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吉田晴樹

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吉田晴樹

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1girl, solo, female high school student, tall female, very tall, 195cm, long limbs, long torso, long slender legs, healthy legs, statuesque figure, great figure, gray hair, side ponytail, asymmetric hair, hair covering one eye, hair over one eye, mekakure, long hair, sharp eyes, narrow eyes, deep blue eyes, blue eyes, single rose hair ornament, one red rose hair ornament, school uniform, sailor school uniform, pleated skirt, black socks, sitting on sofa, sitting, legs bent, knees bent, hips twisted, twisted torso, side thigh visible, calf visible, sofa, from side, dutch angle, cowboy shot, full body, sharp gaze, stern expression, serious, looking at viewer, indoors, club room, dark green upholstery, late afternoon light, anime style, cel shading, crisp lineart The camera stands low, off to her left and slightly below the couch's seat line, tilted a few degrees so the sofa's horizontal back rail runs diagonally up across the frame -- a three-quarter view from the side, full body, head near the top edge, both feet inside the bottom edge. She sits long across a deep club-room sofa of dark green upholstery, and because her body is 195 cm of length the couch barely contains it: her long torso leans back against the seat cushion while her hips twist toward the camera, one hip bone pressing the upholstery into a round divot. One leg folds at the knee, that thigh laid along the cushion toward the lens, the black-socked calf dropping over the sofa's front edge so the fold of the knee catches the light and the calf's long healthy curve shows in full, the sock pulled snug over the ankle bone; the other leg slants the opposite way, S-curved, its calf tucked back along the seat, so the space between the two long limbs opens toward the viewer like a hinge. One arm stretches along the sofa back, hand draped loosely over the top rail, fingers hanging; the other hand rests on the near knee, knuckles overlapping the black sock's cuff, thumb hooked at the hem. Her shoulders are turned perhaps forty degrees off camera and her chin is tilted slightly down while her sharp deep blue eyes look straight down the line of the shot at the viewer, lids low and steady, one brow level, mouth a flat line, no smile -- the sternness carried in the still brow, the lowered lid and the unyielding gaze. Gray hair is gathered into a side ponytail that falls over one shoulder, and the loose falling locks, parted so they hang across one side of her face and hide one eye, swing slightly forward where her hip twist throws the head; a single red rose hair ornament sits pinned at the base of that side ponytail, petals catching the light, and there is nothing else in her hair. She wears a school uniform: a white short-sleeve blouse with the collar open and the knit vest beneath, a pleated skirt spread over the cushion under her twisted hips, the skirt's folds fanning where the seat compresses. The source of light is a tall window at frame left, low late-afternoon sun: it strikes the window-side of her gray hair into a silver edge, runs along the near thigh and the top of the black-socked calf, and drops the far side of her body and the sofa's far arm into deep green shadow; her cast shadow falls away from the window across the cushion, shortened and thrown sideways by the low sun, and dust hangs visible in the bar of light. Palette restricted to cool gray hair, deep blue eyes, the uniform's white and navy and the deep green of the sofa, with the rose's red the only warm accent in the frame. Wall behind the sofa plain and slightly out of focus, a blackboard's edge and a stack of chairs far right getting only enough detail to read as a room, no other person anywhere. Quiet, cool composure.
