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Arte IA di utena su PixAI. Creato con Tsubaki.3 Flash.

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character: leonie_pinelli, hilda_valentine_goneril, marianne_von_edmund, lysithea_von_ordelia, copyright: fire_emblem:_three_houses 4girls, marianne_von_edmund, leonie_pinelli, hilda_valentine_goneril, lysithea_von_ordelia, morning, sunrise, armpit focus, armpit show, arms up, arms behind head, stretching, short hair, orange hair, orange eyes, pink hair, long hair, twintails, pink eyes, blue hair, braid, crown braid, brown eyes, white hair, hair ornament, fingerless gloves, bike shorts, knee pads, earrings, hoop earrings, garreg mach monastery uniform, purple dress, pantyhose, from below, wide shot, dutch angle, looking at viewer, grin, one eye closed, open mouth, ^ ^, blush, light smile, standing on one leg, leaning forward, head tilt, outstretched arm, crossed legs, arm support The camera sits low on a dew-wet stone terrace and looks up through the four of them against a pink-and-gold sunrise sky, so each raised arm opens a clean, unbroken line from wrist to ribs. In the near left foreground Marianne is closest to the lens: she stands half-turned away, weight on her back foot, both arms lifted overhead with her fingers laced, her long blue braid falling forward over one shoulder, the crown braid running tight along her scalp; her chin is tucked and her brown eyes slide sideways to the others, a faint closed-lip smile just forming, the long loose sleeves of her dress pulled back to her upper arms so the pale underside of her raised arm is fully lit. Beside her, a half-step deeper into the frame, Leonie leans far forward across the foreground with one knee up on the terrace's low ledge, one arm hooked behind her head and the other flung out wide, her short orange hair tousled by the motion, her orange eyes narrowed with a crooked grin aimed straight down the lens, fingerless gloves gripping at her own opposite elbow, bike shorts and knee pads catching a hard rim of sunrise light along the top of her lifted arm. Behind them Hilda turns mid-stretch with her pink twintails swinging out wide in a flat arc, both hands gathering her hair up off her neck, her hoop earrings catching the light, the monastery uniform's sleeves slipped down; she is peering back over her shoulder at Leonie with a smug lopsided smirk, one brow arched. Lysithea is on the right and slightly forward, standing on one leg with the other foot crossed behind, both arms raised in a slow stretch so the purple dress's long sleeves bunch at the shoulder, her long white hair drifting and her hair ornament sparking; she looks up and away from the others toward the sunrise with a puffed-cheek pout, one eye half closed against the glare. All four stand at different depths, so no body blocks another's raised arm, and the terrace seams run diagonally under them as leading lines toward the lit horizon. The single light source is the low sun directly behind and slightly left of the group; it rims every raised arm in hot orange, throws each figure's shadow forward across the wet stones toward the viewer, and leaves their faces in soft open shade lit only by a reflected bounce off the pale terrace. The dew on the flagstones evaporates in thin curls of steam wherever the sun first touches it. Palette: sunrise gold, coral pink and cool blue-grey stone, with each girl's hair colour the one saturated note in her own patch of frame. Bright, playful, early-morning energy.
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朝。。ファイアーエムブレム風花雪月のマリアンヌ、レオニー、ヒルダ、リシテア。腋に注目。腋みせ
Modalità
flash
Dimensione
1824 x 1104
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character: leonie_pinelli, hilda_valentine_goneril, marianne_von_edmund, lysithea_von_ordelia, copyright: fire_emblem:_three_houses 4girls, marianne_von_edmund, leonie_pinelli, hilda_valentine_goneril, lysithea_von_ordelia, morning, sunrise, armpit focus, armpit show, arms up, arms behind head, stretching, short hair, orange hair, orange eyes, pink hair, long hair, twintails, pink eyes, blue hair, braid, crown braid, brown eyes, white hair, hair ornament, fingerless gloves, bike shorts, knee pads, earrings, hoop earrings, garreg mach monastery uniform, purple dress, pantyhose, from below, wide shot, dutch angle, looking at viewer, grin, one eye closed, open mouth, ^ ^, blush, light smile, standing on one leg, leaning forward, head tilt, outstretched arm, crossed legs, arm support The camera sits low on a dew-wet stone terrace and looks up through the four of them against a pink-and-gold sunrise sky, so each raised arm opens a clean, unbroken line from wrist to ribs. In the near left foreground Marianne is closest to the lens: she stands half-turned away, weight on her back foot, both arms lifted overhead with her fingers laced, her long blue braid falling forward over one shoulder, the crown braid running tight along her scalp; her chin is tucked and her brown eyes slide sideways to the others, a faint closed-lip smile just forming, the long loose sleeves of her dress pulled back to her upper arms so the pale underside of her raised arm is fully lit. Beside her, a half-step deeper into the frame, Leonie leans far forward across the foreground with one knee up on the terrace's low ledge, one arm hooked behind her head and the other flung out wide, her short orange hair tousled by the motion, her orange eyes narrowed with a crooked grin aimed straight down the lens, fingerless gloves gripping at her own opposite elbow, bike shorts and knee pads catching a hard rim of sunrise light along the top of her lifted arm. Behind them Hilda turns mid-stretch with her pink twintails swinging out wide in a flat arc, both hands gathering her hair up off her neck, her hoop earrings catching the light, the monastery uniform's sleeves slipped down; she is peering back over her shoulder at Leonie with a smug lopsided smirk, one brow arched. Lysithea is on the right and slightly forward, standing on one leg with the other foot crossed behind, both arms raised in a slow stretch so the purple dress's long sleeves bunch at the shoulder, her long white hair drifting and her hair ornament sparking; she looks up and away from the others toward the sunrise with a puffed-cheek pout, one eye half closed against the glare. All four stand at different depths, so no body blocks another's raised arm, and the terrace seams run diagonally under them as leading lines toward the lit horizon. The single light source is the low sun directly behind and slightly left of the group; it rims every raised arm in hot orange, throws each figure's shadow forward across the wet stones toward the viewer, and leaves their faces in soft open shade lit only by a reflected bounce off the pale terrace. The dew on the flagstones evaporates in thin curls of steam wherever the sun first touches it. Palette: sunrise gold, coral pink and cool blue-grey stone, with each girl's hair colour the one saturated note in her own patch of frame. Bright, playful, early-morning energy.
