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Liya Hanterys
Mostra parametri
- Immissione richiesta originale
- purah and zelda in long oversize puffer coats hogtie and gagged very tight with big hoods up and they looking in the eyes in a tiny closet in the dark
- Modalità
- pro
- Stile
- Classic Anime
- Tag qualità
- ﹝Prompt﹞
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Stile: Classic Anime
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di più
character: purah, princess_zelda
2girls, purah, princess_zelda, long oversized puffer coats, big hoods up, hoods drawn forward over the head, hogtied, bound wrists behind back, bound ankles drawn up behind, gagged tightly, cleave gag pulled taut, looking at each other, eye contact, from side, close-up, cramped confined space, darkness, prone on side, red eyes, white hair, short hair, hair bun, hair stick, round red-framed glasses, red eyeshadow, black gloves, blonde hair, long hair, braid, parted bangs, green eyes, glossy skin, clean linework, expressive eyes, facing each other, side profile, fabric compression
The camera sits low and level with them at close range, so the frame is almost entirely filled by the two of them pressed together on their sides inside a space barely wider than their bodies -- a lightless cavity of packed dark, its walls close enough that the big hoods of the puffer coats touch the surface on every side and the quilted baffles of the two coats are crushed flat where they meet the enclosure and where they meet each other, the fabric puckering into tight horizontal ridges at every compressed line. They face each other, head to head; the hood of Purah's coat is drawn right up and forward so its padded rim crowds around her cheek, white hair escaping in short loose strands across the dark fur of the opening, her round red-framed glasses catching the single light, red eyeshadow smudged at the outer corners of narrowed red eyes fixed on Zelda. Zelda's hood is up the same way, its rim pressed to the quilted shoulder of Purah's coat, blonde bangs parted against her brow and her long braid jammed back inside the collar, its tail pushed up along her spine under the puffed fabric; her green eyes are open and angled straight into Purah's. Both are hogtied inside the coats: wrists bound together at the small of the back with the coat sleeves shoved up and bunched at the elbow, ankles pulled up behind them so the heels of their boots hover near their bound hands and the taut quilting of the coats strains across their backs, seams lifted, each body bowed by the tie. A cloth gag runs tight through each of their mouths, cinching the corners of the lips and sinking a shallow groove into each cheek, wet-dark where it crosses the lips. The one light comes from a thin sliver of an opening somewhere above and out of frame, raking down across the hood rims, the glass of Purah's lenses and the damp line of both gags, and leaving everything behind and below them in solid, unrelieved black; the only colour that reads is white hair and pale gold braid, two red lens rims, and the deep matte tones of the two coats. The sliver's light dies a hand's width into the space, so the walls fall away into pure dark and the two hooded heads float in it, breath misting the cold air between their faces. Intimate, tense.
Lee Hunter
character: purah, klee_(genshin_impact)
2girls, purah, klee_(genshin_impact), white hair, short hair, hair bun, hair ornament, hair stick, red eyes, red eyeshadow, round red-framed glasses, black gloves, blonde hair, long hair, low twintails, ahoge, hair between eyes, pointy ears, red eyes, long oversized puffer coat, oversized clothes, puffer jacket, big hood, hood up, hooded coat, hogtie, bound wrists, bound ankles, wrists bound to ankles, rope, tight binding, gagged, cloth gag, cleave gag, lying, prone, on side, looking at another, eye contact, mutual gaze, confined space, tiny room, cramped, darkness, low light, close-up, from above, dutch angle, two subjects,
Seen from above at a slight dutch tilt, two young women lie pressed into a crawling-tight cavity barely wider than their shoulders: a squared-off compartment of bare board walls and a single plank floor, its ceiling so low that the raised hoods almost graze the wood. On the left, a small figure with white hair pinned in a short bun and a hair stick tucked through it, round red-framed glasses sitting slightly crooked on her nose, red eyeshadow smudged at the outer corners of her red eyes; she is wrapped to the chin in a long oversized puffer coat whose quilted baffles swallow her whole, the enormous hood pulled up and tented over her head so only her face shows in its dark furrow. On the right, a smaller girl with long blonde hair in low twintails that spill out from under her hood and lie flat across the boards, a short ahoge springing free above her brow, pointed ears poking through the openings of an equally long, equally oversized puffer coat, its hood pulled up and bunched around her cheeks. Both coats are the same inflated mass of stitched horizontal tubes, sleeves hanging empty and useless past the elbows where the cuffs have swallowed their hands.
