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user-1933930960950615780

user-1933930960950615780

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character: yamada_anna 1girl, solo, yamada_anna, long hair, black hair, brown eyes, mole on neck, slender body, curvy figure, wide hips, narrow waist, sheer nightgown, see-through, translucent fabric, lace trim, lace bodice, white lace negligee, sleeveless nightwear, thin shoulder straps, bare shoulders, bare arms, barefoot, bedroom, at night, indoors, standing, facing viewer, front view, straight-on, looking at viewer, smiling, closed-mouth smile, soft smile, head tilt, one hand at the nightgown's hem, one hand resting on the windowsill, cowboy shot, window, moonlight, rim light, dark room, tag run end, A single young woman stands facing the camera, framed from mid-thigh up, her body turned a bare few degrees off square so the sheer white lace nightgown falls with the weight of the pose. The gown is the whole costume: floor-skimming lace at the bodice, thin lace straps crossing the top of her shoulders, the fabric so fine that the moonlight from the window behind her passes clean through it, tracing the slope of shoulder, the illusion of a waist narrow in against softer hips, and the long line of her thighs through white translucent lace while the darker shape of her body stays softened, never literal, behind the weave. Her hair hangs in a long black curtain down one shoulder and behind the other, a few strands slipping forward across the lace at her collarbone. Her neck carries the small dark mole where the hair does not cover it. Her chin tips a little down and to her left; her eyes stay on the lens, warm brown under lowered lids, and a small closed-mouth smile sits on her lips, a comfortable, unhurried expression rather than a pose. She is balanced onto her right leg, that hip pushed slightly out, her left foot forward so the lace at the hem swings ahead of her; her right hand pinches the hem between thumb and forefinger and lifts it a fraction, the fabric pooling into small folds under her fingers, and her left hand rests flat on the windowsill at the edge of the frame, fingers curled around the rim and taking a little weight. Behind her, a bedroom at night: the dark rectangle of a window, the pale smear of a bed with its blanket pushed back, and the low mass of furniture that the light leaves in a single soft shadow-grade. The only light is thin cold moonlight coming through the window behind her, so the outline of her head and the edges of the lace straps glow white while the front of her face and the near folds of the crib stay in a muted blue shadow; the small lamp in the far corner is switched off, and the darkest part of the image is the corner behind the bed. The night is close, warm and quiet.
Mostra parametri
Immissione richiesta originale
山田杏奈、高校生、ロングヘア、スレンダーグラマー、ネグリジェ、ナイトウェア、透け、レース生地、ベットルーム、夜、立つ、微笑む、正面
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.16k

