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鏡音レンの雲の上の大冒険！
『Vocaloid』の鏡音レンを描いてみました。木のバケツに乗って雲の海を颯爽と滑走する彼の姿が、なんだかとても可愛らしくてお気に入りです！青空の下で楽しそうなレンを見ていると、私も一緒に空を駆け抜けたくなっちゃいますね。気に入っていただけたらいいねとフォローをお願いします！次はどんなレンを描こうか迷い中なので、ぜひコメントでリクエストを聞かせてください〜
Mostra parametri
- Immissione richiesta originale
- 鏡音レンが、樽から頭を出したまま、雲海に流されている。
- Modalità
- pro
- Dimensione
- 1104 x 1824
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di più
character: kagamine_len
1boy, solo, kagamine len, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, head out of barrel, inside barrel, only head and shoulders and arms above the rim, upper body, adrift, floating, sea of clouds, cloud ocean, sky, from above, high angle, looking up, arms resting on barrel rim, tilted head, faint closed-lip smile, windblown hair, clouds parting around the barrel, wide shot, soft daylight, cool blue and cream palette
The camera looks down from high above and slightly off to one side, so the barrel reads as a small round island in an enormous white sea. A wooden barrel floats upright on a dense cloud ocean that stretches to the frame's edges; the staves are pale weathered oak bound with two dark iron hoops, one just under the rim and one lower down, and the lid is gone so the open mouth of the barrel rings the boy's body. Only his head, shoulders and forearms rise above that rim: his chin clears the wood by a hand's width, both forearms lie along the near rim with his palms flat on the top edge and fingers curled over the outer curve, and the rest of him is swallowed inside the dark hollow of the barrel. His blonde short hair is blown sideways and back by a steady wind, a few strands lifting across his brow, and his blue eyes are turned up and to the side toward the light rather than at the lens, lids slightly lowered, one corner of his mouth pulled into a faint closed-lip smile, chin tipped with the tilt of the drifting barrel. Behind the rim the barrel's interior falls into shadow, and its curved outer face catches a soft sheen along the side facing the light.
The cloud sea is the environment and the only ground: layered cumulus packed into a slow current that runs diagonally from lower left to upper right, the nearest billows fat and softly modeled, the distant ones simplified into flat pale ridges, and open sky above the top third of the frame. The barrel has pushed a hollow into the cloud where it sits, cloud wisping up over the rim and clinging in thin shreds to the wet staves, and a faint trail of parted cloud and a shallow wake curve away behind it toward the lower left, marking the direction it has drifted. A single long soft shadow of the barrel falls across the cloud tops to its right, proving the light's angle. The light comes from the upper left, cool and diffuse, catching the top of his hair, the rim's near edge and the upper hoop, while the underside of the barrel and the far inner wall stay in shadow. Palette is limited to the cream and pale grey-blue of the clouds, the warm blonde of his hair, the weathered oak and dark iron of the barrel, and the white of his shirt collar and sleeves, with sky-blue kept only in his eyes and the thin open sky. Atmosphere is high, quiet and unhurried; serene and a little lonely.
Empress Force
character: kagamine_len
1boy, solo, kagamine len, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, head out of barrel, inside barrel, only head and shoulders and arms above the rim, upper body, adrift, floating, sea of clouds, cloud ocean, sky, from above, high angle, looking up, arms resting on barrel rim, tilted head, faint closed-lip smile, windblown hair, clouds parting around the barrel, wide shot, soft daylight, cool blue and cream palette
The camera looks down from high above and slightly off to one side, so the barrel reads as a small round island in an enormous white sea. A wooden barrel floats upright on a dense cloud ocean that stretches to the frame's edges; the staves are pale weathered oak bound with two dark iron hoops, one just under the rim and one lower down, and the lid is gone so the open mouth of the barrel rings the boy's body. Only his head, shoulders and forearms rise above that rim: his chin clears the wood by a hand's width, both forearms lie along the near rim with his palms flat on the top edge and fingers curled over the outer curve, and the rest of him is swallowed inside the dark hollow of the barrel. His blonde short hair is blown sideways and back by a steady wind, a few strands lifting across his brow, and his blue eyes are turned up and to the side toward the light rather than at the lens, lids slightly lowered, one corner of his mouth pulled into a faint closed-lip smile, chin tipped with the tilt of the drifting barrel. Behind the rim the barrel's interior falls into shadow, and its curved outer face catches a soft sheen along the side facing the light.
The cloud sea is the environment and the only ground: layered cumulus packed into a slow current that runs diagonally from lower left to upper right, the nearest billows fat and softly modeled, the distant ones simplified into flat pale ridges, and open sky above the top third of the frame. The barrel has pushed a hollow into the cloud where it sits, cloud wisping up over the rim and clinging in thin shreds to the wet staves, and a faint trail of parted cloud and a shallow wake curve away behind it toward the lower left, marking the direction it has drifted. A single long soft shadow of the barrel falls across the cloud tops to its right, proving the light's angle. The light comes from the upper left, cool and diffuse, catching the top of his hair, the rim's near edge and the upper hoop, while the underside of the barrel and the far inner wall stay in shadow. Palette is limited to the cream and pale grey-blue of the clouds, the warm blonde of his hair, the weathered oak and dark iron of the barrel, and the white of his shirt collar and sleeves, with sky-blue kept only in his eyes and the thin open sky. Atmosphere is high, quiet and unhurried; serene and a little lonely.
