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Yuri

Avatar image of Yuri

Yuri

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1girl, solo, light silvery-blue lavender hair, long hair, wavy hair, hair flaring out at ends, side-swept fringe, hair over one eye, right eye covered, thick braid across top of head, braided headband, large deep maroon bow at back of head, pale skin, large light blue eye, visible left eye, heavy dark eyelashes, wide-eyed melancholic expression, stitch-like markings under both eyes, vertical scars under eyes, tailored long-sleeved maroon jacket, golden buttons, white collared shirt, flared pleated maroon skirt, white lace trim, ruffled hem, white gloves, adjusting glove, pulling on glove, mid-motion, hands together, upper body, from below, dutch angle, three-quarter view, looking to the side, parted lips, The camera looks up at her from a low three-quarter angle, tilted slightly off level, so the pale column of her throat and the underside of her chin catch the light and the braid riding across the crown of her head reads as a raised band of woven hair; the skirt's pleated flare widens toward the low foreground while her shoulders and the maroon bow behind her head sit against open space. Her right eye is fully hidden behind the long side-swept fringe that falls across it in a heavy lavender-silver curtain, and only the left eye shows: large, light blue, wide and glossy, ringed in thick dark lashes, with a small vertical stitch-like mark set into the pale skin beneath each eye like a fine seam. Her expression is caught between alarm and melancholy -- brows slightly drawn, lips parted on a held breath, gaze thrown off to the left of frame rather than at the lens, as though the motion that pulled her glove tight has just startled her. She is mid-motion and off-balance with it: her left arm is bent across her body, the left hand gripping the cuff of the fitted white glove on her right hand and tugging it up over the wrist, the glove's white fabric wrinkled in tight accordion folds at the knuckles where it has not yet settled, fingers of the right hand splayed stiff inside it. The right elbow is tucked against her ribs, the left thumb pressed flat to the glove's seam, and her weight has shifted onto her back hip so the flared skirt swings a half-beat behind the turn of her torso, the ruffled white lace at the hem and at the waistline lifting away from the maroon wool. The wavy ends of her hair flare outward from her shoulders in the same direction as the swing, and the long braid and the big maroon bow at the back of her head lag slightly behind the movement. Dress and pose are maroon, white and gold and nothing else: deep maroon in the jacket and pleated skirt, in the hair bow and in the braid's shadowed crossings; crisp white in the collared shirt at her throat, the ruffled lace trim, and the two fitted gloves; gold only in the row of buttons down the jacket's front. The single light source is high and slightly behind her left shoulder, a cool daylight that rims the braid and the bow, grazes the pale cheek and the one visible eye, and leaves the pleats of the skirt in cool shadow so each fold is a thin dark line; a soft cast shadow of her forearm falls across the white shirt front, and the glove she is pulling shows a sharper specular glint along its stretched seam than the slack fabric around it. Background is a plain, cool, softly out-of-focus pale grey field with no furniture and no text. Quiet, uneasy tenderness.
Mostra parametri
Immissione richiesta originale
Hair & Hair Accessories: She has light silvery-blue or lavender hair styled with a long, side-swept fringe covering her right eye and wavy ends flaring outwards. A thick braid runs across the top of her head like a headband. She wears a large, deep maroon bow at the back of her head. Facial Features: Her visible left eye is large, light blue, and ringed with heavy dark eyelashes, giving her a wide-eyed or melancholic expression. Small vertical stitch-like markings or scars are present under both of her eyes, and her skin is notably pale. Clothing: She wears a tailored, long-sleeved maroon jacket featuring golden buttons and a crisp white collared shirt underneath. This is paired with a matching flared, pleated maroon skirt that has a ruffled white lace trim along the hemline and waist. Gloves & Pose: She wears elegant, fitted white gloves on both hands and is posed mid-motion, adjusting or pulling on the glove on her left hand.
Modalità
flash
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.98k