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AI artwork
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character: leonie_pinelli, marianne_von_edmund, hilda_valentine_goneril, lysithea_von_ordelia, copyright: fire_emblem:_three_houses 4 girls, night, night sky, moonlight, marianne_von_edmund, blue hair, braid, crown braid, short hair, brown eyes, long sleeves rolled up, bare arms, armpits, armpits exposed, arms up, leonie_pinelli, orange hair, short hair, orange eyes, fingerless gloves, shorts, bare arms, armpits, armpits exposed, stretching, hilda_valentine_goneril, pink hair, long hair, twintails, pink eyes, hoop earrings, dress, glove removed, bare arms, armpits, armpits exposed, hands behind head, lysithea_von_ordelia, white hair, long hair, hair ornament, pink eyes, purple dress, long sleeves pushed up, bare arms, armpits, armpits exposed, arm raised, group, looking at each other, candid, from below, dutch angle, low angle, wide shot, bonfire, campfire, warm firelight, cool moonlight, sleeves, hair ornaments, jewelry, no shirtsleeves down, all sleeves pushed up or removed from shoulder to wrist, arms fully bared from shoulder to glove, elbow above shoulder height, palms turned inward, midriff covered, skirts and shorts intact, campfire in a forest clearing at night. Four of them stand together in a loose arc around a small campfire in a forest clearing, and the camera looks up at them from knee height, tilted a few degrees off level so the treeline cuts a diagonal through the top of the frame. The fire sits low in the foreground between the viewer and the group, orange coals glowing at the center of the frame, and everything above the group is night sky: deep indigo, a scatter of stars, and the moon high and off to the left, so the two light sources are cleanly separated -- warm firelight climbing their fronts from below, cool moonlight from the upper left rimming the outer edges of their hair and shoulders. Every one of them has her arms raised above the level of her shoulders, sleeves pushed back or peeled away to the wrist, so that the underside of the upper arm faces outward and catches light along its whole length. On the far left, the girl with the short orange hair stands with her weight on her back foot, one arm thrown straight up and bent at the elbow while the other reaches across to hook a thumb behind her opposite shoulder, a full overhead pull that opens both armpits toward the fire. Her fingerless gloves leave her fingers bare; the bare skin of her forearms is faintly sun-browned compared to the paler inner arm. She is turned in three-quarter view, chin lifted, glancing sideways at the group to see if they've noticed her stretching. Next to her the girl with the blue hair in its crown braid stands more carefully, one hand lifted to hold her braid away from her neck while the other arm rests bent on top of her own head. Both elbows are out. Her long sleeves are pushed to a clumsy roll just above the elbow, and she is looking down at the fire rather than at the others, mouth slightly parted as if she'd rather not be doing this. The firelight lands on the underside of her raised arm and her throat; the moonlight edges the crown braid. To her right the girl with the pink twintails has her hands clasped behind her head, both elbows flung wide, her chest open and her head tipped back toward the sky in a posture that reads as delight rather than stretch. Her hoop earrings swing forward off her jaw with the tilt of her head. One glove is peeled off and tucked into her sash; the other hand still wears its glove against her hair. She is grinning upward and sideways at the girl beside her, and her twintails hang loosely down her back with the ends guttering a little in the fire's warm air. On the right, the girl with the long white hair has one arm lifted straight up, fingers curled toward the sky, the other held out at a lower angle to the side; her purple dress sleeve is pushed all the way up past the elbow and bunched there. Her white hair spills down over the raised arm's shoulder and slips forward, and she has turned her face slightly toward the girl with the pink twintails, one eye narrowed against the smoke. The fire's light is the only warm source: it underlights chins, the undersides of arms, and the folds of their clothing, and behind them the forest goes black almost immediately, with the fire's glow reaching only a couple of trees back. Stars are visible only in the gap between the treeline and the moon. Smoke lifts in a thin column that bends off to the right, and where it crosses the moonlight it goes pale. Cinders rise a little way and die out before they reach the lowest leaves. The palette is almost entirely two-note -- orange and indigo, with the flame's amber on skin and fabric and the moon's cold blue on the outer edges. Campfire shadows stretch long and wavering away from the fire behind each of them, collapsing and lengthening as the flames move. The mood is cheerful and conspiratorial, a summer night's abandon.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