The rope is the only warm-bright thing in the frame: dark cord doubled and cinched so tightly that the puffer's nylon bulges up between every wrap — a chest harness crushing the coat's loft in a deep X, elbows drawn together behind their backs and bound, wrists crossed and lashed, then a short taut line running from those wrists down to their ankles, heels pulled up until the boots nearly touch the backs of their thighs, the whole hogtie so tight the coats crease in radiating folds at every pressure point. Wide cloth gags are knotted at the back of each hood, pulling the cheeks taut, the fabric pressed flat against their mouths. They lie facing one another, cheek to the boards, and their eyes are locked: Purah's red eyes narrowed and steady over the rim of her crooked glasses, Klee's red eyes wide and shining above her gag, neither blinking, both breathing hard enough that the quilted baffles of their coats rise and fall in the same slow rhythm.
The only light comes from a thin seam under the compartment's front lip, low and to the left, raking across the boards and lighting the nearest cheek of each face while everything behind them dissolves into absolute black; the rope throws short hard shadows onto the floor and the hood interiors swallow their own faces in shadow so the eyes are the brightest points in the frame. Palette of flat black, cold grey-brown board, and the deep navy and rust-red of the two coats, with the pale gold of the twintails and the white of the bun the only light values. The ceiling plank cuts a hard horizontal across the top edge of the shot, boxing them in. Claustrophobic, tense.
Lee Hunter
character: purah, link
two characters, 2girls and 1boy, purah \(hyrule warriors\), link, white hair, hair bun, hair ornament, hair stick, red eyes, red eyeshadow, round glasses, pointy ears, blonde hair, sidelocks, blue eyes, long oversized puffer coat, big hood up, hood over head, puffer jacket, quilted fabric, gagged, cloth gag, cleave gag, tightly bound, rope, hogtie, wrists bound behind back, ankles bound, bound wrists and ankles together, prone, lying on side, bent legs, cramped space, confined, dark, looking at another, eye contact, facing each other, close-up, from above, dutch angle, confined interior, no text
The camera hangs directly overhead in a steep top-down view, tilted a few degrees into a dutch angle, looking down into a cramped crawlspace barely wider than the two bodies jammed inside it — a narrow closed wooden cavity whose rough plank walls press close on every side, its low ceiling grazing the crowns of two enormous quilted hoods. Purah lies on her left side, knees drawn up, shoulder pressed to splintery timber; her short white hair escapes the fur-trimmed rim of her big puffer hood in loose strands across her forehead, a hair stick skewered through the small white bun at her crown, round red-framed glasses pushed slightly askew by the hood's bulk, red eyeshadow smudged at the outer corners of her half-lidded eyes. Link lies opposite her, turned in on his right side so the two of them face each other nose to nose across a handspan of dark air, blonde sidelocks crushed flat under his own deep hood and spilling over his cheekbones, one long pointed ear poking free of the quilted rim. Both coats are absurdly long and oversized, the baffled nylon ballooning around their bound bodies so the arms seem to vanish into the bulk, the hem folding and stacking in deep quilted ridges against the floorboards, collars and hoods standing up around their faces in thick padded rings. Behind each back, coarse rope cinches their wrists to their ankles in a tight hogtie, the line running from wrist to ankle in one taut doubled strand, heels pulled up toward the small of the back so the puffer hems crush together; a broad cloth gag is knotted hard across each mouth, cutting into the soft quilted collar, dimpling their cheeks, the fabric damp and pulled taut at the corners of their lips. Their eyes are locked: Purah's chin tipped down, looking up through her lashes at him with a narrow, furious, unblinking defiance; Link's head tilted toward hers, one brow arcing, eyes wide and steady on her face, breath audible in the shared inch of air; neither turns to the lens. The only light is a thin blade of pale amber spilling through a single crack between the ceiling planks, laying a bright stripe across the two hood crowns, glinting off the lenses of her glasses, catching the wet sheen of the gags and the glossy skin of their cheekbones, while the rest of the cavity falls into deep blue-black shadow that swallows the far walls and makes the space read as endless and suffocatingly small. Palette held to warm nylon tones against cold near-black: the light stripe amber, the shadows blue-black, the coats muted olive on him and deep maroon on her, rope and gag cloth a dusty flax. Condensation beads on the nylon where warm breath meets cold quilted fabric, and the trapped air fogs the inside of her glasses in a crescent across the upper rim. Clean linework, gentle colors, smooth glossy skin tones, expressive eyes. Claustrophobic, defiant.
Lee Hunter
Add blindfolds over the eyes of both characters in image1 and add drool dripping from their gagged mouths, while keeping their white puffy coats, cloth gags, bound poses, hair styles, and the dark confined background unchanged. The rest of the image remains the same as the input image1.
Lee Hunter
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ᯓ★ ⚡ ♡ ᯓ★
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kyramisu
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logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
3
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Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
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1
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