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AI art "Shiny"
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Shiny

Arte IA «Shiny» di Dermot su PixAI. Creato con Tsubaki.2.

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Dermot

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A full body shot, eye-level illustration of a gorgeous woman in her 20s, a corsetière, perching on the edge of a cutting table in her studio. She has deep brown skin, a heart-shaped face, and a textured, choppy crop of deep garnet-red hair. She wears a high-gloss oxblood PVC overbust corset with black steel boning and a silver busk, a short layered black tulle skirt, black fishnet tights, and knee-high black patent platform boots. Her right boot rests on a wooden stool, lifting her knee, while her hands grip and pull a long black satin corset lace taut at her waist. She gazes at the viewer with a seductive, knowing smile and glossy black-cherry lips. The studio background features brick walls, dress forms in various corsets, a wooden table with patterns and iron shears, a cast-iron sewing machine, and a rain-streaked window. The lighting is dominated by warm amber filament bulbs overhead, creating strong highlights on the vinyl and her skin, contrasted by a cool silvery rim light from the window. The atmosphere is dark, glossy, and seductive, with a palette of oxblood, black, and deep brown.
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Immissione richiesta originale
A full-body, eye-level illustration of a young woman in her 20s, a corsetière in her studio, laced into her own newest creation. The vibe is goth fashion, and the whole image feels dark, glossy and boldly seductive, oxblood vinyl and steel bones. She is lovely and gorgeous, with a lithe, willowy build: tall, with narrow, sloping shoulders, long, slender arms and very long, slender legs, a slim, lightly toned body, a small waist, narrow hips and slim thighs, every line of her long and languid, gliding through a darkwave crowd like a shadow in black velvet, and small, high breasts. She has deep brown skin with warm, rich undertones and a soft, satin glow, a heart-shaped face with high, rounded cheekbones, a small, softly rounded nose and full, plush lips, and large, almond-shaped dark brown eyes with long, thick lashes under bold, gracefully shaped brows. Her expression is confident and seductive, a slow, knowing smile on her glossy lips and her dark eyes warm and challenging. Her hair is a textured choppy crop: very short all over, the top cut into piecey, uneven, separated tufts that stand up and out in different directions, with a short, jagged fringe broken into points across her forehead, and its colour is a rich, deep red: a deep, saturated garnet red, glowing a brighter ruby red where the light catches it. She wears a row of small silver hoops climbing the edge of each ear and a silver ear cuff shaped as a bat's wing on her left ear. She wears her newest piece, an overbust corset of high-gloss oxblood PVC, sculpted with black steel boning into a deep, sharp hourglass that cinches her small waist and cups her small breasts in a low, curved sweetheart line, closed at the front with a silver busk of five clasps and laced down the back with black satin ribbon through silver eyelets. The corset is strapless, so that her shoulders, her arms, her collarbones and the soft upper curves of her breasts are bare. A short, full skirt of layered black tulle sits at her hips and stops at the top of her thighs, and black fishnet tights cover her long legs, the bare brown skin of her thighs showing through the wide diamond mesh. Black patent platform boots with soles a hand high lace up to her knees and close with silver buckles. A soft yellow tailor's tape measure hangs loose round her neck, a fine silver chain with an ornate silver cross pendant, its arms tipped with little fleurs-de-lis and a single garnet set at its centre lies at her throat, and silver rings stack on her fingers. Her makeup is a smooth satin base with warm bronze on her cheekbones, a sharp black winged liner over a smoky oxblood shadow, long dark lashes, defined brows and a glossy black-cherry lip. Her long, pointed almond nails are lacquered a glossy black cherry. The setting is her corsetry studio on the top floor of an old warehouse, packed with detail: tall dress forms stand in a row along the brick wall, each one laced into a finished corset of black velvet, silver brocade, red satin or black PVC, and a long wooden cutting table runs down the middle of the floor, covered with paper patterns, tailor's chalk, a pair of heavy iron shears and a half-made corset pinned out flat. Shelves of glass jars hold silver busks, steel bones, eyelets and spools of black ribbon, and fat rolls of oxblood vinyl, black velvet and lace lean in a rack by the wall. An old black cast-iron sewing machine with gold lettering stands on its treadle stand under a tall arched window streaked with rain, and a tall gilded mirror with a cracked corner leans against the brick beside a velvet chaise heaped with fabric. Framed photographs of models in her corsets hang along the wall, and a record player in the corner spins a darkwave record. In the foreground, softly out of focus, a spool of black satin ribbon and a pincushion cross the lower left corner, and the oxblood-laced curve of a dress form sits at the lower right. She perches on the edge of the cutting table with her body facing the viewer, her left platform boot planted on the floor and her right boot raised up onto a wooden stool so that her knee lifts and the tulle skirt slides back along her thigh. Her hands hold a long loose end of black satin corset lace at her waist and pull it taut to the side, testing the cinch, her shoulders squared and her back straight. Her short red crop sits piecey and tousled from a long day of work, a few jagged points of her fringe falling across her forehead, the tape measure swinging at her neck, and she gazes straight at the viewer with her slow, knowing smile. The warm amber glow of the cluster of bare filament bulbs hanging over the cutting table above her is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose in deep, warm amber, glows on her glossy lips, puts bright, warm catchlights in her dark eyes and pours over her bare shoulders, the curves of her breasts above the corset, the gloss of the oxblood PVC and her raised thigh. The much weaker cool grey light through the tall rain-streaked window on her left lays a soft, silvery rim along her left arm, the edge of her jaw and the tips of her short hair. The bulbs flare in long, sharp white highlights down every curve of the vinyl, glint on the silver busk clasps, the eyelets, the boot buckles, the garnet cross and the ear hoops, and gleam on the patent leather. Her deep brown skin takes a warm, glowing sheen wherever the light reaches, with a soft glow along her collarbones, her shoulders and her thighs through the fishnet. The far end of the studio and its row of dress forms fall away into soft, warm shadow. Glint & Gloom style: refined, semi-realistic linework with painterly chiaroscuro shading built around one dominant light source that carves a strong rim and backlight out of deep shadow, with a soft, painterly digital finish and a richly detailed, atmospheric background, the bulbs carving a warm amber rim round her bare shoulders, the gloss of the corset and her short red hair out of the deep shadow of the brick studio. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every steel bone and silver eyelet of the oxblood PVC corset and its five-clasp busk, the satin laces, the black tulle skirt, the fishnet tights, the buckled patent platform boots, the tape measure, the garnet cross and the silver ear hoops, the corseted dress forms, the cutting table and its patterns and shears, the jars of busks and eyelets, the cast-iron sewing machine and the gilded mirror drawn sharply and precisely. The palette is dark and glossy: oxblood and black-cherry, black velvet and tulle, polished silver, warm amber, brick brown, rain grey, deep brown skin and rich deep red hair.
Modalità
standard
Dimensione
960 x 1280

Modello e LoRA utilizzati

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
20.12k

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