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句点むら寿司

Avatar image of 句点むら寿司
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句点むら寿司

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1girl, solo, full body, full-body shot, from below, dutch angle, long hair, blonde hair, wavy hair, hair flowing in the wind, large eyes, emerald eyes, green eyes, curvy, full bust, wide hips, soft body, thick thighs, smile, grin, wink, one eye closed, cheerful, open mouth, peace sign, v, hand up, arm up, one leg up, raised leg, knee bent, standing on one leg, dynamic pose, looking at viewer, white and teal costume, idol costume, long sleeves, teal cuff ribbons, high neckline, frilled collar, white frills, teal vest, white blouse, long skirt, layered skirt, teal skirt, white skirt, white tights, white boots, torn paper, paper tear, horizontal tear line, torn image, midriff cutout, chest cutout, white bra, white panties, underwear only, exposed navel, night, concert stage, stage lights, spotlight, lens flare, glowstick, audience silhouette, backlighting, rim light, depth of field, cinematic lighting, A full-body shot taken from a low, slightly tilted angle so the girl reads tall and buoyant against the stage haze. She is the single figure in frame, centered but not squared to the camera: her weight rides on her straight left leg, her right knee is lifted and bent, the right thigh swinging forward with the white boot hanging mid-air, toe pointed, and her right hand lifts a peace sign right beside her cheek, two fingers spread, palm turned toward the lens. Her left arm hangs relaxed with the elbow slightly back. Her head tilts a touch toward her raised hand; her right eye is squeezed shut in a cheerful wink, the left emerald-green eye wide and bright and aimed straight down the barrel of the lens under a lifted brow, her mouth open in a sunny grin. Long wavy blonde hair lifts and streams to her left in the stage draft, strands crossing her jaw and one lock swinging across the collar of her costume; the layered teal-and-white skirt swings out from the lifted knee, its hem rippling below the knees, and the white tights and boots catch the light along their front edges. Her costume fully covers her everywhere the image is intact: a high neckline ringed with soft white frills at the throat, a teal vest fitted over a white blouse, long white sleeves ending in teal ribbons tied at the cuffs, and the long layered teal-and-white skirt falling below the knees over white tights down into white boots. Then, in the same pose, unchanged and continuous -- the same lifted knee, the same peace sign, the same streaming hair -- the picture itself is torn: a ragged paper-tear line runs horizontally across the whole width of the image, passing through the center, its ripped white fibers and curled edges lying flat across the frame. Around her chest the tear opens a hole in the paper; around her hips a second torn-away patch crosses her waist. Inside those two ragged openings the paper is gone and so is the costume beneath it -- at the chest only a simple white bra, at the hips only plain white panties -- revealing a soft, curvy body with a full bust and wide hips and a bare midriff between the two tears. Her body lines up perfectly through the openings, the skin tones matching at every torn edge, so the intact and torn zones read as one continuous photograph with paper ripped off its surface; the curled white edges of the tears cast thin shadows onto the skin they uncover. Behind and below her: a night concert stage, deep near-black air, banks of spotlights on the rig above flaring into anamorphic lens flares across the top of the frame, cold teal beams cutting down at her shoulders and a warm white key raking her front so the blonde hair glows at its rim; the stage floor throws a long soft shadow back and to her right. Below the stage edge, an audience is a dark silhouette mass, hundreds of teal and white glow sticks waving as short bright streaks, their light bouncing a pale teal up onto the hem of her skirt and the underside of her chin. The palette is closed to teal, white, blonde gold and deep stage black, with the bare skin of the two torn openings the only other tone. Glow-stick reflection smears across the polished floor only where the beams strike it. Effortlessly bright, stage-lit pop.
