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ejsh3466

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1boy, solo, african american man, dark skin, adult, front view, centered composition, medium full shot, head to knees, standing, sharp square jawline, deep-set eyes, intense piercing gaze, looking at viewer, subtle scar across left eyebrow, black buzz cut, razor fade, precise line-up, muscular, imposing physique, broad shoulders, intricate black-and-grey tattoos on shoulders and upper arms, oversized black leather bomber jacket, open jacket, white ribbed tank top, heavy 14k gold cuban link chain, hands in jacket pockets, gritty intense mood, rain-slicked brooklyn street corner, dusk, neon liquor store signs, puddle reflections, cinematic lighting, dramatic shadows, photorealistic, hyper-detailed, 35mm lens, wide shot, low angle He stands dead center facing the camera square-on, a medium full shot cropping him cleanly at the knees, his weight settled onto his left leg with the right hip dropped a fraction so the silhouette is not symmetrical. Both hands are pushed deep into the bomber jacket's front pockets, pulling the oversized black leather taut across his chest and letting the hem hang heavy past his hips; the jacket's collar stands half-raised, its worn black leather catching a wet specular sheen along the shoulders. Beneath it the white ribbed tank top shows its vertical knit texture where it spans his broad chest, and the heavy 14k Cuban link chain lies flat over the ribbing, each flat gold link picking up a separate hard highlight, the clasp resting just below his collarbone. His head is level and still, chin slightly tucked, deep-set eyes locked straight into the lens with a flat, unblinking piercing stare, brows drawn low so the subtle scar cutting through the left eyebrow reads as a pale interruption in the dark line. His jaw is clenched, the square corners of it sharply defined, mouth closed and set. His buzz cut is cropped so close the scalp reads through it, the razor fade cleanly graded at the temples and the line-up immaculate and sharp. Behind and around him the Brooklyn corner is wet and dark: a chain-link fence and a brick wall recede out of focus to the left, a liquor store frontage glows to the right with a hot red and green neon sign reading "liquor" curving with the slight bow of the signboard's plastic face, and its smaller blue neon sibling reading "open" buzzing further along the same wall. The dusk sky overhead is a deep indigo grading to a thin warm band at the horizon, no sun in view, the storefronts' glow already the stronger light. The rain-slicked asphalt throws back everything: the neon lays long red, green and blue streaks across the puddles, broken and shivering where the water is disturbed, and every reflection is darker and softer-edged than the sign that made it. The key light comes from the liquor store's neon and a cool spill from the dusk sky, so his left side โ€” with the scarred brow โ€” is rimmed warm red and his right cheek and shoulder fall away into cold blue shadow; a hard cast shadow drops behind and to his right across the wet ground. Fine drizzle beads on the leather shoulders of the jacket without soaking in. Photorealistic, hyper-detailed, shot on a 35mm lens with a slight low angle for presence, shallow depth of field keeping him crisp against the softened street. Gritty, intense.
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Immissione richiesta originale
front view, centered composition, medium full shot, framing from head to knees, an African American gangster, gritty and intense mood. Sharp square jawline, intense deep-set eyes with a piercing gaze, a subtle scar across his left eyebrow. Clean crisp buzz cut with a precise razor fade and immaculate line-up. Muscular and imposing physique, broad shoulders covered in intricate black-and-grey tattoos. Wearing a premium oversized black leather bomber jacket over a clean white ribbed tank top, layered with a heavy 14k gold Cuban link chain. Standing on a gritty, rain-slicked street corner in Brooklyn at dusk, neon signs from a liquor store reflecting in puddles, cinematic lighting, dramatic shadows, 8k resolution, photorealistic, hyper-detailed, shot on 35mm lens.