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Immissione richiesta originale
女子高校生。灰色の髪。メカクレサイドテール。鋭い目つきで深い青色の目。薔薇の髪飾りが一つ。身長195㎝スタイル抜群。彼女は脚を曲げて、腰をひねり、横の太ももとふくらはぎを見せるようにソファーに座っている。黒いソックスを履いている。細長く、健康的な脚。手長脚長。胴長。制服姿。アニメ風。
Modalità
flash
Dimensione
1632 x 1232
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Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.98k

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AI artwork
吉
1girl, solo, female high school student, tall female, very tall, 195cm, long limbs, long torso, long slender legs, healthy legs, statuesque figure, great figure, gray hair, side ponytail, asymmetric hair, hair covering one eye, hair over one eye, mekakure, long hair, sharp eyes, narrow eyes, deep blue eyes, blue eyes, single rose hair ornament, one red rose hair ornament, school uniform, sailor school uniform, pleated skirt, black socks, sitting on sofa, sitting, legs bent, knees bent, hips twisted, twisted torso, side thigh visible, calf visible, sofa, from side, dutch angle, cowboy shot, full body, sharp gaze, stern expression, serious, looking at viewer, indoors, club room, dark green upholstery, late afternoon light, anime style, cel shading, crisp lineart The camera stands low, off to her left and slightly below the couch's seat line, tilted a few degrees so the sofa's horizontal back rail runs diagonally up across the frame -- a three-quarter view from the side, full body, head near the top edge, both feet inside the bottom edge. She sits long across a deep club-room sofa of dark green upholstery, and because her body is 195 cm of length the couch barely contains it: her long torso leans back against the seat cushion while her hips twist toward the camera, one hip bone pressing the upholstery into a round divot. One leg folds at the knee, that thigh laid along the cushion toward the lens, the black-socked calf dropping over the sofa's front edge so the fold of the knee catches the light and the calf's long healthy curve shows in full, the sock pulled snug over the ankle bone; the other leg slants the opposite way, S-curved, its calf tucked back along the seat, so the space between the two long limbs opens toward the viewer like a hinge. One arm stretches along the sofa back, hand draped loosely over the top rail, fingers hanging; the other hand rests on the near knee, knuckles overlapping the black sock's cuff, thumb hooked at the hem. Her shoulders are turned perhaps forty degrees off camera and her chin is tilted slightly down while her sharp deep blue eyes look straight down the line of the shot at the viewer, lids low and steady, one brow level, mouth a flat line, no smile -- the sternness carried in the still brow, the lowered lid and the unyielding gaze. Gray hair is gathered into a side ponytail that falls over one shoulder, and the loose falling locks, parted so they hang across one side of her face and hide one eye, swing slightly forward where her hip twist throws the head; a single red rose hair ornament sits pinned at the base of that side ponytail, petals catching the light, and there is nothing else in her hair. She wears a school uniform: a white short-sleeve blouse with the collar open and the knit vest beneath, a pleated skirt spread over the cushion under her twisted hips, the skirt's folds fanning where the seat compresses. The source of light is a tall window at frame left, low late-afternoon sun: it strikes the window-side of her gray hair into a silver edge, runs along the near thigh and the top of the black-socked calf, and drops the far side of her body and the sofa's far arm into deep green shadow; her cast shadow falls away from the window across the cushion, shortened and thrown sideways by the low sun, and dust hangs visible in the bar of light. Palette restricted to cool gray hair, deep blue eyes, the uniform's white and navy and the deep green of the sofa, with the rose's red the only warm accent in the frame. Wall behind the sofa plain and slightly out of focus, a blackboard's edge and a stack of chairs far right getting only enough detail to read as a room, no other person anywhere. Quiet, cool composure.
