Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…
View details
Mostra parametri
- Immissione richiesta originale
- 中野梓、床まで届く大きな濃い青の マントで全身を隙間なくきっちり包み込まれて、首の紐はきっちり締められてフードをかぶっている。前の合わせ目は隙間なく閉じられて足の先も見えない。明るい教室の中に立っている正面からの姿。八頭身。
- Modalità
- flash
- Dimensione
- 1104 x 1824
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di più
余
character: nakano_azusa
full body, front view, standing, solo, 1girl, eight heads tall, tall proportions, long legs, black hair, long hair, twintails, hair between eyes, brown eyes, cat ears, fang, dark blue cloak, floor-length cloak, hood up, hooded cloak, neck strings tied, front closure closed, no gaps, feet hidden, completely covered, bright classroom, indoors, daylight, from front, straight-on, looking at viewer, closed mouth, light smile, blush, arms at sides, hands hidden in sleeves, wooden floor, school desks, large windows, sunlit
A straight-on full-body front view, the camera at mid-height and far enough back that the hem of the cloak and the floor beneath it both sit inside the frame. A single girl stands centered, eight heads tall, her long body elongated so the head reads small and the legs long even though no leg is visible: the proportion is carried by the height, the narrow shoulders and the long unbroken fall of cloth. Her black hair, long and gathered into two twintails, spills out around the hood's opening; the twintails drop forward over the front of the cloak to either side of her chest, their tips hanging free against the dark blue fabric. A pair of small cat ears tips up through the hood's crown, faintly tenting the heavy cloth; a fringe of black hair with a few strands falling between her brown eyes frames her face inside the furred rim of the hood. Her brown eyes look directly at the viewer, her mouth closed in a faint, slightly uncertain smile, a little colour in her cheeks, and one small fang shows at the corner of the closed lips.
The cloak is dark blue, deep navy with a faint matte sheen, and it is enormous: a floor-length mantle that reaches all the way down and pools just fractionally at the boards, its hem so close to the ground that both foot tips are completely lost beneath it and no shoe, no sock, no ankle shows anywhere. The garment wraps her entire body without a single gap, a heavy, seamless fall of cloth from the hood's rim to the floor, its volume suggesting the body beneath without revealing any of it: no hands, no wrists, no skirt hem, no collar. The hood is up and drawn forward, its opening framing her face in a deep fur-lined ring, and at her throat the neck strings are pulled tight and knotted, cinching the hood's mouth snug beneath her chin. Down the front, the closure is shut fast the whole way, a single straight seam of dark cloth with small hidden toggles, closed edge to edge with no slit, no overlap of skin, no opening anywhere. Her arms hang down inside the mantle, only the faint outward bulge of the sleeves at her sides telling where they are, her hands buried completely. She is standing still, weight settled evenly on both hidden feet, shoulders relaxed, head held level, caught in an ordinary quiet moment.
The classroom is bright and empty around her. Late-morning daylight floods in from a row of tall windows on the left, falling across the wooden floorboards in long parallelograms and striping the cloak's left side with soft window-light while the right side sinks into a gentler, cooler shadow. Behind her, rows of empty wooden desks and chairs recede in perspective toward the far wall, a blackboard dim and grey-green at the back, and a low cabinet along the wall; the room's lines converge past her shoulders and give her height its scale. The floorboards glow warm honey where the sun strikes them, and the cloak's dark navy reads almost black in shadow, near-indigo where the light catches the nap of the cloth. The palette is warm wood, white window light and that one deep, sober blue in the middle of the frame. Beneath her, her shadow falls short and soft toward the right, and the hem of the cloak lies so close to the boards that its edge draws a crisp unbroken line across the sunlit floor, the only dark shape interrupting the warm grain — quiet, a little solemn.
