Starter credits added when you sign up.

Baki the Grappler

Arte IA di Shadasky Lirka su PixAI. Creato con Tsubaki.3.

#Baki the Grappler

Pubblicato il Nov 8, 2026

Shadasky Lirka

More to See

character: tokita_ouma, ohma, artist: ratatatat74, copyright: kengan_ashura solo, 1boy, male focus, adult man, mature male, muscular, very muscular, big muscles, abs, bulging veins, topless, bare chest, ((red skin)), scarlet red skin, reddish-toned skin, dark hair, curly hair, short dark curly hair, dark red eyes, glowing eyes, red eyes, angry, furious, rage, choleric, insane, evil grin, challenging smile, arrogant smile, open mouth, teeth, ferocious gaze, intimidating, looking at viewer, savage stance, fighting stance, clenched fists, incoming attack, dynamic pose, foreshortening, from below, dutch angle, full body, black pants, white background, simple background, spot color, glowing, dark shading, dramatic lighting, backlighting, rim lighting, high contrast, sharp cel-shading, cinematic, wide angle Full body shot from a low dramatic battle angle, tilted a few degrees off level, so the lone man looms up out of a plain solid white field — no scenery, no objects, no second figure anywhere in the frame; the white is unbroken edge to edge and the only darkness in the image is cast on his own body. He is an adult man of heavy, trained build, shirtless, chest and shoulders thick with slabbed muscle, abs cut in hard rows, veins standing out roped along both forearms, across the biceps and up the side of the neck; every inch of bare skin is ((red skin)) — a saturated scarlet that deepens to near-crimson in the hollows of the muscle and burns brighter over the peaks. Short dark curly hair clings in tight coils to his scalp, matted forward over a sweat-sheened brow, and his eyes glare out of the shadow of that brow as two points of glowing red, hot and small, aimed straight down the lens. He is caught in the middle of a rush: weight pitched onto the forward leg, that knee bent and driven over the toes, rear leg extended back and braced, hips twisted so the torso comes round toward the viewer, one fist cocked and the other arm slung low for the follow-through, shoulders rolled forward, chin dipped. The attacking arm is thrown toward the camera and foreshortened — the fist huge and blurred-edged at the near plane, the arm receding to the shoulder — while the other fist is clenched white-knuckled at his hip and the black pants twist and crease across his thighs, cuffs snapping back from the speed of the step. His mouth is torn open in a wide challenging smile, arrogant and savage at once, teeth bared, upper lip lifted, one brow hooked higher than the other; he is not looking past the viewer but through them. A hard backlight rims the whole silhouette — the outline of the curls, the shelf of shoulder, the ridge of the forearms — in a thin hot edge that separates him from the white, while a colder key from the front-left cuts the muscle into sharp cel-shaded planes with a hard shadow edge and a violet-black core in every crevice. Colour is disciplined to three things and no more: the scarlet body, the black of the pants and the shadows, and the glowing red of the eyes; the background contributes nothing but white, and the glow of the eyes and the hottest rim-light lines are the only bloom in the frame. A faint haze of displacement trails off the attacking fist and the leading shoulder — disturbed air made visible against the flat white, dragged into thin streaks along the direction of the strike — and the sweat on his skin catches the rim light only where the surface faces the light, leaving the rest of him dry and matte. Ferocious, cinematic.

Baki the Grappler

Commenti

Modello e LoRA utilizzati

Immagini simili

Scopri altro

Utenti consigliati

Potrebbe piacerti