吉田晴樹
AI artwork
吉
1girl, solo, female high school student, tall female, very tall, 195cm, long limbs, long torso, long slender legs, healthy legs, statuesque figure, great figure, gray hair, side ponytail, asymmetric hair, hair covering one eye, hair over one eye, mekakure, long hair, sharp eyes, narrow eyes, deep blue eyes, blue eyes, single rose hair ornament, one red rose hair ornament, school uniform, sailor school uniform, pleated skirt, black socks, sitting on sofa, sitting, legs bent, knees bent, hips twisted, twisted torso, side thigh visible, calf visible, sofa, from side, dutch angle, cowboy shot, full body, sharp gaze, stern expression, serious, looking at viewer, indoors, club room, dark green upholstery, late afternoon light, anime style, cel shading, crisp lineart The camera stands low, off to her left and slightly below the couch's seat line, tilted a few degrees so the sofa's horizontal back rail runs diagonally up across the frame -- a three-quarter view from the side, full body, head near the top edge, both feet inside the bottom edge. She sits long across a deep club-room sofa of dark green upholstery, and because her body is 195 cm of length the couch barely contains it: her long torso leans back against the seat cushion while her hips twist toward the camera, one hip bone pressing the upholstery into a round divot. One leg folds at the knee, that thigh laid along the cushion toward the lens, the black-socked calf dropping over the sofa's front edge so the fold of the knee catches the light and the calf's long healthy curve shows in full, the sock pulled snug over the ankle bone; the other leg slants the opposite way, S-curved, its calf tucked back along the seat, so the space between the two long limbs opens toward the viewer like a hinge. One arm stretches along the sofa back, hand draped loosely over the top rail, fingers hanging; the other hand rests on the near knee, knuckles overlapping the black sock's cuff, thumb hooked at the hem. Her shoulders are turned perhaps forty degrees off camera and her chin is tilted slightly down while her sharp deep blue eyes look straight down the line of the shot at the viewer, lids low and steady, one brow level, mouth a flat line, no smile -- the sternness carried in the still brow, the lowered lid and the unyielding gaze. Gray hair is gathered into a side ponytail that falls over one shoulder, and the loose falling locks, parted so they hang across one side of her face and hide one eye, swing slightly forward where her hip twist throws the head; a single red rose hair ornament sits pinned at the base of that side ponytail, petals catching the light, and there is nothing else in her hair. She wears a school uniform: a white short-sleeve blouse with the collar open and the knit vest beneath, a pleated skirt spread over the cushion under her twisted hips, the skirt's folds fanning where the seat compresses. The source of light is a tall window at frame left, low late-afternoon sun: it strikes the window-side of her gray hair into a silver edge, runs along the near thigh and the top of the black-socked calf, and drops the far side of her body and the sofa's far arm into deep green shadow; her cast shadow falls away from the window across the cushion, shortened and thrown sideways by the low sun, and dust hangs visible in the bar of light. Palette restricted to cool gray hair, deep blue eyes, the uniform's white and navy and the deep green of the sofa, with the rose's red the only warm accent in the frame. Wall behind the sofa plain and slightly out of focus, a blackboard's edge and a stack of chairs far right getting only enough detail to read as a room, no other person anywhere. Quiet, cool composure.
吉田晴樹
AI artwork
吉
1girl, solo, female high school student, tall female, very tall, 195cm, long limbs, long torso, long slender legs, healthy legs, statuesque figure, great figure, gray hair, side ponytail, asymmetric hair, hair covering one eye, hair over one eye, mekakure, long hair, sharp eyes, narrow eyes, deep blue eyes, blue eyes, single rose hair ornament, one red rose hair ornament, school uniform, sailor school uniform, pleated skirt, black socks, sitting on sofa, sitting, legs bent, knees bent, hips twisted, twisted torso, side thigh visible, calf visible, sofa, from side, dutch angle, cowboy shot, full body, sharp gaze, stern expression, serious, looking at viewer, indoors, club room, dark green upholstery, late afternoon light, anime style, cel shading, crisp lineart The camera stands low, off to her left and slightly below the couch's seat line, tilted a few degrees so the sofa's horizontal back rail runs diagonally up across the frame -- a three-quarter view from the side, full body, head near the top edge, both feet inside the bottom edge. She sits long across a deep club-room sofa of dark green upholstery, and because her body is 195 cm of length the couch barely contains it: her long torso leans back against the seat cushion while her hips twist toward the camera, one hip bone pressing the upholstery into a round divot. One leg folds at the knee, that thigh laid along the cushion toward the lens, the black-socked calf