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Becco a scarpa, Kemono Friends
Arte IA di 송명랑 su PixAI. Tag: Collant, Stivali, All'aperto, Guanti senza dita. Creato con Tsubaki.2.
#coda#Collant#Stivali#All'aperto#solo#Guanti senza dita#Capelli biondi#capelli multicolore#Capelli grigi#mano sul fianco#Natura#Ali#Pantaloncini#Albero#cravatta#occhi verdi#occhi gialli#Ali sulla testa#Camicia#foresta#sguardo verso lo spettatore#maniche corte#1 ragazza#guanti neri#Kemono Friends#bocca chiusa#taschino sul petto#tasca#ragazza uccello
Mostra parametri
- Immissione richiesta originale
- shoebill (kemono friends), kemono friends, 1girl, solo, long hair, looking at viewer, shirt, black hair, gloves, closed mouth, hair between eyes, standing, full body, tail, multicolored hair, grey hair, short sleeves, sidelocks, boots, black gloves, shorts, necktie, wings, belt, fingerless gloves, hand on own hip, grey shirt, head wings, wing collar, pocket, legs apart, breast pocket, bodystocking, bird wings, grey shorts, white necktie, bird tail, staring, grey necktie, square-end necktie, forest,
- Modalità
- lite
- Dimensione
- 768 x 1280
Modello e LoRA utilizzati
Immagini simili
Mostra di più
character: shoebill_(kemono_friends), copyright: kemono_friends
1girl, solo, shoebill (kemono friends), kemono friends, full body, standing, looking at viewer, staring, closed mouth, hand on own hip, legs apart, long hair, black hair, grey hair, multicolored hair, hair between eyes, sidelocks, head wings, wings, bird wings, tail, bird tail, shirt, grey shirt, short sleeves, wing collar, breast pocket, pocket, necktie, white necktie, grey necktie, square-end necktie, gloves, black gloves, fingerless gloves, shorts, grey shorts, belt, bodystocking, boots, forest, green eyes, yellow eyes, arms at sides, from below, full-length shot, feet included
The camera sits low and looks up the whole height of her, the forest floor of packed leaf mould and dark roots running out of frame at the bottom edge, and her boots planted wide on it: one heel dug into a raised root, the other set flat, weight carried mostly on the back hip, which throws the grey shorts and the belt at a slight slant. Her right hand rests on her own hip, fingers spread over the belt line, the black fingerless glove cutting off at the knuckles and leaving bare skin where the grey shirt's hem is tucked; the square-end white-grey necktie, its flat tip clipped square and hanging short against the chest, is shifted a little sideways by the angle of her forearm. The wing collar sits high and open around the throat, and above it her chin is level and her mouth is pressed shut in a straight closed line. Between her eyes falls one black strand of the long multicoloured hair, which reads black at the crown and thins to grey down the length of the sidelocks framing both cheeks. Her gaze comes straight down the lens and does not move; the stare is flat and heavy-lidded, held without a smile, the yellow-green of the irises catching a sliver of light.
Two small feathered head wings rise from her hair just above the temples and stand half-open, their shafts catching the light from behind her. From her shoulders and upper back the grey bird wings are folded but not tight, the longer primaries crossing down past the waist so their tips hang free of the bodystocking on either side of her hips. The bird tail drops behind her knees, half in shadow between the trunks.
The forest is tall and close: a corridor of straight trunks rising past the top of the frame, moss on their north sides, ferns in the near foreground blurred soft, and a single shaft of pale late-afternoon sun angling in from behind her right shoulder. The shaft catches the flat plane of her head wings and the folded ridge of the bird wings, laying a bright rim down one edge of her hair and shoulder, while the front of the grey shirt and the underside of her jaw fall into cool green shadow. The light thrown forward pools on the leaf litter between her boots; beyond that the undergrowth goes dim and blue. Her cast shadow stretches long toward the viewer, broken into a shape with two feathered arms at its top. The palette holds to grey, black, white and the deep greens of the wood, with warm gold only where the sun rim touches wings and hair.
Rule of the light: the shaft is the only direct source, and every lit edge in the frame comes from that one direction. The fully rendered detail sits on her face, the tie's square tip, the glove and the wing feathers; the far trunks are simplified into silhouette but never flattened to a flat wall. Still, watchful.
