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AI art "Farting in the camera" featuring #sedere, #Scoreggia and #gonna blu
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Farting in the camera

#sedere#Scoreggia#gonna blu
ик

Ирина Котова

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1girl, solo, police officer, police uniform, peaked cap, badge, necktie, short sleeves, pleated skirt, pantyhose, black footwear, from behind, looking back, over-shoulder view, rear view emphasis, standing, bent over slightly, hands on knees, wide hips, farting, flatulence, visible fart, green gas cloud, gas cloud between legs, embarrassed, blush, wide-eyed, sweatdrop, half-closed eyes, open mouth, grimace, mortified, camera view, viewfinder overlay, recording indicator, REC, fisheye lens distortion, security camera perspective, high angle, from above, close-up, detailed background, office interior, fluorescent lighting, motion lines, The frame is a live security-camera feed: a high, slightly fisheye view from a ceiling-mounted lens looking down into a small police station corridor, the image bounded by a dark viewfinder border with a red recording dot and faint scan lines. In the centre, seen three-quarters from behind and above, a single young woman in a crisp navy police uniform — short-sleeved blouse with epaulettes and a silver badge, dark necktie, pleated skirt, sheer pantyhose, black low heels — stands with her knees slightly bent and her back rounded as she leans a little forward, hands braced on her own thighs, her hips pushed back toward the lens. Her head is turned over her right shoulder so her flushed face is visible in profile, wide-eyed and cringing, lower lip caught between her teeth, a bead of sweat at her temple. From beneath the hem of her skirt a pale green vapour escapes and curls low around her calves, drifting toward the floor and thinning as it spreads across the tiles; the cloud is densest right at the fabric's edge. Overhead fluorescents lay flat cold light along the corridor, casting a short hard shadow under her shoes and a faint greenish tint where the gas catches the beam. The palette is restrained — navy, cool grey tile, pale sterile white, one sickly green — against the muted viewfinder black. The whole image reads as a caught-off-guard, mortified candid, funny and warm.
Mostra parametri
Immissione richiesta originale
Farting anime girl police in the camera
Modalità
flash
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.00k

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AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова
AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова
AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова
AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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