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AI artwork
Avatar image of Yuri
1girl, solo, light silvery-blue lavender hair, long hair, wavy hair, hair flaring out at ends, side-swept fringe, hair over one eye, right eye covered, thick braid across top of head, braided headband, large deep maroon bow at back of head, pale skin, large light blue eye, visible left eye, heavy dark eyelashes, wide-eyed melancholic expression, stitch-like markings under both eyes, vertical scars under eyes, tailored long-sleeved maroon jacket, golden buttons, white collared shirt, flared pleated maroon skirt, white lace trim, ruffled hem, white gloves, adjusting glove, pulling on glove, mid-motion, hands together, upper body, from below, dutch angle, three-quarter view, looking to the side, parted lips, The camera looks up at her from a low three-quarter angle, tilted slightly off level, so the pale column of her throat and the underside of her chin catch the light and the braid riding across the crown of her head reads as a raised band of woven hair; the skirt's pleated flare widens toward the low foreground while her shoulders and the maroon bow behind her head sit against open space. Her right eye is fully hidden behind the long side-swept fringe that falls across it in a heavy lavender-silver curtain, and only the left eye shows: large, light blue, wide and glossy, ringed in thick dark lashes, with a small vertical stitch-like mark set into the pale skin beneath each eye like a fine seam. Her expression is caught between alarm and melancholy -- brows slightly drawn, lips parted on a held breath, gaze thrown off to the left of frame rather than at the lens, as though the motion that pulled her glove tight has just startled her. She is mid-motion and off-balance with it: her left arm is bent across her body, the left hand gripping the cuff of the fitted white glove on her right hand and tugging it up over the wrist, the glove's white fabric wrinkled in tight accordion folds at the knuckles where it has not yet settled, fingers of the right hand splayed stiff inside it. The right elbow is tucked against her ribs, the left thumb pressed flat to the glove's seam, and her weight has shifted onto her back hip so the flared skirt swings a half-beat behind the turn of her torso, the ruffled white lace at the hem and at the waistline lifting away from the maroon wool. The wavy ends of her hair flare outward from her shoulders in the same direction as the swing, and the long braid and the big maroon bow at the back of her head lag slightly behind the movement. Dress and pose are maroon, white and gold and nothing else: deep maroon in the jacket and pleated skirt, in the hair bow and in the braid's shadowed crossings; crisp white in the collared shirt at her throat, the ruffled lace trim, and the two fitted gloves; gold only in the row of buttons down the jacket's front. The single light source is high and slightly behind her left shoulder, a cool daylight that rims the braid and the bow, grazes the pale cheek and the one visible eye, and leaves the pleats of the skirt in cool shadow so each fold is a thin dark line; a soft cast shadow of her forearm falls across the white shirt front, and the glove she is pulling shows a sharper specular glint along its stretched seam than the slack fabric around it. Background is a plain, cool, softly out-of-focus pale grey field with no furniture and no text. Quiet, uneasy tenderness.
Yuri
AI artwork
Avatar image of Yuri
1girl, solo, light silvery-blue lavender hair, long hair, wavy hair, hair flaring out at ends, side-swept fringe, hair over one eye, right eye covered, thick braid across top of head, braided headband, large deep maroon bow at back of head, pale skin, large light blue eye, visible left eye, heavy dark eyelashes, wide-eyed melancholic expression, stitch-like markings under both eyes, vertical scars under eyes, tailored long-sleeved maroon jacket, golden buttons, white collared shirt, flared pleated maroon skirt, white lace trim, ruffled hem, white gloves, adjusting glove, pulling on glove, mid-motion, hands together, upper body, from below, dutch angle, three-quarter view, looking to the side, parted lips, The camera looks up at her from a low three-quarter angle, tilted slightly off level, so the pale column of her throat and the underside of her chin catch the light and the braid riding across the crown of her head reads as a raised band of woven hair; the skirt's pleated flare widens toward the low foreground while her shoulders and the maroon bow behind her head sit against open space. Her right eye is fully hidden behind the long side-swept fringe that falls across it in a heavy lavender-silver curtain, and only the left eye shows: large, light blue, wide and glossy, ringed in thick dark lashes, with a small vertical stitch-like mark set into the pale skin beneath each eye like a fine seam. Her expression is caught between alarm and melancholy -- brows slightly drawn, lips parted on a held breath, gaze thrown off to the left of frame rather than at the lens, as though the motion that pulled her glove tight has just startled her. She is mid-motion and off-balance with it: her left arm is bent across her body, the left hand gripping the cuff of the fitted white glove on her right hand and tugging it up over the wrist, the glove's white fabric wrinkled in tight accordion folds at the knuckles where it has not yet settled, fingers of the right hand splayed stiff inside it. The right elbow is tucked against her ribs, the left thumb pressed flat to the glove's seam, and her weight has shifted onto her back hip so the flared skirt swings a half-beat behind the turn of her torso, the ruffled white lace at the hem and at the waistline lifting away from the maroon wool. The wavy ends of her hair flare outward from her shoulders in the same direction as the swing, and the long braid and the big maroon bow at the back of her head lag slightly behind the movement. Dress and pose are maroon, white and gold and nothing else: deep maroon in the jacket and pleated skirt, in the hair bow and in the braid's shadowed crossings; crisp white in the collared shirt at her throat, the ruffled lace trim, and the two fitted gloves; gold only in the row of buttons down the jacket's front. The single light source is high and slightly behind her left shoulder, a cool daylight that rims the braid and the bow, grazes the pale cheek and the one visible eye, and leaves the pleats of the skirt in cool shadow so each fold is a thin dark line; a soft cast shadow of her forearm falls across the white shirt front, and the glove she is pulling shows a sharper specular glint along its stretched seam than the slack fabric around it. Background is a plain, cool, softly out-of-focus pale grey field with no furniture and no text. Quiet, uneasy tenderness.
