Nov 9, 2026

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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토끼

Pubblicato il Nov 8, 2026

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Black-haired character with black rabbit ears. The rabbit ears are not a headband but like a beast-person (kemonomimi), with the ears drooping down rather than standing upright. Wearing a black off-shoulder top without frills, showing only the upper body. Around the neck is a tight white necklace like a choker. The overall art style is a blend between high-resolution detailed Japanese animation illustration and semi-realism. Not simple flat 2D anime coloring, but a digital illustration style that maintains the clear facial structure and large eyes of an anime character while adding soft volume and luster to the skin and hair. The overall atmosphere is very soft, clean, and dreamy. The boundary between line art and coloring is not harshly divided; soft airbrush shading and translucent colors overlap naturally on thin, delicate line art. The line art is overall thin, delicate, and clean. Instead of strong outlines using only black, soft lines in dark gray, dark brown, or dark purple tones are used. The facial outlines are particularly thin and smooth, with the jaw and cheek lines not too dark. The outlines of the hair are slightly clearer but not excessively thick. Line thickness varies; thin and delicate around the face and skin, and slightly darker where hair overlaps or clothes fold. Avoid broken lines or random splits, ensuring hair clumps flow in clear, elegant curves. Hair is a key element. Not filled as simple black planes; first, the direction and silhouette of large hair clumps are created, then detailed strands are selectively added. Not every single hair is drawn, but only important strands within large clumps are clearly expressed. The black hair is not pure black but subtly mixed with dark charcoal, blue-gray, purplish-gray, and faint brownish-gray. Hair highlights feature wide, long glossy highlights. Not random small white dots, but long, soft bands of light following the curvature of the hair. Especially on the crown and above the bangs, there are elongated light gray-white highlights that curve naturally. The center of the highlight is bright and clear, with a soft gradient fading into transparency at the edges. Within a single clump of hair, there are multiple stages of shading from bright highlight → medium gray → deep black. Black hair has a glass-like shine but does not look too plastic. There are clear silver-white reflections where light hits, surrounded by a wide, blurred gray luster. Highlights break and reconnect at the curves of the hair, emphasizing volume and direction. The bangs have several thin vertical highlights, while the side and long back hair have wide highlights flowing along the curves. Highlights are placed selectively to follow the hair's form. Skin is very fair, smooth, milky skin, not flat white but mixed with very subtle pink and gray shadows. Skin shadows are not strong gray or black, but light pinkish-gray and purplish-gray. Very soft airbrush shading is applied to the nose, cheeks, and around the eyes. A clear but soft-edged pink blush spreads widely across the cheeks, darker in the center and transparent toward the edges. The skin has a very subtle wet glow. Small white or light pink reflections are placed on the tip of the nose, sides of the nose, cheekbones, center of the cheeks, shoulders, and collarbones. The skin does not sparkle entirely, but highlights appear only on specific protruding parts. Small round reflections on the nose and cheeks, and long soft luster on the shoulders and collarbones. Skin highlights are not painted too strongly as pure white but blend naturally with the skin tone. Eyes are large, delicate, and expressed with great depth. The iris is not a single color but layers of dark gray and black. The top of the iris is darker and becomes slightly lighter toward the bottom. Very small white reflections are in the pupils; instead of one large white circle, multiple stages of small, sharp lights are present. Eyelashes are thin but layered for fullness, lengthening and tapering toward the outer corners. Soft pink and red shading are around the eyes, with very soft shadows beneath the eyes creating a sleepy, languid impression. Lines around the eyelids and eyelashes are relatively dark but blur naturally where they meet the skin. The eyes are slightly downturned and half-closed, with a languid and calm expression. Lips are small and thin without excessive lipstick. A very pale pink and small gloss are in the center, and the outlines blend naturally with the skin. No strong lines around the mouth. Overall coloring is a mix of soft cel-shading and airbrush rendering. Basic shadows are clear enough to define form but not too hard. Large shadows are broad and soft, with small reflections and detailed shading added on top. Face and skin are blended very softly, while hair and clothes have slightly sharper contrast. Light is overall soft diffused light. Not a strong single-direction spotlight, but like wide natural light coming from a window or a bright space. Cold white and very pale pink light hit the bright areas, while subtle gray-purple is in the shadows. Silver-white cold reflections appear on bright parts of the black hair, while warm pink reflections mix on the skin. The overall color palette focuses on black, charcoal, silver, very pale gray-purple, light pink, and milky white, rather than strong contrast of pure black and pure white. Saturation is overall low and soft, though the pink around the cheeks and eyes is relatively vivid. Black clothing is not crushed black; charcoal and dark gray shading are kept to show folds and texture. The knit material of the clothing has a dense vertical ribbed texture. Even in black, the ribs catching light are slightly brighter dark gray, with soft shadows in the folds. The edges of the clothes cast natural shadows where they meet the skin. The background is much blurrier than the character. Avoid clear background detail, using a shallow depth of field effect where the background is softly blurred. Light from a bright window or white space appears as large blurred shapes with small light orbs and subtle bokeh. Background detail is minimized to focus attention on the face and hair. A very slight soft glow is applied to the entire image. Light bleeds very slightly around bright skin and highlights, without making the whole image blurry. Sharp details of hair and eyes are maintained while applying subtle light bloom to bright areas. High-resolution digital animation illustration, delicate thin line art, soft airbrush skin expression, translucent colors, subtle pink blush, glass-like glossy black hair, long soft silver-white hair highlights, small pupil reflections, soft shadows, harmony of cold silver and warm pink, low-saturation dreamy colors, shallow depth of field, soft glow, clean and organized lines, delicate details, luxurious Japanese animation illustration style.

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