Sign up free, get 10,000 credits

Starter credits added when you sign up.

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

View details
AI art "26.11.07 #1"
Genera gratis

26.11.07 #1

#calze#in piedi#Vestito#Bambino#capelli corti#All'aperto#Ombra#solo#Capelli biondi#Sorriso#Erba#Braccia dietro la schiena#occhi azzurri#maniche corte#1 ragazza#Figura intera#Giorno#bocca chiusa
l

Louen

More to See

Commenti

Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
Nascosto dall'autore
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.01k

Immagini simili

Mostra di più
AI artwork
Avatar image of むぎ
1girl, solo, full body, from above, standing on one leg, tiptoes, one leg raised behind, leaning forward slightly, head tilt, light smile, half-closed eyes, looking down, shoulder-length hair, medium hair, brown hair, lightly swaying bangs, hair lifted by motion, clean simple one-piece dress, pale blue cotton dress, modest neckline, short sleeves, knee-length skirt, white ankle socks, pastel socks, floral embroidery, embroidered flowers near toes, tiny heart embroidery on sock side, round-toed shoes, brown leather mary janes, ankle strap, soft lighting, warm palette, anime style, plain unadorned ears, bare wrists, high angle, soft ambient daylight, gentle expression, cozy atmosphere Viewed from above at a slight three-quarter angle, the girl fills the frame from crown to shoes, her body leaning forward into the lens as she balances on the toes of her right foot, her left leg lifted and bent behind her knee so the hem of her pale blue cotton dress swings forward and hangs in a soft bell. Her torso tilts toward the camera, weight carried through the ball of the right foot and the strap of her Mary Jane, and both arms hang loosely, fingers curled and relaxed, no hands touching anything. Her shoulders drop, chin tips down and a little to her left, and her gaze slides down and off toward the floor at her raised foot rather than meeting the lens; her right brow sits a fraction higher than the left, lip corners pulled into a faint closed-mouth smile, one eyelid lower than the other. Her shoulder-length brown hair is caught mid-motion, bangs and side locks sifting forward over her forehead and toward her cheek as if lifted by the small turn of her head, some strands grazing the collar of the dress. The dress itself is simple and spotless: a modest round neckline, short sleeves, a plain hem that flares away from her thighs, no pattern on the cotton but the faint softness of the weave. The camera looks down steeply enough that the floor is a broad pale surface behind and beneath her, holding her small cast shadow — narrow at the toe of the planted shoe, widening toward the lifted heel — and the toes of the raised foot curl slightly in the air. Both socks are in plain view: white knit with a soft pastel undertone, snug at the ankle, their tiny embroidered flowers stitched near the toes and a small heart at the outer side of the right sock, the thread standing slightly proud of the knit and catching light along each petal so the stitches read as raised, tactile loops rather than print. The brown leather Mary Janes have rounded bulbous toes, a single thin instep strap fastened with a small buckle, and a soft dull sheen where the leather crowns; a faint scuff lightens the toe of the planted shoe. Light comes from high and slightly behind her left shoulder, diffuse and warm, laying a broad soft highlight along the crown of her head, the tops of her shoulders and the rounded toes of the shoes, while the undersides of her chin, sleeves and hem fall into gentle graded shade and the shadow beneath her stays soft-edged rather than sharp. The palette is warm and low-contrast — pale blue cotton, cream-white socks with blush and butter-yellow thread, cocoa-brown leather, honeyed light on a soft ivory floor — and nothing else is admitted. Her hair and hem still hang in the last instant of movement. Tender, warm.
むぎ
AI artwork
Avatar image of むぎ
1girl, solo, full body, from above, standing on one leg, tiptoes, one leg raised behind, leaning forward slightly, head tilt, light smile, half-closed eyes, looking down, shoulder-length hair, medium hair, brown hair, lightly swaying bangs, hair lifted by motion, clean simple one-piece dress, pale blue cotton dress, modest neckline, short sleeves, knee-length skirt, white ankle socks, pastel socks, floral embroidery, embroidered flowers near toes, tiny heart embroidery on sock side, round-toed shoes, brown leather mary janes, ankle strap, soft lighting, warm palette, anime style, plain unadorned ears, bare wrists, high angle, soft ambient daylight, gentle expression, cozy atmosphere Viewed from above at a slight three-quarter angle, the girl fills the frame from crown to shoes, her body leaning forward into the lens as she balances on the toes of her right foot, her left leg lifted and bent behind her knee so the hem of her pale blue cotton dress swings forward and hangs in a soft bell. Her torso tilts toward the camera, weight carried through the ball of the right foot and the strap of her Mary Jane, and both arms hang loosely, fingers curled and relaxed, no hands touching anything. Her shoulders drop, chin tips down and a little to her left, and her gaze slides down and off toward the floor at her raised foot rather than meeting the lens; her right brow sits a fraction higher than the left, lip corners pulled into a faint closed-mouth smile, one eyelid lower than the other. Her shoulder-length brown hair is caught mid-motion, bangs and side locks sifting forward over her forehead and toward her cheek as if lifted by the small turn of her head, some strands grazing the collar of the dress. The dress itself is simple and spotless: a modest round neckline, short sleeves, a plain hem that flares away from her thighs, no pattern on the cotton but the faint softness of the weave. The camera looks down steeply enough that the floor is a broad pale surface behind and beneath her, holding her small cast shadow — narrow at the toe of the planted shoe, widening toward the lifted heel — and the toes of the raised foot curl slightly in the air. Both socks are in plain view: white knit with a soft pastel undertone, snug at the ankle, their tiny embroidered flowers stitched near the toes and a small heart at the outer side of the right sock, the thread standing slightly proud of the knit and catching light along each petal so the stitches read as raised, tactile loops rather than print. The brown leather Mary Janes have rounded bulbous toes, a single thin instep strap fastened with a small buckle, and a soft dull sheen where the leather crowns; a faint scuff lightens the toe of the planted shoe. Light comes from high and slightly behind her left shoulder, diffuse and warm, laying a broad soft highlight along the crown of her head, the tops of her shoulders and the rounded toes of the shoes, while the undersides of her chin, sleeves and hem fall into gentle graded shade and the shadow beneath her stays soft-edged rather than sharp. The palette is warm and low-contrast — pale blue cotton, cream-white socks with blush and butter-yellow thread, cocoa-brown leather, honeyed light on a soft ivory floor — and nothing else is admitted. Her hair and hem still hang in the last instant of movement. Tender, warm.
むぎ
1

Scopri altro

Utenti consigliati

Potrebbe piacerti

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
HomeModellicreareRecipeProfilo