Yuri
AI artwork
Avatar image of Yuri
1girl, solo, light silvery-blue lavender hair, long hair, wavy hair, hair flaring out at ends, side-swept fringe, hair over one eye, right eye covered, thick braid across top of head, braided headband, large deep maroon bow at back of head, pale skin, large light blue eye, visible left eye, heavy dark eyelashes, wide-eyed melancholic expression, stitch-like markings under both eyes, vertical scars under eyes, tailored long-sleeved maroon jacket, golden buttons, white collared shirt, flared pleated maroon skirt, white lace trim, ruffled hem, white gloves, adjusting glove, pulling on glove, mid-motion, hands together, upper body, from below, dutch angle, three-quarter view, looking to the side, parted lips, The camera looks up at her from a low three-quarter angle, tilted slightly off level, so the pale column of her throat and the underside of her chin catch the light and the braid riding across the crown of her head reads as a raised band of woven hair; the skirt's pleated flare widens toward the low foreground while her shoulders and the maroon bow behind her head sit against open space. Her right eye is fully hidden behind the long side-swept fringe that falls across it in a heavy lavender-silver curtain, and only the left eye shows: large, light blue, wide and glossy, ringed in thick dark lashes, with a small vertical stitch-like mark set into the pale skin beneath each eye like a fine seam. Her expression is caught between alarm and melancholy -- brows slightly drawn, lips parted on a held breath, gaze thrown off to the left of frame rather than at the lens, as though the motion that pulled her glove tight has just startled her. She is mid-motion and off-balance with it: her left arm is bent across her body, the left hand gripping the cuff of the fitted white glove on her right hand and tugging it up over the wrist, the glove's white fabric wrinkled in tight accordion folds at the knuckles where it has not yet settled, fingers of the right hand splayed stiff inside it. The right elbow is tucked against her ribs, the left thumb pressed flat to the glove's seam, and her weight has shifted onto her back hip so the flared skirt swings a half-beat behind the turn of her torso, the ruffled white lace at the hem and at the waistline lifting away from the maroon wool. The wavy ends of her hair flare outward from her shoulders in the same direction as the swing, and the long braid and the big maroon bow at the back of her head lag slightly behind the movement. Dress and pose are maroon, white and gold and nothing else: deep maroon in the jacket and pleated skirt, in the hair bow and in the braid's shadowed crossings; crisp white in the collared shirt at her throat, the ruffled lace trim, and the two fitted gloves; gold only in the row of buttons down the jacket's front. The single light source is high and slightly behind her left shoulder, a cool daylight that rims the braid and the bow, grazes the pale cheek and the one visible eye, and leaves the pleats of the skirt in cool shadow so each fold is a thin dark line; a soft cast shadow of her forearm falls across the white shirt front, and the glove she is pulling shows a sharper specular glint along its stretched seam than the slack fabric around it. Background is a plain, cool, softly out-of-focus pale grey field with no furniture and no text. Quiet, uneasy tenderness.
Yuri
AI artwork
Avatar image of Yuri
1girl, solo, light silvery-blue hair, braided crown, braided hair, side-swept fringe, hair over one eye, one eye covered, dark maroon bow, bow on top of head, extremely pale skin, light blue eye, wide-eyed, intense stare, dark stitch-like markings under both eyes, teardrop markings, structured maroon jacket, long sleeves, gold buttons, white collared shirt, maroon pleated skirt, white ruffled hem, white gloves, hands together in front of chest, hands clasped at chest, looking at viewer, closed mouth, head tilt, upper body, from below, dutch angle, dark background, chiaroscuro Seen from slightly below at a tilted dutch angle, an off-centre close-up of a single girl against an unlit deep shadow field, framed from mid-thigh upward so the skirt hem and its white ruffle sit low in the frame while the bow near the top edge breaks the vertical. Her head tilts a few degrees to her right, chin drawn slightly down, so her one exposed light blue eye looks straight into the lens from under the side-swept fringe; the fringe sweeps across her left side and lies flat over the other eye, hiding it completely, with the braided crown running clean along the top of her head and the large dark maroon bow perched slightly off-centre above it, its loops catching the light on their upper surfaces only and its ribbon tails resting against the braid. Her skin is the palest value in the picture, near-white, and the two dark vertical markings under each eye read as short hand-stitched dashes, sharp and dry against it. The maroon jacket is rigidly tailored at the shoulders, its collar points clean over the white shirt collar, a single column of small gold buttons down the front catching pinpoints of light; the skirt hangs in even knife pleats that flare slightly with her posture, the white ruffle at the hem curling out and shading itself where the pleats fold. Her white-gloved hands meet in front of her chest, fingers laced, both thumbs aligned and the glove cuffs overlapping her jacket sleeve ends; the hands press just enough that the fabric creases across the back of the knuckles. A hard, cool key light comes in low from her right and slightly in front, the only light source: it rims the braid and the bow's edge, defines the pleat ridges and the ruffle's scallops, and throws her shadow down and away to the left of the frame; the far side of her face and the right side of the jacket fall into soft dark falloff, and beyond the light's reach the background is absolute black, with no wall or floor described. Palette restricted to maroon, white, near-white skin, silvery blue hair and small gold accents, nothing else admitted. Quiet, cold, unnervingly intense.
Yuri

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