Empress Force
character: kagamine_len
1boy, solo, kagamine len, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, head out of barrel, inside barrel, only head and shoulders and arms above the rim, upper body, adrift, floating, sea of clouds, cloud ocean, sky, from above, high angle, looking up, arms resting on barrel rim, tilted head, faint closed-lip smile, windblown hair, clouds parting around the barrel, wide shot, soft daylight, cool blue and cream palette
The camera looks down from high above and slightly off to one side, so the barrel reads as a small round island in an enormous white sea. A wooden barrel floats upright on a dense cloud ocean that stretches to the frame's edges; the staves are pale weathered oak bound with two dark iron hoops, one just under the rim and one lower down, and the lid is gone so the open mouth of the barrel rings the boy's body. Only his head, shoulders and forearms rise above that rim: his chin clears the wood by a hand's width, both forearms lie along the near rim with his palms flat on the top edge and fingers curled over the outer curve, and the rest of him is swallowed inside the dark hollow of the barrel. His blonde short hair is blown sideways and back by a steady wind, a few strands lifting across his brow, and his blue eyes are turned up and to the side toward the light rather than at the lens, lids slightly lowered, one corner of his mouth pulled into a faint closed-lip smile, chin tipped with the tilt of the drifting barrel. Behind the rim the barrel's interior falls into shadow, and its curved outer face catches a soft sheen along the side facing the light.
The cloud sea is the environment and the only ground: layered cumulus packed into a slow current that runs diagonally from lower left to upper right, the nearest billows fat and softly modeled, the distant ones simplified into flat pale ridges, and open sky above the top third of the frame. The barrel has pushed a hollow into the cloud where it sits, cloud wisping up over the rim and clinging in thin shreds to the wet staves, and a faint trail of parted cloud and a shallow wake curve away behind it toward the lower left, marking the direction it has drifted. A single long soft shadow of the barrel falls across the cloud tops to its right, proving the light's angle. The light comes from the upper left, cool and diffuse, catching the top of his hair, the rim's near edge and the upper hoop, while the underside of the barrel and the far inner wall stay in shadow. Palette is limited to the cream and pale grey-blue of the clouds, the warm blonde of his hair, the weathered oak and dark iron of the barrel, and the white of his shirt collar and sleeves, with sky-blue kept only in his eyes and the thin open sky. Atmosphere is high, quiet and unhurried; serene and a little lonely.
Empress Force
character: kagamine_len
1boy, solo, kagamine len, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, head poking out of barrel, inside barrel, only head and shoulders visible, floating in sea, drifting, carried by current, calm expression, wet hair, hair plastered to forehead, water droplets, from above, high angle, wide shot, ocean, open water, no land in sight, daylight, overcast sky
The camera looks down from a high angle steeply onto open water: a single wooden barrel rides the swell, and out of its open top a boy's head and the tops of his shoulders emerge, the rest of him sealed inside. The barrel is his only garment-visible frame here -- his white shirt with long sleeves is bunched where the shoulders meet the rim, the sleeves hidden below the staves, and his pale forearms never show; a wedge of his dark shorts is barely glimpsed through a gap between staves near the waterline. Blonde short hair is soaked flat against his skull, spikes clumped and darkened, a few strands stuck to his forehead and one across his cheek; blue eyes are open and calm, raised slightly, gazing off to the upper left of the frame toward the open horizon, not at the lens. His chin rests against the barrel's inner rim, cheeks pressed a little by the wood, the skin of his jaw dimpled where it touches the edge. Inside the barrel, one hand is visible gripping the near rim from within, knuckles pale, fingers hooked over the lip, the wood wet and slick under them. The barrel tilts a few degrees to the right, tipped by the current; its round top catches the light along one side. Water presses against the hull, and around the barrel a ring of foam and a faint wake trail back to the left, showing the direction the current carries him; a few splashes have landed on the staves and run down in thin dark streaks that follow the grain of the wood, and a strand of kelp drifts past the barrel's shadowed flank. The sea fills the frame with long low swells, a dark teal near the barrel turning lighter gray-green toward the horizon; the sky above is pale, a soft overcast daylight from high behind the camera, so the top of the barrel and the crown of his head are the brightest points, the far side of each swell falling into soft shade, and no hard cast shadow anywhere. Nothing on the horizon but water and haze. Palette: teal-green sea, weathered honey-brown wood with iron hoops, the white of his shirt, the pale gold of wet hair, nothing else admitted. Quiet, adrift.
Empress Force
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