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character: hilda_valentine_goneril, marianne_von_edmund, copyright: fire_emblem:_three_houses two girls, 2girls, marianne (fire emblem), hilda (fire emblem), blue hair, short hair, crown braid, brown eyes, pink hair, long hair, twintails, pink eyes, pajamas, nightgown, pajama pants, sitting on sofa, couch, living room, night, indoors, from above, high angle, looking at another, looking down, head tilt, light smile, closed mouth, arm support, leaning back, bare feet, bare arms, holding hands, warm lamp light, dark room, cozy, quiet tenderness A high-angle view looks down into a dim living room at night, the camera placed above and slightly off the sofa's left armrest, so the pair sit below the lens and a large pool of their own combined shadow falls on the cushions behind them. Marianne sits at the left end of a deep, sagging two-seater sofa, her short blue hair loose from its braid except for the crown braid circling the back of her head, brown eyes lifted toward Hilda; she has drawn her knees up and tucked her bare feet under the hem of a long, plain cream nightgown with narrow self-fabric ties at the collar, the fabric pooling and creasing where her hip presses the cushion down. Hilda sprawls at the right, one leg folded under her and the other heel hooked up on the sofa's armrest, leaning her weight back on one straight arm planted behind her on the seat cushion, the elbow locked; her long pink hair spills in two loose twintails over the back of the couch, one tail crushed between her back and the cushion, and she wears a rose-and-cream striped pajama set, the shirt buttoned to mid-chest with the sleeves rolled to the elbow, trousers cuffed at the ankle, her bare toes curling over the armrest's edge. Between them their hands meet and rest on the middle cushion, Marianne's fingers curled loosely around Hilda's, and Marianne's chin is dipped toward that joined contact while her eyes come up sideways to Hilda's face; Hilda has turned her head down and toward her, chin tucked, pink eyes landing on Marianne, one corner of her mouth lifted in a faint closed-lip smile, and the weight of her gaze makes Marianne's shoulders round slightly forward. A single floor lamp behind the sofa's right shoulder is the only light source: its warm amber glow rims the top of Hilda's pink hair and the outer curve of her planted arm, rakes across the striped fabric and the cream nightgown so the folds throw long soft shadows, and leaves the room beyond — a dark wall, the suggestion of a curtain edge — in near-black. Where Hilda's toes hang over the armrest, one small shadow of each toe is cast onto the sofa's fabric, since the lamp sits above and behind them. The palette holds to warm amber light, deep shadow brown, cream, rose stripe, and the two hair colours, blue and pink, as the only cool note. A faint hollow in the seat cushion under Marianne's drawn-up hip shows her weight settled into the springs. Quiet tenderness.
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Immissione richiesta originale
ファイアーエムブレム風花雪月のマリアンヌ、ヒルダ。夜。パジャマ。ソファ
Modalità
flash
Dimensione
1104 x 1824
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Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.92k

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character: hilda_valentine_goneril, marianne_von_edmund, copyright: fire_emblem:_three_houses two girls, 2girls, marianne (fire emblem), hilda (fire emblem), blue hair, short hair, crown braid, brown eyes, pink hair, long hair, twintails, pink eyes, pajamas, nightgown, pajama pants, sitting on sofa, couch, living room, night, indoors, from above, high angle, looking at another, looking down, head tilt, light smile, closed mouth, arm support, leaning back, bare feet, bare arms, holding hands, warm lamp light, dark room, cozy, quiet tenderness A high-angle view looks down into a dim living room at night, the camera placed above and slightly off the sofa's left armrest, so the pair sit below the lens and a large pool of their own combined shadow falls on the cushions behind them. Marianne sits at the left end of a deep, sagging two-seater sofa, her short blue hair loose from its braid except for the crown braid circling the back of her head, brown eyes lifted toward Hilda; she has drawn her knees up and tucked her bare feet under the hem of a long, plain cream nightgown with narrow self-fabric ties at the collar, the fabric pooling and creasing where her hip presses the cushion down. Hilda sprawls at the right, one leg folded under her and the other heel hooked up on the sofa's armrest, leaning her weight back on one straight arm planted behind her on the seat cushion, the elbow locked; her long pink hair spills in two loose twintails over the back of the couch, one tail crushed between her back and the cushion, and she wears a rose-and-cream striped pajama set, the shirt buttoned to mid-chest with the sleeves rolled to the elbow, trousers cuffed at the ankle, her bare toes curling over the armrest's edge. Between them their hands meet and rest on the middle cushion, Marianne's fingers curled loosely around Hilda's, and Marianne's chin is dipped toward that joined contact while her eyes come up sideways to Hilda's face; Hilda has turned her head down and toward her, chin tucked, pink eyes landing on Marianne, one corner of her mouth lifted in a faint closed-lip smile, and the weight of her gaze makes Marianne's shoulders round slightly forward. A single floor lamp behind the sofa's right shoulder is the only light source: its warm amber glow rims the top of Hilda's pink hair and the outer curve of her planted arm, rakes across the striped fabric and the cream nightgown so the folds throw long soft shadows, and leaves the room beyond — a dark wall, the suggestion of a curtain edge — in near-black. Where Hilda's toes hang over the armrest, one small shadow of each toe is cast onto the sofa's fabric, since the lamp sits above and behind them. The palette holds to warm amber light, deep shadow brown, cream, rose stripe, and the two hair colours, blue and pink, as the only cool note. A faint hollow in the seat cushion under Marianne's drawn-up hip shows her weight settled into the springs. Quiet tenderness.