Modalitร 
ultra
Dimensione
864 x 1152
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
e3
1boy, solo, african american man, dark skin, adult, front view, centered composition, medium full shot, head to knees, standing, sharp square jawline, deep-set eyes, intense piercing gaze, looking at viewer, subtle scar across left eyebrow, black buzz cut, razor fade, precise line-up, muscular, imposing physique, broad shoulders, intricate black-and-grey tattoos on shoulders and upper arms, oversized black leather bomber jacket, open jacket, white ribbed tank top, heavy 14k gold cuban link chain, hands in jacket pockets, gritty intense mood, rain-slicked brooklyn street corner, dusk, neon liquor store signs, puddle reflections, cinematic lighting, dramatic shadows, photorealistic, hyper-detailed, 35mm lens, wide shot, low angle He stands dead center facing the camera square-on, a medium full shot cropping him cleanly at the knees, his weight settled onto his left leg with the right hip dropped a fraction so the silhouette is not symmetrical. Both hands are pushed deep into the bomber jacket's front pockets, pulling the oversized black leather taut across his chest and letting the hem hang heavy past his hips; the jacket's collar stands half-raised, its worn black leather catching a wet specular sheen along the shoulders. Beneath it the white ribbed tank top shows its vertical knit texture where it spans his broad chest, and the heavy 14k Cuban link chain lies flat over the ribbing, each flat gold link picking up a separate hard highlight, the clasp resting just below his collarbone. His head is level and still, chin slightly tucked, deep-set eyes locked straight into the lens with a flat, unblinking piercing stare, brows drawn low so the subtle scar cutting through the left eyebrow reads as a pale interruption in the dark line. His jaw is clenched, the square corners of it sharply defined, mouth closed and set. His buzz cut is cropped so close the scalp reads through it, the razor fade cleanly graded at the temples and the line-up immaculate and sharp. Behind and around him the Brooklyn corner is wet and dark: a chain-link fence and a brick wall recede out of focus to the left, a liquor store frontage glows to the right with a hot red and green neon sign reading "liquor" curving with the slight bow of the signboard's plastic face, and its smaller blue neon sibling reading "open" buzzing further along the same wall. The dusk sky overhead is a deep indigo grading to a thin warm band at the horizon, no sun in view, the storefronts' glow already the stronger light. The rain-slicked asphalt throws back everything: the neon lays long red, green and blue streaks across the puddles, broken and shivering where the water is disturbed, and every reflection is darker and softer-edged than the sign that made it. The key light comes from the liquor store's neon and a cool spill from the dusk sky, so his left side โ€” with the scarred brow โ€” is rimmed warm red and his right cheek and shoulder fall away into cold blue shadow; a hard cast shadow drops behind and to his right across the wet ground. Fine drizzle beads on the leather shoulders of the jacket without soaking in. Photorealistic, hyper-detailed, shot on a 35mm lens with a slight low angle for presence, shallow depth of field keeping him crisp against the softened street. Gritty, intense.
ejsh3466
AI artwork
e3
1boy, solo, african american man, dark skin, adult, front view, centered composition, medium full shot, head to knees, standing, sharp square jawline, deep-set eyes, intense piercing gaze, looking at viewer, subtle scar across left eyebrow, black buzz cut, razor fade, precise line-up, muscular, imposing physique, broad shoulders, intricate black-and-grey tattoos on shoulders and upper arms, oversized black leather bomber jacket, open jacket, white ribbed tank top, heavy 14k gold cuban link chain, hands in jacket pockets, gritty intense mood, rain-slicked brooklyn street corner, dusk, neon liquor store signs, puddle reflections, cinematic lighting, dramatic shadows, photorealistic, hyper-detailed, 35mm lens, wide shot, low angle He stands dead center facing the camera square-on, a medium full shot cropping him cleanly at the knees, his weight settled onto his left leg with the right hip dropped a fraction so the silhouette is not symmetrical. Both hands are pushed deep into the bomber jacket's front pockets, pulling the oversized black leather taut across his chest and letting the hem hang heavy past his hips; the jacket's collar stands half-raised, its worn black leather catching a wet specular sheen along the shoulders. Beneath it the white ribbed tank top shows its vertical knit texture where it spans his broad chest, and the heavy 14k Cuban link chain lies flat over the ribbing, each flat gold link picking up a separate hard highlight, the clasp resting just below his collarbone. His head is level and still, chin slightly tucked, deep-set eyes locked straight into the lens with a flat, unblinking piercing stare, brows drawn low so the subtle scar cutting through the left eyebrow reads as a pale interruption in the dark line. His jaw is clenched, the square corners of it sharply defined, mouth closed and set. His buzz cut is cropped so close the scalp reads through it, the razor fade cleanly graded at the temples and the line-up immaculate and sharp. Behind and around him the Brooklyn corner is wet and dark: a chain-link fence and a brick wall recede out of focus to the left, a liquor store frontage glows to the right with a hot red and green neon sign reading "liquor" curving with the slight bow of the signboard's plastic face, and its smaller blue neon sibling reading "open" buzzing further along the same wall. The dusk sky overhead is a deep indigo grading to a thin warm band at the horizon, no sun in view, the storefronts' glow already the stronger light. The rain-slicked asphalt throws back everything: the neon lays long red, green and blue streaks across the puddles, broken and shivering where the water is disturbed, and every reflection is darker and softer-edged than the sign that made it. The key light comes from the liquor store's neon and a cool spill from the dusk sky, so his left side โ€” with the scarred brow โ€” is rimmed warm red and his right cheek and shoulder fall away into cold blue shadow; a hard cast shadow drops behind and to his right across the wet ground. Fine drizzle beads on the leather shoulders of the jacket without soaking in. Photorealistic, hyper-detailed, shot on a 35mm lens with a slight low angle for presence, shallow depth of field keeping him crisp against the softened street. Gritty, intense.
