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AI artwork featuring #DC Comics, #Supergirl and #Superman
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Supergirl, DC Comics

#DC Comics#Supergirl#Superman
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character: superman 2girls, 1boy, superman, henry cavill likeness, male face, square jaw, large nose, stubble shadow, painted lips, red lipstick, false eyelashes, running mascara, crying, tears, streaming tears, looking at camera, one eye closed, black eye, swollen eye, purple bruise, blood on forehead, blood trickling down face, stiletto heel embedded in temple, nail in head, disheveled long blonde wig, wig, long hair, blue top, crop top, logo on shirt, muscular, muscular abdomen, hairy torso, chest hair, hairy arms, red miniskirt, pleated skirt, miniskirt, visible crotch, bulge, crawling, on all fours, superman pose, full body, long shot, wide shot, from side, from above, dutch angle, ass, raised hips, arched back, old man, short man, fat man, elderly, bald, background, standing, pants, pants down, penis, tucking, fly, open fly, indoor, concrete floor, harsh overhead light, sweat, trembling, half-closed eyes, tearful, humiliated, gritted teeth, dramatic shadow Full-body long shot from a slightly raised side angle tipped a few degrees into a dutch tilt: the crawling figure fills the left two-thirds of the frame, down on all fours, hips raised higher than the head, forearms and knees planted on bare grey concrete, spine arched, shoulder blades drawn together under the blue cropped top. Both palms are flat on the floor, fingers splayed and taking the weight; the knees bear the rear, calves angled back, toes curled under. The head is turned toward the lens over the leading shoulder, chin lifted, so the camera catches the square jaw and the large nose in three-quarter view, the stubble shadow dark along the jawline and above the painted red mouth. The left eye is shut and swollen, the lid puffed and split with purple bruising; the right eye is open, wet, rimmed red, lashes clumped and false, mascara running in dark streaks down the cheek and around the lips. Full-face makeup: red lipstick smeared past the lip line at one corner. A thin line of blood runs from the hairline down the forehead, past the brow, one drop hanging from the jaw. The stiletto heel is driven into the right temple: slender steel-grey spike entering at a shallow angle, the pale sole and slim heel protruding from the side of the head, the blonde hair matted and darkening around the entry. The long blonde wig sits crooked, the part skewed to one side, strands fallen over the good eye and dirt in the ends, a heavy curtain of hair spilling forward over the floor. The blue top is tight and cut above the navel, the red-and-gold shield logo stretched across the chest; below it the bare muscled abdomen is visible, ridged and sheened with sweat, dark hair running down from the chest and across the stomach to the waistband. The red pleated skirt is hiked up over the hips, pleats fanned and one panel caught between the thighs, revealing the thick bulge pressed against the fabric at the crotch. Deep in the right background, small and soft-focus but fully readable, a short fat old man stands side-on in a half-turn, belly hanging over his waistband, balding head catching the light; his trousers are open at the fly and both hands are at his crotch, tucking himself in, one elbow lifted, his eyes down on his hands and mouth pursed in concentration. He does not look toward the crawling figure. Single hard overhead light source directly above the pair, cool and white, dropping a tight pool on the floor between them; the crawling figure's body casts a hard-edged shadow forward and to the left of the frame, the old man throws a long thin shadow toward the right wall, and beyond both pools the concrete falls off into deep shadow. The blood catches the light as a wet highlight; the heel throws a small bright glint at its tip. The floor stain of dust and a faint smear mark trail behind the crawling figure's knees, evidence of the drag. Palette restricted to bruised purple-black, the blue of the top, blood red, and concrete grey, with the frizzy yellow of the wig as the single hot accent. Sweat beads at the temple, one strand of hair sticks to the wet cheek, breath visible in the hard air. Cold, ugly, unflinching.
