Oct 23, 2026

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Edward Elric, Winry Rockbell

Contest Entry

PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026

#Vestito #coppia #Fullmetal Alchemist #Edward Elric #Winry Rockbell #Treccia #Frangia divisa #1 ragazza #1 ragazzo #specchio #bocca chiusa #coda di cavallo a treccia

Pubblicato il Nov 8, 2026

Anthony

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character: winry_rockbell, edward_elric, edward_elric_(full_metal__alchemist), copyright: full_metal_alchemist 2girls, edward_elric, winry_rockbell, black suit, red dress shirt, open collar, long blonde hair, braid, ahoge, yellow eyes, automail left arm, white gloves, blonde hair, blue eyes, ponytail, sidelocks, swept bangs, black dress, apron, juliet sleeves, black gloves, looking at himself, mirror, smiling, closed-mouth smile, soft eyes, doing hair, hands in another's hair, standing behind, leaning in, from side, cowboy shot, indoor, warm lamp light, wooden room, Side-on view at chest height: he stands at the left of the frame in front of a tall oval dressing mirror, she stands just behind his right shoulder. The mirror is angled toward the camera so the glass carries his reflection in profile — the only place his face is fully seen is the mirror's surface, where his yellow eyes are turned inward on his own reflected image, his lips closed in a small, real smile that reaches the corners of his eyes. The actual head in the foreground is turned three-quarters away from us toward the glass, so what we see of him is the line of his cheek, the point of his jaw, and the mass of his hair under her hands. He wears a black suit jacket, sharply tailored, worn open, over a red dress shirt whose collar stands open at his bare throat; his white-gloved hands hang relaxed and empty at his sides, one thumb hooked lightly at his jacket pocket, weight on his back foot so his shoulder dips toward the mirror. His left arm is automail, the metal plates cool and pale where the lamplight catches their edges through the open jacket cuff. Winry leans in from behind his right shoulder, her chin near his temple, both hands buried in his long blonde hair: her left palm gathers the loose fall of it at his nape while her right hand twists the plait upward, one strand drawn taut between her fingers, the braid half-finished so it hangs short and thick behind his ear and the unbound length spills over his jacket collar. Her own blonde hair is swept back off her forehead and tied in a ponytail with the sidelocks falling free; her blue eyes are lowered to the work of her hands, lashes down, mouth pursed in concentration around a faint, pleased tilt at one corner. She wears her black dress with its puffed juliet sleeves and white apron, black gloves off — bare fingers in his hair. Contact points: her chest against his shoulder blade, her right knee against his hip, her fingertips pressing the hair to his scalp, his jacket sleeve brushing her forearm. Light comes from a single warm lamp low at the right of the frame; it rims her apron and the side of his face, glints along the mirror's beveled edge, and leaves the back of the room in a soft brown dimness, with their two shadows thrown large and overlapping on the wall behind them. Hair dust floats in the lamp's beam — the one visible trace of what her hands are doing. A wooden floor, a chair back, a folded towel on the dresser; the palette held to warm amber, deep black, the red of the shirt, and pale blonde. Intimate, easy.

Edward Elric, Winry Rockbell

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