ejsh3466
AI artwork
e3
1boy, solo, african american man, dark skin, adult, front view, centered composition, medium full shot, head to knees, standing, sharp square jawline, deep-set eyes, intense piercing gaze, looking at viewer, subtle scar across left eyebrow, black buzz cut, razor fade, precise line-up, muscular, imposing physique, broad shoulders, intricate black-and-grey tattoos on shoulders and upper arms, oversized black leather bomber jacket, open jacket, white ribbed tank top, heavy 14k gold cuban link chain, hands in jacket pockets, gritty intense mood, rain-slicked brooklyn street corner, dusk, neon liquor store signs, puddle reflections, cinematic lighting, dramatic shadows, photorealistic, hyper-detailed, 35mm lens, wide shot, low angle He stands dead center facing the camera square-on, a medium full shot cropping him cleanly at the knees, his weight settled onto his left leg with the right hip dropped a fraction so the silhouette is not symmetrical. Both hands are pushed deep into the bomber jacket's front pockets, pulling the oversized black leather taut across his chest and letting the hem hang heavy past his hips; the jacket's collar stands half-raised, its worn black leather catching a wet specular sheen along the shoulders. Beneath it the white ribbed tank top shows its vertical knit texture where it spans his broad chest, and the heavy 14k Cuban link chain lies flat over the ribbing, each flat gold link picking up a separate hard highlight, the clasp resting just below his collarbone. His head is level and still, chin slightly tucked, deep-set eyes locked straight into the lens with a flat, unblinking piercing stare, brows drawn low so the subtle scar cutting through the left eyebrow reads as a pale interruption in the dark line. His jaw is clenched, the square corners of it sharply defined, mouth closed and set. His buzz cut is cropped so close the scalp reads through it, the razor fade cleanly graded at the temples and the line-up immaculate and sharp. Behind and around him the Brooklyn corner is wet and dark: a chain-link fence and a brick wall recede out of focus to the left, a liquor store frontage glows to the right with a hot red and green neon sign reading "liquor" curving with the slight bow of the signboard's plastic face, and its smaller blue neon sibling reading "open" buzzing further along the same wall. The dusk sky overhead is a deep indigo grading to a thin warm band at the horizon, no sun in view, the storefronts' glow already the stronger light. The rain-slicked asphalt throws back everything: the neon lays long red, green and blue streaks across the puddles, broken and shivering where the water is disturbed, and every reflection is darker and softer-edged than the sign that made it. The key light comes from the liquor store's neon and a cool spill from the dusk sky, so his left side โ€” with the scarred brow โ€” is rimmed warm red and his right cheek and shoulder fall away into cold blue shadow; a hard cast shadow drops behind and to his right across the wet ground. Fine drizzle beads on the leather shoulders of the jacket without soaking in. Photorealistic, hyper-detailed, shot on a 35mm lens with a slight low angle for presence, shallow depth of field keeping him crisp against the softened street. Gritty, intense.
ejsh3466

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