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View detailsJoshua Froat
Mostra parametri
- Immissione richiesta originale
- A pale woman, with dark freckles, heavy lided pink cold eyes, blue sparkling eyeshadow, pale blue shirt hair with a black hair clip, pale blue sparkly lips gloss, snow flak stud earings,pale blue manicured nails,large breasts, a fat ass, wide hips, thick thighs, wearing A white button up shirt, a light blue blaze, a dark blue tie, a light blue skirt, pantie hoes, dark blue high heels, leaning against a desk in a office , with a dead pan look
- Modalità
- pro
- Tag qualità
- ﹝Prompt﹞
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di più1girl, solo, mature female, tall, pale skin, dark freckles across cheeks and nose bridge, heavy-lidded eyes, half-closed eyes, cold expression, pink eyes, blue eyeshadow, glittery eyeshadow, pale blue lips, glossy lips, sparkly lip gloss, long pale blue hair, hair clip, black hair clip, snowflake earrings, stud earrings, pale blue nail polish, manicured nails, large breasts, wide hips, thick thighs, fat ass, white button-up shirt, collared shirt, light blue blazer, dark blue necktie, light blue skirt, pencil skirt, pantyhose, dark blue high heels, leaning, leaning against desk, leaning back, desk, office, indoors, from below, cowboy shot, dutch angle, looking down, deadpan, expressionless, jitome, still air,
The camera sits low and slightly off-axis, tilted a few degrees off horizontal, so the woman leaning against the office desk reads as a tall diagonal cutting the frame; the shot is a cowboy crop, cutting just below the knee, and she is seen from below. She is turned three-quarters away from the camera, her left shoulder toward us, and she leans back against the front edge of a heavy dark wood desk: both cheeks of the desk edge press into the back of her thighs and the underside of her hips, her pelvis pushed forward so the light blue skirt strains smooth across wide hips and thick thighs, and her weight is settled onto the ball of her right foot while her left heel is planted flat, legs crossed slightly at the ankle. Both hands rest behind her on the desktop, fingers curled over the lip, the pale blue glossed nails catching the light; her elbows lock straight and her shoulders roll back, which pulls the white button-up taut across large breasts and makes the dark blue tie hang free of her chest, and the light blue blazer sits open over it, its front panels falling away at the waist. Her chin is level and her head is tipped down toward the lens. Under the heavy lids her cold pink eyes look straight into the camera with the lids lowered a third of the way, the pale blue glitter of the eyeshadow banked along the crease, the pale blue sparkly gloss sitting thick on a mouth that is perfectly flat at both corners, no smile, no tension, a deadpan that gives nothing back. Dark freckles scatter over the bridge of her nose and both cheekbones and keep going down past the jaw. Her long pale blue hair falls over the right side of her face and there, above her ear, a plain black hair clip holds a flat lock of it back; a snowflake stud sits on each earlobe. The room is a plain modern office: a grey carpeted floor, a dark credenza behind her edge-on to the lens, a tall window off-frame left that is the only light source, so the daylight rakes across her from the left, bright along her cheekbone and the top of her blazer shoulder, dropping her right side and the ground beneath the desk into soft cool shadow, and the desk casts a hard dark wedge on the carpet in front of it. Pale blue, dark blue and the cool white of her shirt carry the entire palette, nothing warm admitted anywhere. The only movement is the fine mist of dust hanging still in the window light. Quiet, glacial composure.
Joshua Froat
1girl, solo, office, walking, holding clipboard, deadpan, expressionless, heavy-lidded eyes, half-closed eyes, pink eyes, cold gaze, pale skin, dark freckles, blue eyeshadow, sparkling eyeshadow, pale blue hair, long hair, black hair clip, snowflake earrings, stud earrings, pale blue lips, glossy lips, pale blue nails, manicured nails, large breasts, wide hips, thick thighs, fat ass, white button-up shirt, light blue blazer, dark blue necktie, light blue skirt, pencil skirt, pantyhose, dark blue high heels, from below, full body, dutch angle, looking at object, mid-stride, indoors, daylight from window,
The camera sits low and slightly canted, looking up across the office floor as a single pale-skinned woman strides left to right through the aisle between two banks of grey filing cabinets, caught mid-step. Her weight is on the forward leg, the back heel just lifting off the carpet, one dark blue stiletto heel tilted on its tip; the hip above the planted leg drops lower, tilting the hem of the light blue skirt. Her right forearm is pinned across her waist, clipboard braced against her body, and her left hand rests on the top edge of the board, thumb on the clip, a pen trapped under two fingers; the clipboard's lower corner presses into her hip. Her chin is a few degrees down, and her heavy-lidded pink eyes are turned down and sideways at the top page on the clipboard, lids low, gaze flat and unimpressed, one brow barely lifted. Her mouth is a level line, glossy and pale blue, no smile at all.