余命一万一日
余
character: nakano_azusa
full body, front view, standing, solo, 1girl, eight heads tall, tall proportions, long legs, black hair, long hair, twintails, hair between eyes, brown eyes, cat ears, fang, dark blue cloak, floor-length cloak, hood up, hooded cloak, neck strings tied, front closure closed, no gaps, feet hidden, completely covered, bright classroom, indoors, daylight, from front, straight-on, looking at viewer, closed mouth, light smile, blush, arms at sides, hands hidden in sleeves, wooden floor, school desks, large windows, sunlit
A straight-on full-body front view, the camera at mid-height and far enough back that the hem of the cloak and the floor beneath it both sit inside the frame. A single girl stands centered, eight heads tall, her long body elongated so the head reads small and the legs long even though no leg is visible: the proportion is carried by the height, the narrow shoulders and the long unbroken fall of cloth. Her black hair, long and gathered into two twintails, spills out around the hood's opening; the twintails drop forward over the front of the cloak to either side of her chest, their tips hanging free against the dark blue fabric. A pair of small cat ears tips up through the hood's crown, faintly tenting the heavy cloth; a fringe of black hair with a few strands falling between her brown eyes frames her face inside the furred rim of the hood. Her brown eyes look directly at the viewer, her mouth closed in a faint, slightly uncertain smile, a little colour in her cheeks, and one small fang shows at the corner of the closed lips.
The cloak is dark blue, deep navy with a faint matte sheen, and it is enormous: a floor-length mantle that reaches all the way down and pools just fractionally at the boards, its hem so close to the ground that both foot tips are completely lost beneath it and no shoe, no sock, no ankle shows anywhere. The garment wraps her entire body without a single gap, a heavy, seamless fall of cloth from the hood's rim to the floor, its volume suggesting the body beneath without revealing any of it: no hands, no wrists, no skirt hem, no collar. The hood is up and drawn forward, its opening framing her face in a deep fur-lined ring, and at her throat the neck strings are pulled tight and knotted, cinching the hood's mouth snug beneath her chin. Down the front, the closure is shut fast the whole way, a single straight seam of dark cloth with small hidden toggles, closed edge to edge with no slit, no overlap of skin, no opening anywhere. Her arms hang down inside the mantle, only the faint outward bulge of the sleeves at her sides telling where they are, her hands buried completely. She is standing still, weight settled evenly on both hidden feet, shoulders relaxed, head held level, caught in an ordinary quiet moment.
The classroom is bright and empty around her. Late-morning daylight floods in from a row of tall windows on the left, falling across the wooden floorboards in long parallelograms and striping the cloak's left side with soft window-light while the right side sinks into a gentler, cooler shadow. Behind her, rows of empty wooden desks and chairs recede in perspective toward the far wall, a blackboard dim and grey-green at the back, and a low cabinet along the wall; the room's lines converge past her shoulders and give her height its scale. The floorboards glow warm honey where the sun strikes them, and the cloak's dark navy reads almost black in shadow, near-indigo where the light catches the nap of the cloth. The palette is warm wood, white window light and that one deep, sober blue in the middle of the frame. Beneath her, her shadow falls short and soft toward the right, and the hem of the cloak lies so close to the boards that its edge draws a crisp unbroken line across the sunlit floor, the only dark shape interrupting the warm grain — quiet, a little solemn.
余命一万一日
余
character: nakano_azusa
full body, front view, standing, solo, 1girl, eight heads tall, tall proportions, long legs, black hair, long hair, twintails, hair between eyes, brown eyes, cat ears, fang, dark blue cloak, floor-length cloak, hood up, hooded cloak, neck strings tied, front closure closed, no gaps, feet hidden, completely covered, bright classroom, indoors, daylight, from front, straight-on, looking at viewer, closed mouth, light smile, blush, arms at sides, hands hidden in sleeves, wooden floor, school desks, large windows, sunlit
A straight-on full-body front view, the camera at mid-height and far enough back that the hem of the cloak and the floor beneath it both sit inside the frame. A single girl stands centered, eight heads tall, her long body elongated so the head reads small and the legs long even though no leg is visible: the proportion is carried by the height, the narrow shoulders and the long unbroken fall of cloth. Her black hair, long and gathered into two twintails, spills out around the hood's opening; the twintails drop forward over the front of the cloak to either side of her chest, their tips hanging free against the dark blue fabric. A pair of small cat ears tips up through the hood's crown, faintly tenting the heavy cloth; a fringe of black hair with a few strands falling between her brown eyes frames her face inside the furred rim of the hood. Her brown eyes look directly at the viewer, her mouth closed in a faint, slightly uncertain smile, a little colour in her cheeks, and one small fang shows at the corner of the closed lips.
