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AI art "Artistic Touch in the Studio!"
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Artistic Touch in the Studio!

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1girl, solo, kitsune, kemonomimi, nine tails, multiple tails, fox ears, whiskers, raven hair, long straight hair, black hair, yellow eyes, epicanthic folds, wine red eyeliner, calligraphy eyeliner, sharp eyeliner, full lips, carmine lips, tongue out, tongue to the side, concentration, slender, soft curves, toned arms, defined arms, vanilla white skin, white fur, ginger streaks, ginger tips, overalls, dungaree, triangle pattern, red blue yellow triangles, india ink outlines, brushes in pocket, paint tubes in pocket, striped slippers, brown and yellow slippers, raspberry headphones, red headphones, chiseling, hammer and chisel in hand, carving, finishing statue, angel statue, stylized angel, art deco gallery, twelve zodiac statues, painted statues, from side, cowboy shot, profile, looking at statue, leaning forward, semi-realistic, detailed skin, high detail, soft lighting, warm highlights The camera sits at a low three-quarter side view, cowboy framing from just below the knee to a little above the ear, the woman standing in profile at the left of the frame and turned toward a half-finished angel statue that fills the right third. She is mid-strike: her weight is on her back right leg, left knee bent and left foot slid forward in a brown and yellow striped slipper whose toe is scuffed with pale marble dust, her hips pushed back and her shoulders rolled forward over the work. Her athletic, well-defined right arm is raised with the mallet cocked at the top of its swing; the left arm is across her body, the chisel's butt pressed into her palm and its edge biting a fresh pale notch in the angel's raised wing. Her slender, softly curved body leans in so the strap of her dungaree digs a small crease into one shoulder. The red, blue and yellow triangle overalls are drawn in hard India ink contours, seams crisp, sawdust and stone grit caught in the weave at the knees; the front bib pocket holds three brushes with worn ferrules and two squeezed paint tubes, their caps dented. Raspberry red headphones sit clamped over her ears, the ear cups pressing the raven black long straight hair flat against her temples and letting it spill down her back from beneath the band, a few strands stuck to her neck with sweat. Her head is turned to the statue in pure profile: yellow eyes narrowed and locked on the chisel's contact point, the intense epicanthic folds creasing the inner corners, the sharp wine red calligraphy-like eyeliner flicking out in a single wet brushstroke past each outer corner. Her delicate, feminine features are set hard in concentration, the full carmine lips pressed together and pushed slightly to one side, the very tip of her tongue poking out past the corner of her mouth. Fine marble dust whitens her brow, the ridge of her nose and the tops of her knuckles. Behind her, big fox ears stand up through the hair with pure white fur streaked and tipped in ginger; whiskers fan from her cheeks, catching the light. Her nine fox tails rise and curl in a loose fan behind her hips, white fur with ginger streaks and tips, dusted grey at their undersides where the stone powder has settled. On the mallet's downstroke the nearest tail lifts and the loose hair at her nape swings; the statue's wing edge throws a fine spray of white chips that hang in the air. The gallery recedes behind them in art deco geometry: stepped setbacks, fluted pilasters, arched niches trimmed in brass and black lacquer, a polished terrazzo floor whose inlaid lines run toward a shallow flight of steps. Along the back wall stand the painted statues of the twelve Chinese zodiac signs, each on its own plinth, their polychrome surfaces — jade green, ochre, cobalt, vermilion — muted by distance but still legible, the rat, the ox, the tiger and the rabbit nearest the camera and the rest diminishing down the hall. Warm key light falls from a tall clerestory window high on the left, striking the left side of her face, her raised forearm and the angel's wing, laying long soft shadows to the right across the terrazzo; the deeper gallery behind sinks to a dim golden darkness. The palette holds vanilla white skin, raven black, raspberry red, the primary confetti of the overalls and the marble's cool cream, all under warm amber light. Semi-realistic anime rendering, highly detailed skin texture with visible pores, fine dust and a soft sheen along the cheekbone and collarbone, glossy high-finish shading with warm highlights and minimally visible brushwork. Focused, absorbed, quietly intimate.
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White kyūbi kitsune woman in kemonomimi form with vanilla white skin, 30 years old, raven black long straight hair. Yellow eyes with intense epicanthic folds and wine red sharp calligraphy-like eyeliner, delicate and feminine facial features. Full, carmine lips pressed in concentration, tongue slightly out to the side. Slender build with soft curves, athletic well defined arms. She has nine fox tails, big fox ears, whiskers. The tails and ears have pure white fur with ginger streaks and tips. She's wearing a dungaree patterned in red, blue and yellow triangles with India ink contours, front pockets carrying brushes and paint tubes, brown and yellow stripped slippers, raspberry red headphones. She's chiseling a statue, finishing it, a stylized angel. An art déco gallery in the background with painted statues of the twelve Chinese zodiac signs. Semi-realistic anime, highly detailed, skin texture.
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pro
Stile
Semi-Real
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
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lowres, worst quality, low quality, bad anatomy, explicit
Stile: Semi-Real
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