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AI artwork
character: yamada_anna 1girl, solo, yamada_anna, long hair, black hair, straight hair, hair past waist, brown eyes, mole on neck, slender, curvy figure, narrow waist, wide hips, negligee, nightwear, lace-trimmed nightgown, see-through fabric, sheer fabric, thin white chiffon, lace fabric, black lace trim, bare midriff, navel, standing, facing viewer, front view, straight-on, looking at viewer, smile, closed-mouth smile, soft smile, head tilt, one hand on opposite upper arm, bare feet, bedroom, night, dark room, moonlit, window, curtains, bed, wooden floor, from below, cowboy shot, cold blue ambient light, warm lamp glow A straight-on front view framed from slightly below at cowboy-shot height, so the nightgown's hem and her bare feet sit at the bottom edge and the dark ceiling space opens above her head; she faces the viewer squarely, head tilted a few degrees to her left, chin slightly down so she looks up from under her brows with soft brown eyes meeting the lens. The smile is a quiet closed-lip one that pulls a little more on her right, dimpling one cheek and creasing the outer corner of her eyes. She stands in the middle of a dim bedroom, weight settled on her right foot with the left knee softly bent and the left heel lifted, hips pushed a touch to the right — the asymmetry is what gives the slender waist and the full curve of her hips their line. Her right hand crosses her body to rest low on her left upper arm, fingers curled loosely against the sheer sleeve; her left arm hangs free, wrist relaxed, fingers half-curled beside her thigh. Long straight black hair falls past her waist, heavier on the right shoulder, a few strands slipping forward over the nightgown's sheer bodice; the small mole at the side of her neck and the shadow along her collarbone are both visible above the lace-edged neckline. The nightgown is thin white chiffon over bare skin — sheer enough that the darker line of her figure reads through it, the fabric gathering and falling in soft vertical pleats from a narrow black lace trim along the neckline and the upper arm. Lace reappears as a scalloped black band at the waist; below it the sheer fabric parts over an exposed abdomen, skin pale and continuous from the ribcage to the waistband, and the gown continues in a slightly warmer cream slip over the hips. No jewelry, no hair ornaments; the long hair is completely unadorned and hangs loose, and the hollow of her throat is bare apart from the mole. Behind her the bedroom is deep blue-black: a wide bed with a rumpled pale duvet at frame left, its corner catching the only big light, and a tall window at frame right with the curtain pulled back a hand's width, cold moonlight striping across the floorboards and up the front of her gown so the sheer fabric goes milky where the beam crosses it and translucent-blue where it does not. A single warm table lamp off frame left at hip height gives her right side a low amber glow, so the two lights disagree on her body: cool rim on the left contour of her hair and arm, warm falloff on the right cheek and through the lace at her waist. Beyond those two pools the room's darkness is absolute. A faint breeze from the gap in the window lifts a section of hair off her shoulder and pushes the hem's finest layer inward, then leaves it. Palette: cold blue, moon-bleached white, black lace, and one warm amber accent; skin tones kept the warmest note in the frame. Detail budget on the face, the neckline lace, the sheer distortion across her abdomen, and her hands against the sleeve. Tender, hushed.
user-1933930960950615780
AI artwork
character: yamada_anna 1girl, yamada_anna, solo, long hair, black hair, straight hair falling past the waist, brown eyes, mole under the eye, mole on neck, slender, curvy figure, narrow waist, wide hips, negligee, nightwear, sheer pale-rose satin slip dress, thin shoulder straps, lace trim at the neckline and hem, crossbody bag strap, thin black leather strap running diagonally from her right shoulder across her chest to her left hip, standing, smiling, closed-mouth smile, one brow slightly raised, facing viewer, looking at viewer, bedroom, night, indoors, window, curtains, dark blue night, moonlight, warm lamp light, from below, cowboy shot, head tilt, one hand at the bag strap, weight on one leg, bare feet, wooden floor The camera sits low and close, tilted up from just above floor level in a modest from-below angle, framing her in a cowboy shot cut at mid-thigh, so her figure rises through the frame and the bedroom ceiling disappears above the crop. She stands facing the viewer squarely but not stiffly: her weight rests on her left leg, her right hip dropped and her right knee slightly bent forward, her right hand lifted to catch the thin black crossbody strap where it crosses her sternum, thumb hooked under the leather so the strap pulls a shallow diagonal crease into the rose satin; her left arm hangs relaxed, fingertips brushing the lace hem at her hip. Her head tilts a few degrees to her left, long black hair sliding off her right shoulder in one heavy sheet that ends past her waist, a few strands caught against the strap. Her lips are closed in a small, easy smile, one brow lifted a fraction, and her brown eyes look straight into the lens. The negligee is a pale rose satin slip with a soft sheen, thin straps over her bare shoulders, scalloped lace at the neckline and at the hem near mid-thigh, the fabric draping to her narrow waist and flaring over her hips, clinging where the diagonal strap presses it; the mole sits under her left eye and a second one low on the side of her neck. Behind her the bedroom is dim and close: a bed with a rumpled duvet low at the left edge, a half-drawn curtain at the right, a small bedside lamp on a wooden nightstand. That lamp is the only warm source, low and to her left, so it lights the underside of her jaw, the near side of the strap and the front of the satin, and throws her shadow large and soft up the wall behind her right shoulder; beyond the lamp's reach the room falls to deep blue, and through the gap in the curtains the night sky is a flat, moonless dark. The palette stays inside rose, black, warm amber and deep blue. The satin's sheen runs only along the raised folds facing the lamp and dies on the shaded side, and the diagonally pulled strap leaves a single taut crease that catches the light in a thin bright line. Quiet, intimate.
user-1933930960950615780

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