The cloak is dark blue, deep navy with a faint matte sheen, and it is enormous: a floor-length mantle that reaches all the way down and pools just fractionally at the boards, its hem so close to the ground that both foot tips are completely lost beneath it and no shoe, no sock, no ankle shows anywhere. The garment wraps her entire body without a single gap, a heavy, seamless fall of cloth from the hood's rim to the floor, its volume suggesting the body beneath without revealing any of it: no hands, no wrists, no skirt hem, no collar. The hood is up and drawn forward, its opening framing her face in a deep fur-lined ring, and at her throat the neck strings are pulled tight and knotted, cinching the hood's mouth snug beneath her chin. Down the front, the closure is shut fast the whole way, a single straight seam of dark cloth with small hidden toggles, closed edge to edge with no slit, no overlap of skin, no opening anywhere. Her arms hang down inside the mantle, only the faint outward bulge of the sleeves at her sides telling where they are, her hands buried completely. She is standing still, weight settled evenly on both hidden feet, shoulders relaxed, head held level, caught in an ordinary quiet moment.
The classroom is bright and empty around her. Late-morning daylight floods in from a row of tall windows on the left, falling across the wooden floorboards in long parallelograms and striping the cloak's left side with soft window-light while the right side sinks into a gentler, cooler shadow. Behind her, rows of empty wooden desks and chairs recede in perspective toward the far wall, a blackboard dim and grey-green at the back, and a low cabinet along the wall; the room's lines converge past her shoulders and give her height its scale. The floorboards glow warm honey where the sun strikes them, and the cloak's dark navy reads almost black in shadow, near-indigo where the light catches the nap of the cloth. The palette is warm wood, white window light and that one deep, sober blue in the middle of the frame. Beneath her, her shadow falls short and soft toward the right, and the hem of the cloak lies so close to the boards that its edge draws a crisp unbroken line across the sunlit floor, the only dark shape interrupting the warm grain — quiet, a little solemn.
余命一万一日
余
character: akiyama_mio
1girl, solo, akiyama_mio, black_hair, long_hair, straight_hair, hime_cut, blunt_bangs, blue_ribbon, black_eyes, black_cloak, hooded_cloak, hood_up, hood_over_head, large_cloak, floor-length_cloak, neck_cord, drawstring, cinched_neck, front_seam_closed, completely_enveloped, no_gap, fully_covered, covered_feet, feet_hidden, no_skin_visible, full_body, standing, frontal_view, facing_viewer, straight-on, eight_heads_tall, tall_proportions, classroom, bright_interior, daylight, from_front, still
A full-figure frontal view of a single girl standing straight-on to the camera in an eight-heads-tall proportion, her silhouette long-shanked and narrow-shouldered, the head small against the drape. She stands in the very center of a bright classroom, upright with her weight carried evenly on both feet under the fabric, shoulders level, arms hidden inside the cloak so no hand or sleeve shows anywhere along its sides. The cloak is the whole picture: a heavy black wool mantle cut wide at the shoulders and falling unbroken to the floor, the hem pooling a few centimeters deep around her unseen shoes so that no foot, toe or ankle is ever exposed. Its large hood is pulled up and forward over her head, throwing her face into a soft-edged shadow and covering every strand of hair on the crown; the long black hair and the straight blunt fringe escape in flat panels on both sides of the opening, and a single blue ribbon shows at the edge of the hood where the hair is gathered. Both sides of the neck cord are drawn taut and knotted under her chin, puckering the black fabric into tight radiating creases all the way up to the jaw. Below the knot the front seam runs dead straight from throat to hem, its edges overlapped and pressed flat, no slit, no parting, no buckle anywhere along the vertical line; a broad continuous column of black cloth from collar to ground. Her black eyes look straight into the camera beneath level, half-shuttered lids, her mouth closed and expressionless, chin slightly lowered so the shadow of the hood crosses her brow. Behind her, a bright classroom reads through in soft focus: rows of blond wooden desks and chairs, a green chalkboard along the far wall with pale erased dust, tall windows on her right with white daylight flooding in and the blurred green of trees beyond the glass. The sole light source is that window daylight, raking in from the frame's right; it catches the outer right shoulder and the rising fold of the hood, and the left side of the cloak falls into deep shadow, the fabric's folded nap reading matte black in some planes and faintly gray in others, with a long soft dark spill of shadow on the floorboards to her left. Static, sealed, solemn.
余命一万一日
Scopri altro
Utenti consigliati
Potrebbe piacerti
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Commenti