Starter credits added when you sign up.

Hoshimi Miyabi

Arte IA «Hoshimi Miyabi» di BlackTailz su PixAI. Tag: peluria nelle orecchie animali. Creato con Tsubaki.3.

#1 ragazza #peluria nelle orecchie animali #Zenless Zone Zero #Hoshimi Miyabi

Pubblicato il Nov 8, 2026

BlackTailz

More to See

character: hoshimi_miyabi solo, 1girl, upper body, from above, looking up, head tilted back, short hair, black hair, carré haircut, blunt bangs, sidelocks, red eyes, fox ears, protruding fox-like ears, animal ear fluff, choker, red dress, covered navel, covered midriff, curvy, wide hips, large breasts, fit body, toned, shiny skin, oiled skin, glossy skin, sweat, heat, exhausted, half-closed eyes, parted lips, blush, dramatic shadows, intense lighting, blue light, orange light, rim light, white outline light, high resolution, ultra-detailed, best quality A high angle looks down on one woman alone in a hot, dark, enclosed space; her upper body fills the lower two thirds of the frame, her shoulders and collarbones writhed slightly toward the lens as she turns her face up to it, chin lifted, throat bared above the tight black choker that circles her neck with nothing hanging from it. Her hair is a short black carré with a blunt fringe straight across the brow and two short sidelocks framing her jaw, the ends stirred and clinging at the temples; because her head is tipped back into the high camera, the crown of that bob is what reads first, the fringe sliding up and back from her forehead. Two large fox ears rise out of the black bob, furred and protruding, their inner edges catching a fringe of pale fluff where the light rakes them. Her red eyes are heavy-lidded and half closed, the whites the brightest thing in the frame, her lips parted on a slow exhale, a faint sheen of blush and heat along the cheekbones, brows drawn — the look of someone who has pushed past her limit and has not yet caught her breath. She wears a red dress cut close over a curvy, fit, toned body: the neckline rides her bust, the fabric strains across the chest and draws in at a narrow waist, then continues smoothly across a fully covered navel and a covered midriff, so nothing of the abdomen is exposed. The skin wherever it shows — throat, shoulders, arms, the ridge of collarbone — is oiled and glossy, slick with sweat, the highlights breaking into beads and running in thin trails where the oil and perspiration catch; a few dark droplets have already bled into the red cloth at the shoulder seam and darkened it. One bare shoulder is shrugged up, her weight slack against unseen support behind her, left arm dropped and relaxed out of the bottom crop while her right hand lies flat on her own collarbone, fingers splayed, pressing the slick skin — a fanning, cooling gesture. Under the dress fabric the memory of small abdominal lines still reads as a faint sculpted plane, hidden by cloth rather than missing. One hard key source is above and behind her left shoulder: its white outline light traces a thin rim along the outer edge of one fox ear, the shoulder, the upper curve of the bust and the edge of the jaw, separating her from the darkness. It arrives split into two temperatures — a cold blue light on the near side of her face, throat and ear fluff, and a warm orange light washing the far shoulder, the collar of the dress and the underside of her chin — the two meeting in a soft gradient down the center of her chest and neck. Beyond the rim, the darkness is absolute; a deep cast shadow drops under her jaw onto the choker, under the bust, and beneath the lifted chin, and the rim light throws a long thin shadow of the ear fluff across the top of her black bob. The palette is restricted to red, black, blue and orange: red in the dress and on her irises, black in the cropped hair and the arena of shadow, blue and orange only in light. Air in the chamber is warm and still; the framing keeps her isolated and slightly small within the dark surround, so the high angle reads as closeness as much as scale. Heat-heavy, breathless, quietly overwhelmed.

Hoshimi Miyabi

Commenti

Modello e LoRA utilizzati

Immagini simili

Scopri altro

Utenti consigliati

Potrebbe piacerti