dropping over the sofa's front edge so the fold of the knee catches the light and the calf's long healthy curve shows in full, the sock pulled snug over the ankle bone; the other leg slants the opposite way, S-curved, its calf tucked back along the seat, so the space between the two long limbs opens toward the viewer like a hinge. One arm stretches along the sofa back, hand draped loosely over the top rail, fingers hanging; the other hand rests on the near knee, knuckles overlapping the black sock's cuff, thumb hooked at the hem. Her shoulders are turned perhaps forty degrees off camera and her chin is tilted slightly down while her sharp deep blue eyes look straight down the line of the shot at the viewer, lids low and steady, one brow level, mouth a flat line, no smile -- the sternness carried in the still brow, the lowered lid and the unyielding gaze. Gray hair is gathered into a side ponytail that falls over one shoulder, and the loose falling locks, parted so they hang across one side of her face and hide one eye, swing slightly forward where her hip twist throws the head; a single red rose hair ornament sits pinned at the base of that side ponytail, petals catching the light, and there is nothing else in her hair. She wears a school uniform: a white short-sleeve blouse with the collar open and the knit vest beneath, a pleated skirt spread over the cushion under her twisted hips, the skirt's folds fanning where the seat compresses. The source of light is a tall window at frame left, low late-afternoon sun: it strikes the window-side of her gray hair into a silver edge, runs along the near thigh and the top of the black-socked calf, and drops the far side of her body and the sofa's far arm into deep green shadow; her cast shadow falls away from the window across the cushion, shortened and thrown sideways by the low sun, and dust hangs visible in the bar of light. Palette restricted to cool gray hair, deep blue eyes, the uniform's white and navy and the deep green of the sofa, with the rose's red the only warm accent in the frame. Wall behind the sofa plain and slightly out of focus, a blackboard's edge and a stack of chairs far right getting only enough detail to read as a room, no other person anywhere. Quiet, cool composure.
吉田晴樹
AI artwork
吉
1girl, solo, light blue hair, long hair, twintails, mekakure, hair over eyes, ahoge, two purple flower hair ornaments, hair ornament, tall female, 185cm, long legs, long arms, long torso, slender healthy legs, school uniform, serafuku, sailor collar, pleated skirt, black socks, black knee-high socks, sitting, on sofa, bent legs, crossed legs, hips twisted, side thigh, side calf, leaning back, arm support, looking to the side, half-closed eyes, light smile, from below, cowboy shot, indoor, living room, sofa, window light The camera sits low, near floor height and slightly off to the right of the sofa, looking up so the seated figure rises tall in the frame — a tall long-torsoed girl with light blue hair in twintails, an ahoge springing up from the crown, and a long fringe falling straight down over one eye while the other shows from beneath it. Two purple flower ornaments are pinned into the twin tail bases, one on each side, their petals slightly crushed where the hair is gathered. She wears a high school uniform, its sailor collar framing the sloping shoulders of her tall long-limbed frame; the pleated skirt is spread across the sofa cushion. She sits at a diagonal, weight rolled onto her left hip and left hand pressed flat into the cushion behind her for support, the arm locked straight against the tilt. Her hips twist toward the camera so, on the viewer's right side of the sofa, one leg bends and falls open to show the flat outer thigh and the long diagonal of the calf down to the ankle; the other leg folds beneath it. Black knee-high socks hug both calves, their elastic drawn into a faint indentation. Her skirt rides up under the pose to the top of the thigh. The bare leg and the stockinged calf stack in depth: the thigh nearer, the stockinged calf receding behind it. Her chin is lifted slightly as she looks away to the side, half-lidded eyes at nothing, one corner of her mouth barely lifted — unbothered, dry-composed. A stray strand of the twintail falls forward over the nearer shoulder; the ahoge gives a slight upward curl. The room is a small living area; a wide window sits behind the sofa and above and behind her head so its daylight rakes her from behind-left, backlighting the rim of her hair and the tops of her shoulders and leaving her face and torso in soft shaded light bounced from the pale wall in front. A pale cast shadow of her legs and the sofa arm falls diagonally across the floor toward the lower left, softer the further it reaches; the cushion behind her support-hand compresses and the fabric wrinkles fan out from her palm. Palette: light blue hair and the uniform's navy and white against a room of pale grey-beige; the two purple flower ornaments provide the one saturated note against the cool silver of her hair. Soft cel-anime finish, clean line, quiet and composed.
吉田晴樹

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