Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…
View details
Mostra parametri
- Immissione richiesta originale
- elegg (nikke), fluffy light blonde hair, mekakure, long bangs covering eyes, purple eyes peeking through bangs, ahoge, snaggletooth, white and yellow jacket, black and yellow gloves, bag with bunny logo, glowing green energy canister, Electric Shock squad, Missilis, electronics power expert, researcher spirit, loves retro FPS game BOOM, fixing a small machine at a workbench, repair succeeded, holding a screwdriver and small machine, both hands visible, expressive hand gestures, joyful relaxed smile, snaggletooth visible when smiling, soft happy cheeks, purple eyes peeking through bangs, bouncing ahoge, upper body, close-up, portrait composition, face focus, dynamic upper body movement, lively torso pose, leaning forward pose, workbench with tools, small glowing display, warm workshop light, detailed face, fluffy hair movement
- Modalità
- pro
- Tag qualità
- ﹝Prompt﹞
- Dimensione
- 1104 x 1824
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked lowres, worst quality, low quality, blurry, bad anatomy, deformed face, deformed hands, missing fingers, extra fingers, bad proportions, cropped face, nsfw, nude, erotic, sexual, suggestive pose, revealing clothing, exposed skin emphasis
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di più
た
character: elegg_(nikke)
1girl, solo, upper body, close-up, portrait, face focus, leaning forward, dynamic pose, fluffy light blonde hair, long bangs, hair over eyes, mekakure, purple eyes peeking through bangs, ahoge, snaggletooth, fang, joyful smile, open mouth, soft happy cheeks, white and yellow jacket, black and yellow gloves, bag with bunny logo, glowing green energy canister, Electric Shock squad emblem, Missilis emblem, holding screwdriver, holding small machine, both hands visible, expressive hand gesture, workbench, tools, small glowing display, warm workshop light, fluffy hair movement, bouncing ahoge, dutch angle, from above, looking at viewer,
Shot from a slight high dutch angle, the camera tilted maybe ten degrees off level and looking down across the workbench, cropped tight to her upper body and face. Her torso pitches forward over the bench, weight carried on her forearms rather than her feet, shoulders rolled in, spine curved into a lean that puts her face near the small machine. Her left hand cups the little open-chassis machine on the bench, fingertips curled under its casing and thumb braced on the seam; her right hand holds the screwdriver pinched between thumb and index, its tip lifted a centimetre clear of the last screw to show the job is done, wrist flicked up and out in a small triumphant flourish to the right of her chin. Both gloves read clearly: black palms and knuckles with yellow cuffs and yellow stitching catching the light. Her head tips back and slightly to her right while her jaw stays low, so her chin comes toward the lens and her grin stretches wide and open, one pointed snaggletooth riding over her lower lip, cheeks round and flushed warm under the eyes, the lash line creased with a relaxed laugh rather than a posed smile. Her purple eyes are seen only through the gap in the long blonde bangs that curtain the upper half of her face, two bright slivers of iris catching the glow from below and aimed straight at the viewer with a proud, teasing tilt of one brow. The bangs hang heavy and separated, a few strands blown clear of the forehead by her bounce, and the ahoge at the crown arches up and to the left, caught mid-spring. The rest of her hair sits in a soft, high-volume mass around her jaw, tips flipping outward and slightly forward with the motion.
She wears the white and yellow jacket open over her shoulders, its collar popped and one sleeve shoved up to the elbow, yellow panels running down the arm. Slung at her near hip and partly cropped by the bottom edge sits the bag, its bunny logo a simple rounded-eared head silhouette stamped on the flap. Clamped to the bench edge just left of her elbow, the glowing green energy canister throws a cold green rim along the underside of her jaw, the glove cuffs, and the machine's open panel, its own light faintly pulsing. On the workbench are a scatter of small screwdrivers, a tray of screws, a spool of wire and a wrench laid out in the shallow foreground. The small display on the bench beside her hand glows pale green, showing a simple checkmark readout to mark the repair as succeeded, its light rippling in her eyes. The workshop's warm amber lamp sits high at the left, washing the blonde hair gold and leaving the right side of her neck and the bench's far end in soft brown shadow; the two light sources meet on her face, warm from above and green from below. A faint ring of sawdust sits around the base of the machine where her tools have disturbed it. Rich amber-and-green palette against her pale blonde and white jacket. Tender, buoyant, effortlessly charming.
