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Yuigahama yui skinsuit
Arte IA ยซYuigahama yui skinsuitยป di yuno 111u su PixAI. Tag: My Teen Romantic Comedy SNAFU. Creato con Hassaku-Mix-IL.
Mostra parametri
- Immissione richiesta originale
- masterpiece, HD, best quality, extremely detailed, high resolution, highres, Ultra-detailed, ultra-high quality, superb masterpiece, sharp focus, perfect light, dynamic light, natural light, score_9, score_8_up, score_7_up,best quality,amazing quality,1girl,solo,(spread legs:0.5),standing, (full body:1.1), (long legs:0.8), 1boy in another's body, from side, standing, hole eyes, bedroom , yyqw7151_illu, , , ,yui yuigahama, short hair, brown eyes, orange hair, hair bun, single hair bun,skirt, shirt, ribbon, school uniform, jacket, white shirt, black jacket, blazer, sobu high school uniform,
- Dimensione
- 896 x 1152
- Passaggi di campionamento
- 11
- Metodo di campionamento
- Euler a
- Scala CFG
- 2
- Negativo
- worst quality, large head, low quality, extra digits, bad eye, score_6,score_5,score_4, low quality, blurry, lowres, bad anatomy, bad hands, missing fingers, 3d, monochrome, (censor), source_furry, source_pony, source_cartoon, score_3, score_2, score_1, bad feet, greyscale, watermark, lowres, displeasing, bad quality, bad anatomy, text, error, extra digit, cropped, average quality, chromatic aberration, signature, extra digits, artistic error, scan, [abstract], unfinished, displeasing, oldest, early, error,
Modello e LoRA utilizzati
Immagini simili
Mostra di piรน
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character: celica_a._mercury
2girls, 1boy, male focus, from front, front view, eye-level, medium shot, celica_a._mercury, brown hair, long hair, ponytail, hair ribbon, red ribbon, ahoge, brown eyes, red eyes, school uniform, pleated skirt, cape, skirt, both arms up, arms raised, raised hands, open hands, surprised, wide-eyed, blush, embarrassed, flustered, sweatdrop, parted lips, looking at viewer, startled, man, short brown hair, white button-down shirt, rolled-up sleeves to the elbows, navy blue trousers, both hands gripping her skirt, leaning slightly forward, room interior, wooden floorboards, plaster wall, window with pale daylight, positive state: her ears bare and unadorned, her hair held only by its ribbon, positive state: her hands hold nothing, no speech bubbles, no lettering anywhere in the frame
The camera sits at eye level, straight on, framing both figures from mid-thigh up in a vertical medium shot: the girl faces the viewer squarely, dead center, while the man stands just off her right shoulder, his body angled toward her hip so that his shoulder partly overlaps her arm and one of his shoes is hidden behind her skirt hem. Her line of action is a small backward recoil -- weight rocked onto her back foot, hips drawn an inch away from him, chest lifted, shoulders pulled up around her ears -- and both her arms are flung straight up above her shoulders, elbows slightly bent, palms open and empty, fingers splayed, nothing gripped in either hand. Her ponytail swings out and up behind her right shoulder from the recoil, its red ribbon trailing, the long tail of hair lifting clear of the cape that hangs from her shoulders; the short ahoge at her crown flicks forward. Her face is fully toward the lens: eyes wide and round, both irises catching the window light, brows lifted high, mouth open on a caught breath, a hot blush spread across both cheeks and the bridge of her nose, one sweatdrop at her temple. Her gaze is fixed straight on the viewer, caught mid-startle.
The man's head is turned in profile toward her, chin down, eyes on the fabric in his fists, so his look lands on the point of contact rather than the lens; his eyebrows are drawn level in plain concentration. He leans in from behind and to her right, knees slightly bent, and both of his hands close on the side panel of her pleated skirt at hip height -- thumbs over the cloth, knuckles raised, the fabric bunched and creased between his fingers and pulled subtly toward him, so that the pleats fan open on that side and the hem lifts an inch off her thigh.