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Immissione richiesta originale
Plano largo de cuerpo entero arrastrandose a cuatro de Superman henry cavill rostro masculino mandibula cuadrada nariz grande sombra de barba con los labios pintados pestañas postizas rímel corrido está llorando mirando a cámara con un ojo hinchado cerrado y morado la sangre le cae por la frente y tiene un tacón de un zapato de aguja clavado en la sien lleva una peluca de melena rubia descolocada viste un top azul con su logo que deja ver su musculoso abdomen y velludo torso y una minifalda roja tableada que permite ver su abultada entrepierna. Al fondo en segundo plano un hombre viejo bajito y gordo se está guardando él pene en sus bragueta
Modalità
flash
Dimensione
1104 x 1824
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AI artwork
b
character: superman 2girls, 1boy, superman, henry cavill likeness, male face, square jaw, large nose, stubble shadow, painted lips, red lipstick, false eyelashes, running mascara, crying, tears, streaming tears, looking at camera, one eye closed, black eye, swollen eye, purple bruise, blood on forehead, blood trickling down face, stiletto heel embedded in temple, nail in head, disheveled long blonde wig, wig, long hair, blue top, crop top, logo on shirt, muscular, muscular abdomen, hairy torso, chest hair, hairy arms, red miniskirt, pleated skirt, miniskirt, visible crotch, bulge, crawling, on all fours, superman pose, full body, long shot, wide shot, from side, from above, dutch angle, ass, raised hips, arched back, old man, short man, fat man, elderly, bald, background, standing, pants, pants down, penis, tucking, fly, open fly, indoor, concrete floor, harsh overhead light, sweat, trembling, half-closed eyes, tearful, humiliated, gritted teeth, dramatic shadow Full-body long shot from a slightly raised side angle tipped a few degrees into a dutch tilt: the crawling figure fills the left two-thirds of the frame, down on all fours, hips raised higher than the head, forearms and knees planted on bare grey concrete, spine arched, shoulder blades drawn together under the blue cropped top. Both palms are flat on the floor, fingers splayed and taking the weight; the knees bear the rear, calves angled back, toes curled under. The head is turned toward the lens over the leading shoulder, chin lifted, so the camera catches the square jaw and the large nose in three-quarter view, the stubble shadow dark along the jawline and above the painted red mouth. The left eye is shut and swollen, the lid puffed and split with purple bruising; the right eye is open, wet, rimmed red, lashes clumped and false, mascara running in dark streaks down the cheek and around the lips. Full-face makeup: red lipstick smeared past the lip line at one corner. A thin line of blood runs from the hairline down the forehead, past the brow, one drop hanging from the jaw. The stiletto heel is driven into the right temple: slender steel-grey spike entering at a shallow angle, the pale sole and slim heel protruding from the side of the head, the blonde hair matted and darkening around the entry. The long blonde wig sits crooked, the part skewed to one side, strands fallen over the good eye and dirt in the ends, a heavy curtain of hair spilling forward over the floor. The blue top is tight and cut above the navel, the red-and-gold shield logo stretched across the chest; below it the bare muscled abdomen is visible, ridged and sheened with sweat, dark hair running down from the chest and across the stomach to the waistband. The red pleated skirt is hiked up over the hips, pleats fanned and one panel caught between the thighs, revealing the thick bulge pressed against the fabric at the crotch. Deep in the right background, small and soft-focus but fully readable, a short fat old man stands side-on in a half-turn, belly hanging over his waistband, balding head catching the light; his trousers are open at the fly and both hands are at his crotch, tucking himself in, one elbow lifted, his eyes down on his hands and mouth pursed in concentration. He does not look toward the crawling figure. Single hard overhead light source directly above the pair, cool and white, dropping a tight pool on the floor between them; the crawling figure's body casts a hard-edged shadow forward and to the left of the frame, the old man throws a long thin shadow toward the right wall, and beyond both pools the concrete falls off into deep shadow. The blood catches the light as a wet highlight; the heel throws a small bright glint at its tip. The floor stain of dust and a faint smear mark trail behind the crawling figure's knees, evidence of the drag. Palette restricted to bruised purple-black, the blue of the top, blood red, and concrete grey, with the frizzy yellow of the wig as the single hot accent. Sweat beads at the temple, one strand of hair sticks to the wet cheek, breath visible in the hard air. Cold, ugly, unflinching.