たらこまたる
た
character: elegg_(nikke)
1girl, solo, upper body, close-up, portrait, face focus, leaning forward, dynamic pose, fluffy light blonde hair, long bangs, hair over eyes, mekakure, purple eyes peeking through bangs, ahoge, snaggletooth, fang, joyful smile, open mouth, soft happy cheeks, white and yellow jacket, black and yellow gloves, bag with bunny logo, glowing green energy canister, Electric Shock squad emblem, Missilis emblem, holding screwdriver, holding small machine, both hands visible, expressive hand gesture, workbench, tools, small glowing display, warm workshop light, fluffy hair movement, bouncing ahoge, dutch angle, from above, looking at viewer,
Shot from a slight high dutch angle, the camera tilted maybe ten degrees off level and looking down across the workbench, cropped tight to her upper body and face. Her torso pitches forward over the bench, weight carried on her forearms rather than her feet, shoulders rolled in, spine curved into a lean that puts her face near the small machine. Her left hand cups the little open-chassis machine on the bench, fingertips curled under its casing and thumb braced on the seam; her right hand holds the screwdriver pinched between thumb and index, its tip lifted a centimetre clear of the last screw to show the job is done, wrist flicked up and out in a small triumphant flourish to the right of her chin. Both gloves read clearly: black palms and knuckles with yellow cuffs and yellow stitching catching the light. Her head tips back and slightly to her right while her jaw stays low, so her chin comes toward the lens and her grin stretches wide and open, one pointed snaggletooth riding over her lower lip, cheeks round and flushed warm under the eyes, the lash line creased with a relaxed laugh rather than a posed smile. Her purple eyes are seen only through the gap in the long blonde bangs that curtain the upper half of her face, two bright slivers of iris catching the glow from below and aimed straight at the viewer with a proud, teasing tilt of one brow. The bangs hang heavy and separated, a few strands blown clear of the forehead by her bounce, and the ahoge at the crown arches up and to the left, caught mid-spring. The rest of her hair sits in a soft, high-volume mass around her jaw, tips flipping outward and slightly forward with the motion.
She wears the white and yellow jacket open over her shoulders, its collar popped and one sleeve shoved up to the elbow, yellow panels running down the arm. Slung at her near hip and partly cropped by the bottom edge sits the bag, its bunny logo a simple rounded-eared head silhouette stamped on the flap. Clamped to the bench edge just left of her elbow, the glowing green energy canister throws a cold green rim along the underside of her jaw, the glove cuffs, and the machine's open panel, its own light faintly pulsing. On the workbench are a scatter of small screwdrivers, a tray of screws, a spool of wire and a wrench laid out in the shallow foreground. The small display on the bench beside her hand glows pale green, showing a simple checkmark readout to mark the repair as succeeded, its light rippling in her eyes. The workshop's warm amber lamp sits high at the left, washing the blonde hair gold and leaving the right side of her neck and the bench's far end in soft brown shadow; the two light sources meet on her face, warm from above and green from below. A faint ring of sawdust sits around the base of the machine where her tools have disturbed it. Rich amber-and-green palette against her pale blonde and white jacket. Tender, buoyant, effortlessly charming.
たらこまたる
た
character: elegg_(nikke)
1girl, solo, elegg \(nikke\), upper body, close-up, portrait, face focus, leaning forward, dynamic pose, lively torso, fluffy light blonde hair, long bangs covering eyes, mekakure, purple eyes peeking through bangs, ahoge, bouncing ahoge, fluffy hair movement, snaggletooth, joyful smile, open mouth, soft happy cheeks, white and yellow jacket, black and yellow gloves, both hands visible, holding screwdriver, holding small machine, expressive hand gestures, bag with bunny logo, glowing green energy canister, workbench with tools, small glowing display, warm workshop light, detailed face, from above, dutch angle, looking at viewer,
The camera looks slightly down at her from above and a touch to her left, so the frame is a tight upper-body portrait tilted on a gentle dutch angle: her face fills the upper middle of the composition, the workbench cutting across the bottom third, and the top of her fluffy light blonde hair nearly grazing the upper edge, which lets the ahoge spring free of the crop and bounce upward and to her right, its tip curling. Her long bangs fall in a heavy light-blonde curtain straight over her eyes, thick at the brow and tapering to soft strands at her cheekbones, and through the narrow gaps between those strands both purple eyes peer out, catching the warm light; the fluff of her hair holds visible volume and softness, individual fine strands lifting and separating outward as she leans, drifting toward the lamp. She leans forward over the bench with her shoulders rolled in and her chest dipped toward the work, weight taken on the forearm-side of the bench edge, her spine curved so the white-and-yellow jacket pulls taut across her back and the collar rides up behind her neck; the jacket's white panels sit over the shoulders and sleeves with yellow banding down the front and cuffs, and her black-and-yellow gloves — black palms and fingers, yellow gauntlet cuffs — are both fully in frame above the bench surface.