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AI artwork
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character: hilda_valentine_goneril, marianne_von_edmund, copyright: fire_emblem:_three_houses two girls, 2girls, marianne (fire emblem), hilda (fire emblem), blue hair, short hair, crown braid, brown eyes, pink hair, long hair, twintails, pink eyes, pajamas, nightgown, pajama pants, sitting on sofa, couch, living room, night, indoors, from above, high angle, looking at another, looking down, head tilt, light smile, closed mouth, arm support, leaning back, bare feet, bare arms, holding hands, warm lamp light, dark room, cozy, quiet tenderness A high-angle view looks down into a dim living room at night, the camera placed above and slightly off the sofa's left armrest, so the pair sit below the lens and a large pool of their own combined shadow falls on the cushions behind them. Marianne sits at the left end of a deep, sagging two-seater sofa, her short blue hair loose from its braid except for the crown braid circling the back of her head, brown eyes lifted toward Hilda; she has drawn her knees up and tucked her bare feet under the hem of a long, plain cream nightgown with narrow self-fabric ties at the collar, the fabric pooling and creasing where her hip presses the cushion down. Hilda sprawls at the right, one leg folded under her and the other heel hooked up on the sofa's armrest, leaning her weight back on one straight arm planted behind her on the seat cushion, the elbow locked; her long pink hair spills in two loose twintails over the back of the couch, one tail crushed between her back and the cushion, and she wears a rose-and-cream striped pajama set, the shirt buttoned to mid-chest with the sleeves rolled to the elbow, trousers cuffed at the ankle, her bare toes curling over the armrest's edge. Between them their hands meet and rest on the middle cushion, Marianne's fingers curled loosely around Hilda's, and Marianne's chin is dipped toward that joined contact while her eyes come up sideways to Hilda's face; Hilda has turned her head down and toward her, chin tucked, pink eyes landing on Marianne, one corner of her mouth lifted in a faint closed-lip smile, and the weight of her gaze makes Marianne's shoulders round slightly forward. A single floor lamp behind the sofa's right shoulder is the only light source: its warm amber glow rims the top of Hilda's pink hair and the outer curve of her planted arm, rakes across the striped fabric and the cream nightgown so the folds throw long soft shadows, and leaves the room beyond — a dark wall, the suggestion of a curtain edge — in near-black. Where Hilda's toes hang over the armrest, one small shadow of each toe is cast onto the sofa's fabric, since the lamp sits above and behind them. The palette holds to warm amber light, deep shadow brown, cream, rose stripe, and the two hair colours, blue and pink, as the only cool note. A faint hollow in the seat cushion under Marianne's drawn-up hip shows her weight settled into the springs. Quiet tenderness.
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AI artwork
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character: hilda_valentine_goneril, marianne_von_edmund, copyright: fire_emblem:_three_houses two girls, 2girls, marianne (fire emblem), hilda (fire emblem), blue hair, short hair, crown braid, brown eyes, pink hair, long hair, twintails, pink eyes, pajamas, nightgown, pajama pants, sitting on sofa, couch, living room, night, indoors, from above, high angle, looking at another, looking down, head tilt, light smile, closed mouth, arm support, leaning back, bare feet, bare arms, holding hands, warm lamp light, dark room, cozy, quiet tenderness A high-angle view looks down into a dim living room at night, the camera placed above and slightly off the sofa's left armrest, so the pair sit below the lens and a large pool of their own combined shadow falls on the cushions behind them. Marianne sits at the left end of a deep, sagging two-seater sofa, her short blue hair loose from its braid except for the crown braid circling the back of her head, brown eyes lifted toward Hilda; she has drawn her knees up and tucked her bare feet under the hem of a long, plain cream nightgown with narrow self-fabric ties at the collar, the fabric pooling and creasing where her hip presses the cushion down. Hilda sprawls at the right, one leg folded under her and the other heel hooked up on the sofa's armrest, leaning her weight back on one straight arm planted behind her on the seat cushion, the elbow locked; her long pink hair spills in two loose twintails over the back of the couch, one tail crushed between her back and the cushion, and she wears a rose-and-cream striped pajama set, the shirt buttoned to mid-chest with the sleeves rolled to the elbow, trousers cuffed at the ankle, her bare toes curling over the armrest's edge. Between them their hands meet and rest on the middle cushion, Marianne's fingers curled loosely around Hilda's, and Marianne's chin is dipped toward that joined contact while her eyes come up sideways to Hilda's face; Hilda has turned her head down and toward her, chin tucked, pink eyes landing on Marianne, one corner of her mouth lifted in a faint closed-lip smile, and the weight of her gaze makes Marianne's shoulders round slightly forward. A single floor lamp behind the sofa's right shoulder is the only light source: its warm amber glow rims the top of Hilda's pink hair and the outer curve of her planted arm, rakes across the striped fabric and the cream nightgown so the folds throw long soft shadows, and leaves the room beyond — a dark wall, the suggestion of a curtain edge — in near-black. Where Hilda's toes hang over the armrest, one small shadow of each toe is cast onto the sofa's fabric, since the lamp sits above and behind them. The palette holds to warm amber light, deep shadow brown, cream, rose stripe, and the two hair colours, blue and pink, as the only cool note. A faint hollow in the seat cushion under Marianne's drawn-up hip shows her weight settled into the springs. Quiet tenderness.