blitoluchador
AI artwork
b
character: superman 2girls, 1boy, superman, henry cavill likeness, male face, square jaw, large nose, stubble shadow, painted lips, red lipstick, false eyelashes, running mascara, crying, tears, streaming tears, looking at camera, one eye closed, black eye, swollen eye, purple bruise, blood on forehead, blood trickling down face, stiletto heel embedded in temple, nail in head, disheveled long blonde wig, wig, long hair, blue top, crop top, logo on shirt, muscular, muscular abdomen, hairy torso, chest hair, hairy arms, red miniskirt, pleated skirt, miniskirt, visible crotch, bulge, crawling, on all fours, superman pose, full body, long shot, wide shot, from side, from above, dutch angle, ass, raised hips, arched back, old man, short man, fat man, elderly, bald, background, standing, pants, pants down, penis, tucking, fly, open fly, indoor, concrete floor, harsh overhead light, sweat, trembling, half-closed eyes, tearful, humiliated, gritted teeth, dramatic shadow Full-body long shot from a slightly raised side angle tipped a few degrees into a dutch tilt: the crawling figure fills the left two-thirds of the frame, down on all fours, hips raised higher than the head, forearms and knees planted on bare grey concrete, spine arched, shoulder blades drawn together under the blue cropped top. Both palms are flat on the floor, fingers splayed and taking the weight; the knees bear the rear, calves angled back, toes curled under. The head is turned toward the lens over the leading shoulder, chin lifted, so the camera catches the square jaw and the large nose in three-quarter view, the stubble shadow dark along the jawline and above the painted red mouth. The left eye is shut and swollen, the lid puffed and split with purple bruising; the right eye is open, wet, rimmed red, lashes clumped and false, mascara running in dark streaks down the cheek and around the lips. Full-face makeup: red lipstick smeared past the lip line at one corner. A thin line of blood runs from the hairline down the forehead, past the brow, one drop hanging from the jaw. The stiletto heel is driven into the right temple: slender steel-grey spike entering at a shallow angle, the pale sole and slim heel protruding from the side of the head, the blonde hair matted and darkening around the entry. The long blonde wig sits crooked, the part skewed to one side, strands fallen over the good eye and dirt in the ends, a heavy curtain of hair spilling forward over the floor. The blue top is tight and cut above the navel, the red-and-gold shield logo stretched across the chest; below it the bare muscled abdomen is visible, ridged and sheened with sweat, dark hair running down from the chest and across the stomach to the waistband. The red pleated skirt is hiked up over the hips, pleats fanned and one panel caught between the thighs, revealing the thick bulge pressed against the fabric at the crotch. Deep in the right background, small and soft-focus but fully readable, a short fat old man stands side-on in a half-turn, belly hanging over his waistband, balding head catching the light; his trousers are open at the fly and both hands are at his crotch, tucking himself in, one elbow lifted, his eyes down on his hands and mouth pursed in concentration. He does not look toward the crawling figure. Single hard overhead light source directly above the pair, cool and white, dropping a tight pool on the floor between them; the crawling figure's body casts a hard-edged shadow forward and to the left of the frame, the old man throws a long thin shadow toward the right wall, and beyond both pools the concrete falls off into deep shadow. The blood catches the light as a wet highlight; the heel throws a small bright glint at its tip. The floor stain of dust and a faint smear mark trail behind the crawling figure's knees, evidence of the drag. Palette restricted to bruised purple-black, the blue of the top, blood red, and concrete grey, with the frizzy yellow of the wig as the single hot accent. Sweat beads at the temple, one strand of hair sticks to the wet cheek, breath visible in the hard air. Cold, ugly, unflinching.
blitoluchador
AI artwork
b
character: superman 2girls, 1boy, superman, henry cavill likeness, male face, square jaw, large nose, stubble shadow, painted lips, red lipstick, false eyelashes, running mascara, crying, tears, streaming tears, looking at camera, one eye closed, black eye, swollen eye, purple bruise, blood on forehead, blood trickling down face, stiletto heel embedded in temple, nail in head, disheveled long blonde wig, wig, long hair, blue top, crop top, logo on shirt, muscular, muscular abdomen, hairy torso, chest hair, hairy arms, red miniskirt, pleated skirt, miniskirt, visible crotch, bulge, crawling, on all fours, superman pose, full body, long shot, wide shot, from side, from above, dutch angle, ass, raised hips, arched back, old man, short man, fat man, elderly, bald, background, standing, pants, pants down, penis, tucking, fly, open fly, indoor, concrete floor, harsh overhead light, sweat, trembling, half-closed eyes, tearful, humiliated, gritted teeth, dramatic shadow Full-body long shot from a slightly raised side angle tipped a few degrees into a dutch tilt: the crawling figure fills the left two-thirds of the frame, down on all fours, hips raised higher than the head, forearms and knees planted on bare grey concrete, spine arched, shoulder blades drawn together under the blue cropped top. Both palms are flat on the floor, fingers splayed and taking