Her right glove grips a slim screwdriver, its shaft angled down and inward toward the small open machine she cradles in her left glove, which is a compact rectangular casing split open to show its interior board and a few loose components; the screwdriver's tip rests just at the machine's edge, held off the screw a half-turn from seated, and her left thumb braces the casing so the machine tilts up toward the light. The gesture is expressive and mid-motion: her right wrist is cocked, her fingers curled loosely around the handle, her left fingers spread under the casing. Her cheeks are soft and full, lifted by a broad joyful relaxed smile with the lips parted and the small snaggletooth clearly catching the light at the corner of her grin. Behind her right shoulder, slung on a strap across her body, a bag hangs with its round bunny logo stitched onto the flap, only half in frame at the edge. On the bench at her left forearm sits a canister of glowing green energy, its contents luminous and its rim throwing green light up along her sleeve and the underside of her chin, and beside it a small display screen glows, its light adding a cool counter-tone.
The workbench is cluttered with tools — a tray of drivers, a coil of wire, loose screws, a magnifier arm — all slightly out of focus in the bottom of the frame so the face stays sharp. The workshop light is a warm single overhead lamp to her upper left: it strikes the crown of her hair and the yellow banding of her jacket, leaves soft shadow under her jaw and under the bench lip, and lets the far background fall into deep brown darkness; the green canister and the small display are the only other lights, picking out green and cool white on her gloves and the machine. Palette is warm amber wood and lamp gold against her pale blonde hair, with the white-yellow jacket's bright blocks, and green-and-cool-blue accents from the canister and the screen. Her purple eyes point straight at the viewer through the bangs, playful and proud, the screw held an instant from seating, the repair already reading as a success. Warm, buoyant satisfaction.
たらこまたる
た
character: elegg_(nikke)
1girl, solo, elegg \(nikke\), upper body, close-up, portrait, face focus, leaning forward, dynamic pose, lively torso, fluffy light blonde hair, long bangs covering eyes, mekakure, purple eyes peeking through bangs, ahoge, bouncing ahoge, fluffy hair movement, snaggletooth, joyful smile, open mouth, soft happy cheeks, white and yellow jacket, black and yellow gloves, both hands visible, holding screwdriver, holding small machine, expressive hand gestures, bag with bunny logo, glowing green energy canister, workbench with tools, small glowing display, warm workshop light, detailed face, from above, dutch angle, looking at viewer,
The camera looks slightly down at her from above and a touch to her left, so the frame is a tight upper-body portrait tilted on a gentle dutch angle: her face fills the upper middle of the composition, the workbench cutting across the bottom third, and the top of her fluffy light blonde hair nearly grazing the upper edge, which lets the ahoge spring free of the crop and bounce upward and to her right, its tip curling. Her long bangs fall in a heavy light-blonde curtain straight over her eyes, thick at the brow and tapering to soft strands at her cheekbones, and through the narrow gaps between those strands both purple eyes peer out, catching the warm light; the fluff of her hair holds visible volume and softness, individual fine strands lifting and separating outward as she leans, drifting toward the lamp. She leans forward over the bench with her shoulders rolled in and her chest dipped toward the work, weight taken on the forearm-side of the bench edge, her spine curved so the white-and-yellow jacket pulls taut across her back and the collar rides up behind her neck; the jacket's white panels sit over the shoulders and sleeves with yellow banding down the front and cuffs, and her black-and-yellow gloves — black palms and fingers, yellow gauntlet cuffs — are both fully in frame above the bench surface.
Her right glove grips a slim screwdriver, its shaft angled down and inward toward the small open machine she cradles in her left glove, which is a compact rectangular casing split open to show its interior board and a few loose components; the screwdriver's tip rests just at the machine's edge, held off the screw a half-turn from seated, and her left thumb braces the casing so the machine tilts up toward the light. The gesture is expressive and mid-motion: her right wrist is cocked, her fingers curled loosely around the handle, her left fingers spread under the casing. Her cheeks are soft and full, lifted by a broad joyful relaxed smile with the lips parted and the small snaggletooth clearly catching the light at the corner of her grin. Behind her right shoulder, slung on a strap across her body, a bag hangs with its round bunny logo stitched onto the flap, only half in frame at the edge. On the bench at her left forearm sits a canister of glowing green energy, its contents luminous and its rim throwing green light up along her sleeve and the underside of her chin, and beside it a small display screen glows, its light adding a cool counter-tone.
The workbench is cluttered with tools — a tray of drivers, a coil of wire, loose screws, a magnifier arm — all slightly out of focus in the bottom of the frame so the face stays sharp. The workshop light is a warm single overhead lamp to her upper left: it strikes the crown of her hair and the yellow banding of her jacket, leaves soft shadow under her jaw and under the bench lip, and lets the far background fall into deep brown darkness; the green canister and the small display are the only other lights, picking out green and cool white on her gloves and the machine. Palette is warm amber wood and lamp gold against her pale blonde hair, with the white-yellow jacket's bright blocks, and green-and-cool-blue accents from the canister and the screen. Her purple eyes point straight at the viewer through the bangs, playful and proud, the screw held an instant from seating, the repair already reading as a success. Warm, buoyant satisfaction.
たらこまたる
Scopri altro
Utenti consigliati
Potrebbe piacerti
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
1
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Commenti