Mostra parametri
Modalità
ultra
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.24k

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AI artwork
Avatar image of 句点むら寿司
1girl, solo, full body, full-body shot, from below, dutch angle, long hair, blonde hair, wavy hair, hair flowing in the wind, large eyes, emerald eyes, green eyes, curvy, full bust, wide hips, soft body, thick thighs, smile, grin, wink, one eye closed, cheerful, open mouth, peace sign, v, hand up, arm up, one leg up, raised leg, knee bent, standing on one leg, dynamic pose, looking at viewer, white and teal costume, idol costume, long sleeves, teal cuff ribbons, high neckline, frilled collar, white frills, teal vest, white blouse, long skirt, layered skirt, teal skirt, white skirt, white tights, white boots, torn paper, paper tear, horizontal tear line, torn image, midriff cutout, chest cutout, white bra, white panties, underwear only, exposed navel, night, concert stage, stage lights, spotlight, lens flare, glowstick, audience silhouette, backlighting, rim light, depth of field, cinematic lighting, A full-body shot taken from a low, slightly tilted angle so the girl reads tall and buoyant against the stage haze. She is the single figure in frame, centered but not squared to the camera: her weight rides on her straight left leg, her right knee is lifted and bent, the right thigh swinging forward with the white boot hanging mid-air, toe pointed, and her right hand lifts a peace sign right beside her cheek, two fingers spread, palm turned toward the lens. Her left arm hangs relaxed with the elbow slightly back. Her head tilts a touch toward her raised hand; her right eye is squeezed shut in a cheerful wink, the left emerald-green eye wide and bright and aimed straight down the barrel of the lens under a lifted brow, her mouth open in a sunny grin. Long wavy blonde hair lifts and streams to her left in the stage draft, strands crossing her jaw and one lock swinging across the collar of her costume; the layered teal-and-white skirt swings out from the lifted knee, its hem rippling below the knees, and the white tights and boots catch the light along their front edges. Her costume fully covers her everywhere the image is intact: a high neckline ringed with soft white frills at the throat, a teal vest fitted over a white blouse, long white sleeves ending in teal ribbons tied at the cuffs, and the long layered teal-and-white skirt falling below the knees over white tights down into white boots. Then, in the same pose, unchanged and continuous -- the same lifted knee, the same peace sign, the same streaming hair -- the picture itself is torn: a ragged paper-tear line runs horizontally across the whole width of the image, passing through the center, its ripped white fibers and curled edges lying flat across the frame. Around her chest the tear opens a hole in the paper; around her hips a second torn-away patch crosses her waist. Inside those two ragged openings the paper is gone and so is the costume beneath it -- at the chest only a simple white bra, at the hips only plain white panties -- revealing a soft, curvy body with a full bust and wide hips and a bare midriff between the two tears. Her body lines up perfectly through the openings, the skin tones matching at every torn edge, so the intact and torn zones read as one continuous photograph with paper ripped off its surface; the curled white edges of the tears cast thin shadows onto the skin they uncover. Behind and below her: a night concert stage, deep near-black air, banks of spotlights on the rig above flaring into anamorphic lens flares across the top of the frame, cold teal beams cutting down at her shoulders and a warm white key raking her front so the blonde hair glows at its rim; the stage floor throws a long soft shadow back and to her right. Below the stage edge, an audience is a dark silhouette mass, hundreds of teal and white glow sticks waving as short bright streaks, their light bouncing a pale teal up onto the hem of her skirt and the underside of her chin. The palette is closed to teal, white, blonde gold and deep stage black, with the bare skin of the two torn openings the only other tone. Glow-stick reflection smears across the polished floor only where the beams strike it. Effortlessly bright, stage-lit pop.