the weight; the knees bear the rear, calves angled back, toes curled under. The head is turned toward the lens over the leading shoulder, chin lifted, so the camera catches the square jaw and the large nose in three-quarter view, the stubble shadow dark along the jawline and above the painted red mouth. The left eye is shut and swollen, the lid puffed and split with purple bruising; the right eye is open, wet, rimmed red, lashes clumped and false, mascara running in dark streaks down the cheek and around the lips. Full-face makeup: red lipstick smeared past the lip line at one corner. A thin line of blood runs from the hairline down the forehead, past the brow, one drop hanging from the jaw. The stiletto heel is driven into the right temple: slender steel-grey spike entering at a shallow angle, the pale sole and slim heel protruding from the side of the head, the blonde hair matted and darkening around the entry. The long blonde wig sits crooked, the part skewed to one side, strands fallen over the good eye and dirt in the ends, a heavy curtain of hair spilling forward over the floor. The blue top is tight and cut above the navel, the red-and-gold shield logo stretched across the chest; below it the bare muscled abdomen is visible, ridged and sheened with sweat, dark hair running down from the chest and across the stomach to the waistband. The red pleated skirt is hiked up over the hips, pleats fanned and one panel caught between the thighs, revealing the thick bulge pressed against the fabric at the crotch. Deep in the right background, small and soft-focus but fully readable, a short fat old man stands side-on in a half-turn, belly hanging over his waistband, balding head catching the light; his trousers are open at the fly and both hands are at his crotch, tucking himself in, one elbow lifted, his eyes down on his hands and mouth pursed in concentration. He does not look toward the crawling figure. Single hard overhead light source directly above the pair, cool and white, dropping a tight pool on the floor between them; the crawling figure's body casts a hard-edged shadow forward and to the left of the frame, the old man throws a long thin shadow toward the right wall, and beyond both pools the concrete falls off into deep shadow. The blood catches the light as a wet highlight; the heel throws a small bright glint at its tip. The floor stain of dust and a faint smear mark trail behind the crawling figure's knees, evidence of the drag. Palette restricted to bruised purple-black, the blue of the top, blood red, and concrete grey, with the frizzy yellow of the wig as the single hot accent. Sweat beads at the temple, one strand of hair sticks to the wet cheek, breath visible in the hard air. Cold, ugly, unflinching.
blitoluchador
AI artwork
b
character: superman close-up, 1boy, solo, looking at viewer, crying, tears, streaming tears, smudged mascara, running mascara, black mascara streaks down cheeks, painted lips, glossy red lipstick, smeared lipstick, false eyelashes, long eyelashes, one eye closed, swollen shut eye, black eye, purple bruise, bruised eye socket, blood on forehead, blood dripping down face, blood trickling over brow, stiletto heel, high heel embedded in temple, spike heel stuck in head, long blonde wig, disheveled wig, messy long blonde hair, locks over shoulders, blue eyes, single visible eye, strong jaw, stubble, sideburns, muscular male, blue bodysuit, superhero costume, bare shoulders, torn collar, red cape at shoulder, from above, slight head tilt up to lens, dutch angle, dramatic key light A close-up, framed from just above the brow down to the collarbone, the man's head tilted slightly back and turned a breath to his left so the lens meets him at a small dutch angle. His right eye — the one on the left of the frame — is swollen shut, the lid puffed and shiny, the skin around it deep purple shading to greenish yellow at the cheekbone; the other eye is wide open, blue, wet, fixed straight on the viewer, lashes long and thick and false, one strip slightly lifted at the outer corner. Black mascara has run from both eyes in wet streaks that fork down his cheeks and gather dark at the jaw; his lips are painted a deep glossy red, the lower lip smeared and tacky where he has bitten it, and his mouth is open in a broken, ugly crying shape, teeth parted, breath caught. Tears keep coming, cutting pale lines through the mascara. Blood runs from a split above his right brow, a thin red line that splits into two at the bridge of his nose and drips from his chin. Driven into his left temple, the heel of a stiletto: the thin steel spike is buried to the hilt in the skin, the shoe's black sole and red underside jutting out from the side of his head, a bead of blood welling where metal meets flesh. The blonde wig is a long, disheveled mane, ratted and pushed back off his forehead on one side, dull gold strands plastered to his wet cheek with tears and blood, the parting crooked, a few hairs caught against the shoe. Under it all, the blue bodysuit, its collar torn open at the throat and one shoulder, the red cape bunched behind his neck. Light falls hard from above and slightly left: it catches the wet shine of tears, the gloss of his lips, the steel of the heel and the ridge of the swollen lid, and drops the right side of his face and the underside of his jaw into deep shadow. Palette of blue, red and black dominated by the wet red of blood and lipstick. Intimate, raw wreckage.
blitoluchador

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