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character: hilda_valentine_goneril, marianne_von_edmund, copyright: fire_emblem:_three_houses two girls, 2girls, marianne von edmund, hilda valentine goneril, short blue hair, crown braid, braid, brown eyes, pink hair, long hair, twintails, pink eyes, pajamas, night, indoors, couch, sitting, both legs stretched out, legs extended forward, bare feet, soles of feet, soles facing viewer, foot focus, foreshortening, pov, from below, hilda tickling marianne's feet, fingers on soles, tickling, hilda smiling, open mouth smile, happy, playful expression, delighted, one eye closed, marianne squirming, ticklish, clenched hands, gripping couch cushion, head tilted back, laughing, blush, teary eyes, toes curled, warm lamp light, dark room, speech bubble, spoken_heart, heavy_breathing, From a low camera angle near the floor, the viewer looks up and slightly forward across the seat of a deep, overstuffed nocturnal couch: the shot is built around the soles of Marianne's bare feet, held in the near foreground and pushed toward the lens in blunt foreshortening, the two pale heel-pads the largest shapes in the frame while her ankles and shins recede away from the camera. Marianne sits far back against the couch cushions, spine pressed into the fabric, both legs stretched straight out along the seat toward the viewer, knees together and slightly bent; her soles face the lens flat-on, toes splayed apart, the near foot stacked a half-hand's width lower and closer than the far one so their outlines overlap without touching. She wears soft, long-sleeved pajamas in a muted dove-grey with tiny buttons up the front and loose trousers gathered at the ankle, and the hems have ridden up her shins with the stretch. Her short blue hair is loose around her ears, the crown braid still braided in a rope over the top of her head and slipping slightly askew; her face is turned three-quarters away toward Hilda's shoulder, chin lifted and head tipped back into the cushion, brown eyes squeezed shut with the tears starting at the outer corners, mouth wide open mid-laugh, a hot pink flush across nose and cheeks. Her hands are not idle: both fists clutch the couch cushion at her hips, knuckles pale, thumbs dug in, and the fabric dimples under her grip. Hilda sits to Marianne's right, turned in toward her with one hip planted on the cushion and her near leg folded under her so she is leaning across the gap; her body is angled in profile toward Marianne, head tipped down over the offered feet with an easy, delighted open-mouthed grin and one eye squeezed shut in a wink of pure enjoyment, a pink flush high on her cheeks. Her pink hair is still in its long twintails, loosened for the night and spilling over her shoulder, one tail falling across her forearm as she works. She wears pajamas too, a warm rose-tinged two-piece with a soft collar, a buttoned short-sleeved top and loose shorts, cuffs and hem slightly wrinkled from sitting. Her near hand is the working hand: fingertips splayed and digging in light, quick scratches right across the ball of Marianne's nearer foot, just under the toes, her thumb braced at the arch; her other hand rests warm around Marianne's ankle to hold the leg steady, thumb pressed into the tendon above the heel. Her gaze is fixed down on the soles she is tormenting, and Marianne's whole body answers it, one heel kicking a short involuntary jerk against Hilda's palm. The room is a dormitory common room at night, medium scale and intimate: behind the couch a tall dark window shows nothing but night and one distant pinpoint of a lamp across the courtyard, a curtain half drawn; a low side table to the right holds a single glass of water with a wet ring beneath it and a soft folded blanket slipping to the floor. The only light source is a small amber table lamp set low and behind the couch on the left, so the light comes from behind and above Marianne's shoulder, raking down the tops of her outstretched feet and leaving the arches and the undersides of her toes in cool grey shadow; a soft, warm pool of light falls on the cushion and dies out into the corners of the room, where darkness is total. Palette restricted to amber lamp-gold, deep blue-black night, dove-grey and rose pajama fabrics, with skin kept pink-warm and the blue of Marianne's hair the single cool note. Couch fabric shows the compression where Marianne's weight presses the cushion down and a seam line rippling where her heel has pushed it. A small speech bubble floats beside Hilda's face at the upper right, its tail curling down toward her, containing one hand-drawn heart and nothing else. Quiet, giddy, conspiratorial.
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