송명랑
character: shoebill_(kemono_friends), copyright: kemono_friends
1girl, solo, shoebill (kemono friends), kemono friends, full body, standing, looking at viewer, staring, closed mouth, hand on own hip, legs apart, long hair, black hair, grey hair, multicolored hair, hair between eyes, sidelocks, head wings, wings, bird wings, tail, bird tail, shirt, grey shirt, short sleeves, wing collar, breast pocket, pocket, necktie, white necktie, grey necktie, square-end necktie, gloves, black gloves, fingerless gloves, shorts, grey shorts, belt, bodystocking, boots, forest, green eyes, yellow eyes, arms at sides, from below, full-length shot, feet included
The camera sits low and looks up the whole height of her, the forest floor of packed leaf mould and dark roots running out of frame at the bottom edge, and her boots planted wide on it: one heel dug into a raised root, the other set flat, weight carried mostly on the back hip, which throws the grey shorts and the belt at a slight slant. Her right hand rests on her own hip, fingers spread over the belt line, the black fingerless glove cutting off at the knuckles and leaving bare skin where the grey shirt's hem is tucked; the square-end white-grey necktie, its flat tip clipped square and hanging short against the chest, is shifted a little sideways by the angle of her forearm. The wing collar sits high and open around the throat, and above it her chin is level and her mouth is pressed shut in a straight closed line. Between her eyes falls one black strand of the long multicoloured hair, which reads black at the crown and thins to grey down the length of the sidelocks framing both cheeks. Her gaze comes straight down the lens and does not move; the stare is flat and heavy-lidded, held without a smile, the yellow-green of the irises catching a sliver of light.
Two small feathered head wings rise from her hair just above the temples and stand half-open, their shafts catching the light from behind her. From her shoulders and upper back the grey bird wings are folded but not tight, the longer primaries crossing down past the waist so their tips hang free of the bodystocking on either side of her hips. The bird tail drops behind her knees, half in shadow between the trunks.
The forest is tall and close: a corridor of straight trunks rising past the top of the frame, moss on their north sides, ferns in the near foreground blurred soft, and a single shaft of pale late-afternoon sun angling in from behind her right shoulder. The shaft catches the flat plane of her head wings and the folded ridge of the bird wings, laying a bright rim down one edge of her hair and shoulder, while the front of the grey shirt and the underside of her jaw fall into cool green shadow. The light thrown forward pools on the leaf litter between her boots; beyond that the undergrowth goes dim and blue. Her cast shadow stretches long toward the viewer, broken into a shape with two feathered arms at its top. The palette holds to grey, black, white and the deep greens of the wood, with warm gold only where the sun rim touches wings and hair.
Rule of the light: the shaft is the only direct source, and every lit edge in the frame comes from that one direction. The fully rendered detail sits on her face, the tie's square tip, the glove and the wing feathers; the far trunks are simplified into silhouette but never flattened to a flat wall. Still, watchful.
송명랑
character: shoebill_(kemono_friends), copyright: kemono_friends
1girl, solo, shoebill (kemono friends), kemono friends, full body, standing, looking at viewer, staring, closed mouth, hand on own hip, legs apart, long hair, black hair, grey hair, multicolored hair, hair between eyes, sidelocks, head wings, wings, bird wings, tail, bird tail, shirt, grey shirt, short sleeves, wing collar, breast pocket, pocket, necktie, white necktie, grey necktie, square-end necktie, gloves, black gloves, fingerless gloves, shorts, grey shorts, belt, bodystocking, boots, forest, green eyes, yellow eyes, arms at sides, from below, full-length shot, feet included
The camera sits low and looks up the whole height of her, the forest floor of packed leaf mould and dark roots running out of frame at the bottom edge, and her boots planted wide on it: one heel dug into a raised root, the other set flat, weight carried mostly on the back hip, which throws the grey shorts and the belt at a slight slant. Her right hand rests on her own hip, fingers spread over the belt line, the black fingerless glove cutting off at the knuckles and leaving bare skin where the grey shirt's hem is tucked; the square-end white-grey necktie, its flat tip clipped square and hanging short against the chest, is shifted a little sideways by the angle of her forearm. The wing collar sits high and open around the throat, and above it her chin is level and her mouth is pressed shut in a straight closed line. Between her eyes falls one black strand of the long multicoloured hair, which reads black at the crown and thins to grey down the length of the sidelocks framing both cheeks. Her gaze comes straight down the lens and does not move; the stare is flat and heavy-lidded, held without a smile, the yellow-green of the irises catching a sliver of light.