Her pale blue hair falls past her shoulders, the ends lifting and swinging out behind her shoulder with the stride; the black hair clip catches a sliver of window light where it pins a section back above her ear. The snowflake studs sit in both earlobes, small and silver against pale skin, and the dark freckles scatter densely across her nose and upper cheeks under the eyeshadow, which glitters faintly in tiny particles wherever the light hits it. The white button-up is buttoned high into the dark blue tie, the collar points tucked under the light blue blazer, whose lapels swing open with her forward shoulder; the blazer's hem rides up over the wide hips, the light blue skirt stretched across them and across the thick thighs so its weave pulls taut, and the pantyhose sheen runs down the legs to the dark blue heels, a narrow seam of darker nylon at the ankle.
The office is a plain medium space: grey carpet, a low cubicle partition in the right foreground cutting diagonally across the bottom of the frame, a photocopier and a dead monitor behind her, a big window on the left. Cool white daylight comes in from that window at the left, so the lit side of her face, shoulder and skirt is bright and the right side of her body falls into soft grey shadow; her own shadow is thrown right and short across the carpet, and the filing cabinets cast long thin shadows that converge toward the right edge. Palette is cool and pale -- white, light blue, dark navy, grey -- with her pink eyes and dark freckles the only warm notes. Half-finished papers and a lanyard rest on the partition ledge, and the shadow of her clipboard falls across the page she is reading. Quietly clinical, brisk.
Joshua Froat
1girl, solo, pale skin, dark freckles across nose and cheekbones, heavy-lidded eyes, pink eyes, cold half-lidded stare, blue sparkling eyeshadow, pale blue shaggy hair, black hair clip, pale blue sparkly lip gloss, snowflake stud earrings, pale blue manicured nails, large breasts, wide hips, thick thighs, white button-up shirt, light blue blazer, dark blue necktie, light blue skirt, pantyhose, dark blue high heels, sitting at desk, office, paperwork, holding pen, deadpan expression, looking down at documents, from above, three-quarter view, cowboy shot, indoors,
The camera looks down from above and slightly to her right, a three-quarter view that takes in the office desk and the woman seated behind it. She is a pale-skinned woman with dark freckles scattered densely across the bridge of her nose and out over both cheekbones; her hair is pale blue and shaggy, cut in uneven choppy layers that fall past her jaw, a black hair clip pinning back one section at the temple so a hank of hair swings loose in front of her ear. Her eyes are pink and heavy-lidded, lids lowered so the irises sit half-hidden and cold, and above them the blue sparkling eyeshadow is laid on in a shimmering sweep that catches the overhead light in fine flecks. A snowflake stud earring sits in each earlobe. Her lips are shut flat in a deadpan line, coated in a pale blue sparkly gloss that glints at the center of the lower lip.
She sits squarely in the desk chair, weight settled into her hips, left hip cocked slightly as she leans her left elbow onto the desk edge and her torso forward over the work. Her white button-up shirt is buttoned high and strains gently across her large breasts, the collar turned down under the lapels of a light blue blazer whose sleeves are pushed to the wrist; a dark blue tie runs from the collar down the shirt front, its knot pulled snug and its blade lying flat between her breasts. The light blue skirt is spread over wide hips and thick thighs where they press into the seat, the hem falling mid-knee and the pantyhose sheathing both thighs in a continuous matte sheen that darkens where the fabric of the skirt casts a soft shadow across the tops of them. Her right hand holds a black pen upright over a paper document, the nib paused just above the line she has not yet signed; her pale blue manicured nails are short, filed square and glossy, and her left forearm rests flat on the desk beside a stack of papers with its fingers loosely curled. Beneath the desk her dark blue high heels are planted, one ankle hooked behind the other.
The office desk is a broad gray laminate surface in the foreground, with a closed folder, a neat tray of documents and a white ceramic mug set to her right. The overhead fluorescent panel lights sit behind and above the camera; they strike the crown of her shaggy blue hair and the tops of her shoulders, glint off the eyeshadow flecks, the lips gloss, the pen barrel and the polished toes of the high heels, and throw a short soft shadow of the mug and the paper tray down onto the desk toward the bottom of the frame. The room recedes behind her in cool neutrals, a gray partition wall and the blurred edge of a filing cabinet, so the pale blue of her hair and clothing is the only color that reads strongly, seconded by the pink of her eyes. Quiet, cool, and utterly unimpressed.
Joshua Froat
s3
consistency of style, consistency of style, 00:1 style, pale skin, cool beauty, kawaii, cute, do not make it a mini character, make the depiction of fingers clean and clear, a tall woman, dragon whisker single bun hairstyle, wearing a lady's shirt and thin black stockings, very full chest at the buttons, white hair, great body figure, sitting in an office chair with legs crossed, looking at me, expression slightly impatient and excited, anime illustration, great quality, best quality
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