句点むら寿司
AI artwork
Avatar image of 句点むら寿司
1girl, solo, full body, full-body shot, from below, dutch angle, long hair, blonde hair, wavy hair, hair flowing in the wind, large eyes, emerald eyes, green eyes, curvy, full bust, wide hips, soft body, thick thighs, smile, grin, wink, one eye closed, cheerful, open mouth, peace sign, v, hand up, arm up, one leg up, raised leg, knee bent, standing on one leg, dynamic pose, looking at viewer, white and teal costume, idol costume, long sleeves, teal cuff ribbons, high neckline, frilled collar, white frills, teal vest, white blouse, long skirt, layered skirt, teal skirt, white skirt, white tights, white boots, torn paper, paper tear, horizontal tear line, torn image, midriff cutout, chest cutout, white bra, white panties, underwear only, exposed navel, night, concert stage, stage lights, spotlight, lens flare, glowstick, audience silhouette, backlighting, rim light, depth of field, cinematic lighting, A full-body shot taken from a low, slightly tilted angle so the girl reads tall and buoyant against the stage haze. She is the single figure in frame, centered but not squared to the camera: her weight rides on her straight left leg, her right knee is lifted and bent, the right thigh swinging forward with the white boot hanging mid-air, toe pointed, and her right hand lifts a peace sign right beside her cheek, two fingers spread, palm turned toward the lens. Her left arm hangs relaxed with the elbow slightly back. Her head tilts a touch toward her raised hand; her right eye is squeezed shut in a cheerful wink, the left emerald-green eye wide and bright and aimed straight down the barrel of the lens under a lifted brow, her mouth open in a sunny grin. Long wavy blonde hair lifts and streams to her left in the stage draft, strands crossing her jaw and one lock swinging across the collar of her costume; the layered teal-and-white skirt swings out from the lifted knee, its hem rippling below the knees, and the white tights and boots catch the light along their front edges. Her costume fully covers her everywhere the image is intact: a high neckline ringed with soft white frills at the throat, a teal vest fitted over a white blouse, long white sleeves ending in teal ribbons tied at the cuffs, and the long layered teal-and-white skirt falling below the knees over white tights down into white boots. Then, in the same pose, unchanged and continuous -- the same lifted knee, the same peace sign, the same streaming hair -- the picture itself is torn: a ragged paper-tear line runs horizontally across the whole width of the image, passing through the center, its ripped white fibers and curled edges lying flat across the frame. Around her chest the tear opens a hole in the paper; around her hips a second torn-away patch crosses her waist. Inside those two ragged openings the paper is gone and so is the costume beneath it -- at the chest only a simple white bra, at the hips only plain white panties -- revealing a soft, curvy body with a full bust and wide hips and a bare midriff between the two tears. Her body lines up perfectly through the openings, the skin tones matching at every torn edge, so the intact and torn zones read as one continuous photograph with paper ripped off its surface; the curled white edges of the tears cast thin shadows onto the skin they uncover. Behind and below her: a night concert stage, deep near-black air, banks of spotlights on the rig above flaring into anamorphic lens flares across the top of the frame, cold teal beams cutting down at her shoulders and a warm white key raking her front so the blonde hair glows at its rim; the stage floor throws a long soft shadow back and to her right. Below the stage edge, an audience is a dark silhouette mass, hundreds of teal and white glow sticks waving as short bright streaks, their light bouncing a pale teal up onto the hem of her skirt and the underside of her chin. The palette is closed to teal, white, blonde gold and deep stage black, with the bare skin of the two torn openings the only other tone. Glow-stick reflection smears across the polished floor only where the beams strike it. Effortlessly bright, stage-lit pop.