Two small feathered head wings rise from her hair just above the temples and stand half-open, their shafts catching the light from behind her. From her shoulders and upper back the grey bird wings are folded but not tight, the longer primaries crossing down past the waist so their tips hang free of the bodystocking on either side of her hips. The bird tail drops behind her knees, half in shadow between the trunks.
The forest is tall and close: a corridor of straight trunks rising past the top of the frame, moss on their north sides, ferns in the near foreground blurred soft, and a single shaft of pale late-afternoon sun angling in from behind her right shoulder. The shaft catches the flat plane of her head wings and the folded ridge of the bird wings, laying a bright rim down one edge of her hair and shoulder, while the front of the grey shirt and the underside of her jaw fall into cool green shadow. The light thrown forward pools on the leaf litter between her boots; beyond that the undergrowth goes dim and blue. Her cast shadow stretches long toward the viewer, broken into a shape with two feathered arms at its top. The palette holds to grey, black, white and the deep greens of the wood, with warm gold only where the sun rim touches wings and hair.
Rule of the light: the shaft is the only direct source, and every lit edge in the frame comes from that one direction. The fully rendered detail sits on her face, the tie's square tip, the glove and the wing feathers; the far trunks are simplified into silhouette but never flattened to a flat wall. Still, watchful.
송명랑
character: shoebill_(kemono_friends), copyright: kemono_friends
1girl, solo, shoebill (kemono friends), kemono friends, full body, standing, looking at viewer, staring, closed mouth, hand on own hip, legs apart, long hair, black hair, grey hair, multicolored hair, hair between eyes, sidelocks, head wings, wings, bird wings, tail, bird tail, shirt, grey shirt, short sleeves, wing collar, breast pocket, pocket, necktie, white necktie, grey necktie, square-end necktie, gloves, black gloves, fingerless gloves, shorts, grey shorts, belt, bodystocking, boots, forest, green eyes, yellow eyes, arms at sides, from below, full-length shot, feet included
The camera sits low and looks up the whole height of her, the forest floor of packed leaf mould and dark roots running out of frame at the bottom edge, and her boots planted wide on it: one heel dug into a raised root, the other set flat, weight carried mostly on the back hip, which throws the grey shorts and the belt at a slight slant. Her right hand rests on her own hip, fingers spread over the belt line, the black fingerless glove cutting off at the knuckles and leaving bare skin where the grey shirt's hem is tucked; the square-end white-grey necktie, its flat tip clipped square and hanging short against the chest, is shifted a little sideways by the angle of her forearm. The wing collar sits high and open around the throat, and above it her chin is level and her mouth is pressed shut in a straight closed line. Between her eyes falls one black strand of the long multicoloured hair, which reads black at the crown and thins to grey down the length of the sidelocks framing both cheeks. Her gaze comes straight down the lens and does not move; the stare is flat and heavy-lidded, held without a smile, the yellow-green of the irises catching a sliver of light.
Two small feathered head wings rise from her hair just above the temples and stand half-open, their shafts catching the light from behind her. From her shoulders and upper back the grey bird wings are folded but not tight, the longer primaries crossing down past the waist so their tips hang free of the bodystocking on either side of her hips. The bird tail drops behind her knees, half in shadow between the trunks.
The forest is tall and close: a corridor of straight trunks rising past the top of the frame, moss on their north sides, ferns in the near foreground blurred soft, and a single shaft of pale late-afternoon sun angling in from behind her right shoulder. The shaft catches the flat plane of her head wings and the folded ridge of the bird wings, laying a bright rim down one edge of her hair and shoulder, while the front of the grey shirt and the underside of her jaw fall into cool green shadow. The light thrown forward pools on the leaf litter between her boots; beyond that the undergrowth goes dim and blue. Her cast shadow stretches long toward the viewer, broken into a shape with two feathered arms at its top. The palette holds to grey, black, white and the deep greens of the wood, with warm gold only where the sun rim touches wings and hair.
Rule of the light: the shaft is the only direct source, and every lit edge in the frame comes from that one direction. The fully rendered detail sits on her face, the tie's square tip, the glove and the wing feathers; the far trunks are simplified into silhouette but never flattened to a flat wall. Still, watchful.
송명랑
Utenti consigliati
Potrebbe piacerti
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
2
...
Tofu
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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