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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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kurodanekoko

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1girl, solo, black hair, long hair, princess cut, blunt bangs, straight-cut bangs, bangs parted 7:3, white headband, pale skin, mole under left eye, black eyes, large irises, large pupils, no highlight, long eyelashes, flat matte eyes, petite, slender, slim, small breasts, black sailor uniform, sailor collar, white scarf, sheer black pantyhose, black loafers, faint smile, seductive smile, coquettish, half-closed eyes, looking at viewer, head tilt, leaning forward, hand on own neck, shrine, torii, from below, cowboy shot, dutch angle, decadent atmosphere, depth of field, Low dutch angle, near cowboy-shot framing, the camera tipped and set below her eyeline so the shrine's vermilion torii leans across the upper corner of the frame behind her. She stands on the shrine's stone path just inside the gate, weight sunk into her left hip, right knee slightly bent and turned inward, her torso angled a few degrees off the lens with her right shoulder forward. Her chin dips and tilts, head canted toward her left shoulder, and her eyes come up under the long lashes to meet the lens — half-lidded, black irises big and flat and utterly lightless, no glint anywhere in them, the pupils swollen wide so the stare reads as depth rather than brightness. Her mouth is barely curved, one corner lifted a shade higher than the other, lips parted no more than a breath: a faint, unhurried, knowing smile that gives nothing away. The mole sits small and exact under her left eye, one dark dot on the pale skin. Her right hand comes up and rests against the side of her neck, fingertips just under her jaw, the back of the hand turned outward; her left arm hangs loose, thumb hooked at the hem of her sailor blouse. Her hair is blue-black and long, falling straight past her shoulders, the princess-cut side locks cut level at the jaw and framing her cheeks; the blunt bangs are pressed flat across her brow and combed into a precise 7:3 part, the shorter side to her right, the parting line razor clean. The white headband arcs over the crown behind the bangs, its band bright against the black hair. She wears the black sailor uniform, collar squared across the back of her neck, a white scarf knotted at the throat with its tail lying flat down her chest; the blouse is loose over her small frame, sleeves ending at the wrist. Below, the pleated black skirt, and her legs in thin sheer black pantyhose — the fabric faintly translucent at the shine of the shin so the pale skin reads a shade through it, darker at the calf where the mesh doubles. Black loafers, low and polished, planted on the flagstones, the left toe angled in. Behind her the shrine: a stone lantern to the right, the torii's pillar rising out of frame at the left, dark sugi trunks and a mass of deep green beyond, the path receding out of focus. Late, low daylight comes in from the left and behind her — cool blue shadow filling the front of her body and her face, one thin warm rim catching the edge of the white headband, the top of her shoulder and the white scarf, and nowhere else; her eyes stay matte and dead-flat inside that shadow. The palette is held to black, white and pale skin against the shrine's weathered vermilion and moss green. Quiet, decadent, effortlessly alluring.
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黒髪ロング姫カット、前髪パッツンで白のカチューシャをしてる。前髪は7:3にきちっと分けてる。肌は色白。左目の下にほくろ、黒目がちな瞳。黒目が大きい。ハイライトがない。まつ毛が長い。小柄で華奢で細身でスレンダー。胸は小さい。黒のセーラー服でスカーフは白。薄手の黒いストッキングを履いている。靴は黒のローファー。微かに笑わせて。退廃的な色気ある感じにして。婀娜っぽく笑わせて。背景は神社にして。
Modalità
flash
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

