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AI art "血の滴るようなレアステーキ"
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血の滴るようなレアステーキ

肉の断面。流れる血。肉を切り裂くナイフ。R18-Gですね

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hachikun0601#0

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close-up, food focus, no humans, bloody rare steak, steak cross-section, sliced steak, pink-red interior, seared crust, knife, fork, garnish, side vegetables, green garnish, plate, from above, diagonal composition, shallow depth of field, dark background, warm rim light, juicy meat, glistening surface A tight overhead close-up looks straight down onto a white ceramic plate, cropped so the steak's cut face fills the center of the frame. The steak is sliced into thick slabs fanned in a slight diagonal, each slab tilted a few degrees so the cut faces angle up toward the lens: a thin dark-brown seared crust along the top and bottom edges, and between them the interior in deep crimson fading to a brighter rose at the very center, glossy and wet, with a thin pool of red juices beading on the meat's surface and running down the face of the nearest slab to gather in a small pool on the plate. The grain of the muscle reads as fine parallel strands across the pink face; the sear is uneven, darker where the pan caught it. A steel table knife lies along the lower-left edge of the plate, its blade flat and smeared with a streak of red and a clinging crumb of crust; a steel fork rests on the right, tines pointing up toward the top of the frame, one tine touching the edge of the nearest slice so the meat presses slightly against it. Beside the steak, a loose heap of garnish: blistered cherry tomatoes, a fan of pale green zucchini ribbons, and a small bundle of dark-green herbs, their leaves catching the light, one tomato split so its juice has run onto the plate. A scatter of coarse salt and cracked pepper sits on the plate's rim. The plate stands on a dark slate surface. The single light source comes from the upper left at a warm low angle, striking the cut faces so the wet interior throws small sharp highlights, leaving the lower-right of the plate and the slate in deep shadow; the knife blade catches one hard white glint. Palette restricted to crimson, rose-pink, seared brown, steel grey and the dark slate, with the green garnish as the only cool note. Everything beyond the plate falls off into soft darkness. Appetizing, quietly indulgent.
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Immissione richiesta originale
血の滴るようなレアの焼き加減のステーキ（断面のアップ）。ナイフとフォーク。付け合せのガロ二
Modalità
flash
Dimensione
768 x 1280
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.01k

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realistic depiction, no humans, still life, food focus, steak, salad, soup, restaurant table, three dishes, close-up, from above, dutch angle, shallow depth of field, warm tungsten key light, dark wood table, white ceramic, linen napkin, silver cutlery, steam, condensation, glossy sauce, charred crust, cross-section marbling, dewy lettuce, ceramic rim, no text, no watermark A tight three-quarter from-above shot angled slightly off-axis, looking down across a dark walnut restaurant table toward the near edge, so the tabletop fills the frame edge to edge and the room falls away into unlit bokeh at the top corners. A thick ribeye steak sits on a heavy round white ceramic plate at the left-center of the table, its charred crust facing the lens, grill marks running diagonally toward the upper right, a glossy dark jus pooling in the shallow plate well and one thin rivulet running to the rim where a smear of bright red-pink juices has bled. Beside it, at right-center, a pale green ceramic bowl of salad: crisp leaves of romaine and lamb's ear piled high, dew beads on the curling cut edges, a few cherry tomato halves and thin red onion crescents catching the light, and a scatter of olive-soaked croutons at the bottom edge. In the upper-center of the table, a wide-rimmed white ceramic soup bowl holds a deep tomato-red broth, its surface skin lightly wrinkled at the edges with a slow drift of steam that curls upward and curls aside in the still air; a spoon rests its bowl against the inner rim, barrel down, handle across the left rim. The steak knife lies at the right of the steak plate, its blade angling toward the salad, a folded linen napkin on the table corner at the lower left. The table's dark wood grain runs horizontal across the lower frame, its finish catching a broad soft sheen that shows faint smudges and one short water ring under the salad bowl where condensation has dripped and collected. All three plates share the same white ceramic family, but the soup bowl's rim is thicker and its rim light brighter. The only light is a warm tungsten pendant directly above and slightly behind the steak plate, striking the top of the steak and the high loop of steam, leaving the lower right corner of the table in deep shadow; the far edge of the frame dissolves into a blur of dark wood and the suggestion of a table edge beyond; no human hands, no other diners, no windows. The palette is warm and appetizing -- charred mahogany, bright tomato red, fresh leaf green, cream-white ceramic, and the amber pool of pendant light -- with the dark wood as the only neutral. A single deliberate physical detail: the condensation on the salad bowl's outside runs downward only and pools on the table in a thin oval, and the steam above the soup leans steadily toward the frame's right, showing the slow breath of the kitchen fan. Quiet appetite.
REN

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