The room is a plain interior: bare plaster wall in cool grey-beige, a strip of varnished wooden floorboards with visible seams running toward the viewer, a tall window at frame left. Daylight from that window is the only light source, cool and soft, striking the left side of her face and the left side of his shirt; the right side of both figures falls into gentle shade, and two soft cast shadows stretch across the floorboards to the right, hers bulky with the skirt's spread, his narrow and cut off by the frame edge. Palette: the warm browns of her hair and his, the pure red of her ribbon as the single saturated accent, her navy-and-white uniform against the cream of his shirt, all grounded on grey plaster and honey-toned wood. The detail budget sits on her face, her splayed open hands, and the compressed fabric in his fists, including the fine creases radiating from his knuckles where the pleats bunch. Bright, flustered, comedic.
Gfcg
g
character: celica_a._mercury
2girls, 1boy, male focus, from front, front view, eye-level, medium shot, celica_a._mercury, brown hair, long hair, ponytail, hair ribbon, red ribbon, ahoge, brown eyes, red eyes, school uniform, pleated skirt, cape, skirt, both arms up, arms raised, raised hands, open hands, surprised, wide-eyed, blush, embarrassed, flustered, sweatdrop, parted lips, looking at viewer, startled, man, short brown hair, white button-down shirt, rolled-up sleeves to the elbows, navy blue trousers, both hands gripping her skirt, leaning slightly forward, room interior, wooden floorboards, plaster wall, window with pale daylight, positive state: her ears bare and unadorned, her hair held only by its ribbon, positive state: her hands hold nothing, no speech bubbles, no lettering anywhere in the frame
The camera sits at eye level, straight on, framing both figures from mid-thigh up in a vertical medium shot: the girl faces the viewer squarely, dead center, while the man stands just off her right shoulder, his body angled toward her hip so that his shoulder partly overlaps her arm and one of his shoes is hidden behind her skirt hem. Her line of action is a small backward recoil -- weight rocked onto her back foot, hips drawn an inch away from him, chest lifted, shoulders pulled up around her ears -- and both her arms are flung straight up above her shoulders, elbows slightly bent, palms open and empty, fingers splayed, nothing gripped in either hand. Her ponytail swings out and up behind her right shoulder from the recoil, its red ribbon trailing, the long tail of hair lifting clear of the cape that hangs from her shoulders; the short ahoge at her crown flicks forward. Her face is fully toward the lens: eyes wide and round, both irises catching the window light, brows lifted high, mouth open on a caught breath, a hot blush spread across both cheeks and the bridge of her nose, one sweatdrop at her temple. Her gaze is fixed straight on the viewer, caught mid-startle.
The man's head is turned in profile toward her, chin down, eyes on the fabric in his fists, so his look lands on the point of contact rather than the lens; his eyebrows are drawn level in plain concentration. He leans in from behind and to her right, knees slightly bent, and both of his hands close on the side panel of her pleated skirt at hip height -- thumbs over the cloth, knuckles raised, the fabric bunched and creased between his fingers and pulled subtly toward him, so that the pleats fan open on that side and the hem lifts an inch off her thigh.
The room is a plain interior: bare plaster wall in cool grey-beige, a strip of varnished wooden floorboards with visible seams running toward the viewer, a tall window at frame left. Daylight from that window is the only light source, cool and soft, striking the left side of her face and the left side of his shirt; the right side of both figures falls into gentle shade, and two soft cast shadows stretch across the floorboards to the right, hers bulky with the skirt's spread, his narrow and cut off by the frame edge. Palette: the warm browns of her hair and his, the pure red of her ribbon as the single saturated accent, her navy-and-white uniform against the cream of his shirt, all grounded on grey plaster and honey-toned wood. The detail budget sits on her face, her splayed open hands, and the compressed fabric in his fists, including the fine creases radiating from his knuckles where the pleats bunch. Bright, flustered, comedic.
Gfcg
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
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