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AI artwork
k
1girl, solo, black short bob, blunt bangs, neat 7:3 hair part, black hair, fair skin, pale complexion, mole under left eye, black eyes, no highlight, flat solid black pupils, long eyelashes, petite, slender, thin build, flat chest, black sailor dress, sailor collar, white scarf, white neckerchief, thin black pantyhose, black loafers, faint smile, seductive smile, half-closed eyes, alluring, decadent atmosphere, coquettish, head tilt, from below, low angle, cowboy shot, shrine, torii, stone steps, looking down at viewer, Composed from a low angle, the camera sits just below her own eye level so that an immense weathered stone torii lifts out of the top of the frame and her small figure occupies its opening. She stands on the moss-veined lower steps of the shrine approach, weight settled onto the straight right leg with the left foot one step lower, left knee faintly bent, hips canted toward that side; the black loafers rest clean and polished on the damp granite, the near loafer's toe pointed slightly inward. Her left hand lifts to gather the white scarf at her throat, fingertips resting barely on the knot, the loosened ends of the scarf hanging soft and still against the black sailor collar; the right arm hangs relaxed and inward, the back of that wrist grazing her hip. The short black bob frames her jaw, the 7:3 part clean and symmetric on the crown, the longer right-hand sweep of the fringe lying flat across her brow; a breath of evening air shifts one lock at her cheek and makes a faint lift at the scarf's tail. Her face is tilted a fraction to her right and lowered, eyelids at three-quarters so the lashes read long and heavy; the black irises hold no glint and no catchlight at all -- flat, unlit, two pools of solid black under brows lowered to a single delicate arch -- and the mole under her left eye sits sharp against her pale cheek. Her lip corners lift only slightly, a faint coquettish smile with the lower lip barely parted, and the whole of her gaze rests low and straight down the steps into the lens, dry and knowing. Behind her the shrine's dark cedar pillars and a hanging bell are sunk in dusk, the stone lanterns to either side already lit -- small oil flames warming the lower halves of their lantern houses while their upper eaves keep cold shadow. Because the dusk sky sits behind and above her, the only light reaching her front is a low bounce from the lantern glow: it warms the underside of her chin, the front of the white scarf and the rise of her stockinged knees, and it leaves her forehead, the crown of the black bob and the flat black pupils in shade; the single clean gleam on the toe cap of the near loafer is the one specular highlight in the picture. The palette holds only black, the dead white of the scarf, warm lantern ochre and the grey-green of damp stone. Half-seen shadow of the torii's crossbeam falls across the steps beside her feet. Quietly decadent, thick with dusk.
kurodanekoko
AI artwork
k
1girl, solo, black hair, short hair, bob cut, bangs, parted bangs, 7:3 bangs, blunt bangs, fair skin, pale skin, mole under eye, mole under left eye, long eyelashes, black eyes, dark eyes, empty eyes, no highlights, highlightless eyes, flat black pupils, petite, slender, slim, small breasts, black sailor uniform, serafuku, sailor collar, white scarf, thin black stockings, sheer stockings, black loafers, faint smile, subtle smile, half-smile, seductive smile, coquettish, decadent mood, sensual, from below, low angle, cowboy shot, looking at viewer, head tilt, standing, weight on one leg, leaning back, one hand on torii pillar, shrine, torii, stone steps, gravel path. The camera sits low and slightly off-axis, looking up at her from knee height so the shrine's stone steps rise behind her and the vermilion torii pillar cuts a diagonal across the upper left of the frame; she is the only figure, centered-right, occupying two thirds of the height in a cowboy shot that crops her at mid-thigh. She stands with her weight sunk into her left leg, right knee slack and turned inward, right hip pushed out, her back and right shoulder resting against the torii's pillar so the weathered wood takes her weight: her right palm lies flat on the pillar at hip height, fingers loosely splayed, while her left arm hangs free, hand slack at her side with the knuckles brushing the pleats of her skirt. Her torso is angled a quarter turn away from the pillar, chest opened toward the lens, chin lowered and tilted a few degrees to her left so she looks out from under the 7:3 part of her bangs; the longer side of the fringe sweeps across her right brow, the shorter side exposes her left brow, and the mole under her left eye sits clear and unobstructed below the outer corner. Both eyes are open but heavy-lidded, the black irises flat and depthless, absolutely without a catchlight, so they read as two dark holes; her long lashes fringe them and catch the light as thin separate strokes. Her mouth is closed, one corner lifted a bare millimetre higher than the other, a smile so faint it is mostly in the eyelids -- amused, knowing, faintly tired, decadent. Her short bob hangs straight with the ends turning slightly toward her jaw, a few strands displaced over her right cheek by the breeze, and the white scarf lies knotted at her throat with one tail lifted a finger's width off the black collar; the thin black stockings show the faint sheen of the shin bone through the knit where the low light grazes her legs, and the black loafers are planted square on the gravel, the left one scuffed pale at the toe. The light is a single low, warm late-afternoon source coming from frame right, behind and above her shoulder: it rims the right edge of her bob and the right side of the white scarf in a hot amber line, lays a long soft shadow of the pillar and of her own legs across the gravel to the left, and leaves the front of her face in cool open shade broken only by a faint bounce off the pale gravel below, so her skin stays a clean matte white against the black uniform. Behind her, a stone staircase and a line of stone lanterns recede out of focus into the dark of the shrine grove, damp moss on the stone, leaf litter in the step corners; the environment is desaturated -- wet grey stone, deep green-black foliage, the one saturated vermilion of the pillar and the torii beam, and the warm amber of the light, nothing else admitted. Air is still, the shadows long, the whole ground plane cooling toward evening. Quiet, languid, corrupt.
kurodanekoko

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