view is from behind the boy at three-quarter angle, his body turned inward toward a tall full-length mirror that fills the left two-thirds of the frame, so the camera sees his back, the long sweep of his hair and, past his shoulder, his mirrored face. He stands inside a boutique fitting alcove: a pale wood floor, a heavy pale-grey curtain half drawn at the right edge, a slim brass rail behind him hung with a row of dark garment bags, and warm recessed spotlights overhead. His weight rides on his right leg, the left leg bent with the knee turned inward so his left heel lifts just clear of the floor and the red patent toe of that shoe points down; his left hand rests flat on his own hip, pressing the loose pleated skirt so its knife pleats compress and fan in a shallow spiral away from the pressure, and his right hand grips the mirror's brushed-metal frame at chest height, fingertips curled over the edge. His white hair falls straight to his waist, the mass of it split by the turn of his shoulders, a few strands sliding forward over the shoulder toward the mirror and floating with the small motion of his head. His chin is tilted up and slightly to his right, and in the glass his large red eyes are wide and alive with a bright white catchlight and lower white reflection, fixed on his own reflection with a pleased, half-surprised grin, one corner of his mouth pulled higher than the other and a warm blush across the tops of his cheeks; his lips are a clean light pink that reads soft and matte against the white of his skin. The high-neck blouse hugs his throat in a smooth column of pale ivory knit and ends at his waist, tucked beneath the waistband so the pleats of the loose grey-blue mini skirt begin sharply there and hang short and swinging above his thighs; the skirt's flare and the sleek red high heels on his bare lower legs are the only saturated colours in the frame, and the red repeats in the shoes' glossy reflection in the mirror glass. The light comes from a row of warm spotlights above and behind the camera, dropping a soft cone onto his hair and shoulders, throwing a bright rim along the white strands and casting his long shadow forward onto the pale wood at his feet, where the shadow of the skirt's hem breaks into the same pleated teeth as the fabric; the mirror glass darkens and softens everything it holds, so his mirrored face carries a slightly deeper, smokier red than the real back of his head. The boutique recedes into warm shadow at the right, garment bags and the dark curtain reduced to a few simple planes; a small brass plaque on the alcove wall shows faint, legible lettering reading "ATELIER". Palette: ivory white, pale grey-blue, warm honey wood, and the two committed reds of shoes and eyes. Medium: modern digital anime rendering, clean crisp lineart with defined unbroken contours, flat cel shading with soft short gradients, large expressive eyes. Quiet, delighted, effortlessly stylish.
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Immissione richiesta originale
Puede crar una escena donde un chico de cabello albino largo hasta la cintura, este en una boutique de moda probándose un conjunto de blusa tipo top de cuello alto, con una mini falda olgada con pliegues el es muy femenino, al grado de que parece una chica, tiene ojos rojos y usa pinta labios rosa claro v esta usando zapatos de tacon alto rojos y el dibujo es estilo anime digital moderno con lineas limpias y definidas, ojos grandes y rojos muy expresivos con blanco
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
768 x 1280
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: olga_marie_animusphere, artist: takeuchi_takashi, copyright: type-moon 1girl, solo, long white hair, very long hair, braid, hair ribbon, hair between eyes, single horn, orange eyes, delicate earrings, fitted black one-piece dress, short gray cardigan, slim silk scarf, bare legs, holding two hangers, holding clothes, holding dresses up, clothes hanger, assorted dresses on hangers, dress shop, clothing racks, velvet bench, full-length mirror, mirror reflection, double image, cowboy shot, from behind, over shoulder, looking at mirror, reflection meeting her gaze, expressionless judging stare, one eyebrow raised, half-closed eyes, head tilt, standing contrapposto, weight on one leg, leaning forward slightly, flat cel coloring, delicate lineart, The view is from behind her right shoulder at a three-quarter angle, the camera close behind her hair and a half-step above eye level, so her back and the back of her braid fill the near foreground on the left while the tall full-length mirror on the right catches her front. She stands contrapposto with her weight on the right leg and the left knee eased forward, hips shifted, torso turned into the mirror; her long white hair falls past her waist in a thick braid that swings over her left shoulder and down the black dress, the ribbon at the braid's tie visible against the gray knit. The short gray cardigan hangs open from her shoulders over the fitted black dress, its hem at the waist; the slim silk scarf is knotted at her throat and its tail lies down the dress's front, and the delicate earrings hang from both lobes, clear of her hair. In each hand she grips a hanger rod at shoulder height, knuckles pale, one hanger holding a long pale dress and the other a darker short dress, both hoisted up against her chest and hips so the fabrics flatten across the black dress and their hems hang unevenly at her knees. In the mirror her front is fully visible: the raised left eyebrow cutting an arch over a narrowed orange eye, the other brow level, lips pressed thin and slightly to one side, chin dipped, one judge's stare aimed flat into her own reflection — the reflected eyes meet the viewer's sight line through the glass while the real face is hidden from the camera, only the edge of her cheek and the tip of the single horn showing past the braid. Her reflection's hands and hangers repeat the pose a half-beat offset behind the glass. The boutique interior opens around her: a row of clothes racks on the left in receding perspective dense with hanging garments in muted grays, creams and blacks, a velvet bench in the midground behind her at the mirror's far side with its cushion compressed where a folded sweater rests, and pale walls with a warm architectural molding fading into soft haze at the back. Soft spotlights from ceiling cans are the only light: three pooled cones strike the mirror's top edge, the rack's shoulders and the floor between them, the mirror bounces a softer second glow onto her reflection's face, and the spaces between the pools sink into deep warm shadow, the floorboards carrying stretched ellipses of light. Palette is black and gray against a cream-and-amber boutique, with the only saturation in her orange eyes, the single horn's pale glint and the silk scarf's quiet sheen. A physics tell: her reflection is dimmer and slightly softer than she is, fogged a breath at the glass, and the dress hems on the two hangers bow away from the mirror's surface rather than touching it. Refined, critical, quietly self-amused.
鷹の目
#Serie Fate#Fate/Grand Order#Olga Marie Animusphere

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