句点むら寿司
AI artwork
Avatar image of 句点むら寿司
1girl, solo, full-body shot, dynamic composition, long wavy blonde hair, hair flowing in wind, large emerald-green eyes, soft curvy figure, full bust, wide hips, lively idol pose, peace sign beside face, v, one leg raised, knee bent, standing on one leg, wink, one eye closed, cheerful grin, white and teal idol costume, long sleeves, teal cuff ribbons, high neckline, white frill trim, teal vest over white blouse, long layered skirt, teal-and-white skirt, below-knee skirt, white tights, white boots, white panties, bare shoulders in torn region, torn paper effect, horizontal paper tear across image center, torn edge crossing left to right, torn edge surrounding waist and hips, clothes erased in overlap zone, night concert stage, dramatic spotlights, stage lighting, lens flare, teal glow sticks, white glow sticks, audience silhouette, crowd below stage, from below, looking at viewer, modern anime art style, dark teal and white palette, The camera looks up at her from stage level, so the concert platform's front edge runs low across the frame and the audience mass sits beneath her, a banked darkness of shoulders and raised arms in silhouette. She fills the vertical center of the frame in a full-body idol pose caught mid-beat: weight driven onto her right leg, hips pushed a little to her right so the left knee lifts and bends forward, the raised white boot hanging just below the hem of her skirt, the toe pointed. Her right hand snaps up beside her right cheek with two fingers open in a peace sign, the fingertips close to her jaw and not touching it; her left arm is flung out and back, the long sleeve swinging away from the wrist with its teal cuff ribbon trailing. Her chin tips up and her head tilts toward her raised hand; her left eye squeezes shut in a cheerful wink, the right eye wide and bright emerald, lashes thick, pupil catching a spotlight glint, and she looks straight down the lens. Her lips pull into a lopsided open grin, one corner higher than the other. Her long wavy blonde hair lifts and streams sideways off her shoulders in the stage breeze, one lock crossing her collarbone, the ends curling out of frame behind her; the layered skirt's panels ripple in the same direction, the teal over-layer flaring away from the white under-layer. A horizontal paper tear cuts the image from left edge to right edge straight through the center, and its ragged, fibrous, slightly lifted white-paper seam wraps the region around her waist and hips. The whole figure keeps one pose through it — the spine, the raised knee and the peace sign line up perfectly across the seam, and her silhouette never breaks. Above and below the torn band the costume is intact and fully covering: white blouse closed to the high neckline with its ring of white frills, teal vest buttoned over it, long sleeves with teal cuff ribbons at the wrists, the layered teal-and-white skirt falling below her knees, white tights sheathing both legs, white boots laced to the ankle of the standing foot and to the raised one. Inside the torn-overlap band every cloth surface is gone and her body reads continuous with itself, bare from the lower ribs to the top of her thighs, only a pair of plain white panties sitting at her hips; the skirt's torn ends curl away above her waist and the tights' frayed tops stop below the band, nothing layered over her within it. The paper seam's shadow falls on her skin in a thin dark line, and the raised fibers cast tiny shadows onto her stomach. Two hard spotlights stab down from the upper corners of the frame, one on each side of her, so the light wraps her edges and leaves a soft core shadow down the center of her torso and under the raised knee; a third, cooler fill rises from the stage floor and lights the underside of her chin and the inside of her lifted arm. Teal and white glow sticks wave in the dark below the stage lip, a slow constellation of small bright bars, and their light climbs faintly onto the front of the platform. A lens flare lays a string of teal-and-white hexagonal ghosts diagonally across her hip, and a broad soft streak of light bleeds from the upper-left spotlight toward her face. The palette is held strictly to white, teal, warm blonde and her skin tone against near-black stage darkness, with only the tiny warm sparks of the glow sticks allowed to break it. Glow-stick light reflects off the wet sheen of her eyes and off the white of her boots. Electric, jubilant.
句点むら寿司
AI artwork
Avatar image of 句点むら寿司
1girl, solo, full-body shot, dynamic composition, long wavy blonde hair, hair flowing in wind, large emerald-green eyes, soft curvy figure, full bust, wide hips, lively idol pose, peace sign beside face, v, one leg raised, knee bent, standing on one leg, wink, one eye closed, cheerful grin, white and teal idol costume, long sleeves, teal cuff ribbons, high neckline, white frill trim, teal vest over white blouse, long layered skirt, teal-and-white skirt, below-knee skirt, white tights, white boots, white panties, bare shoulders in torn region, torn paper effect, horizontal paper tear across image center, torn edge crossing left to right, torn edge surrounding waist and hips, clothes erased in overlap zone, night concert stage, dramatic spotlights, stage lighting, lens flare, teal glow sticks, white glow sticks, audience silhouette, crowd below stage, from below, looking at viewer, modern anime art style, dark teal and white palette, The camera looks up at her from stage level, so the concert platform's front edge runs low across the frame and the audience mass sits beneath her, a banked darkness of shoulders and raised arms in silhouette. She fills the vertical center of the frame in a full-body idol pose caught mid-beat: weight driven onto her right leg, hips pushed a little to her right so the left knee lifts and bends forward, the raised white boot hanging just below the hem of her skirt, the toe pointed. Her right hand snaps up beside her right cheek with two fingers open in a peace sign, the fingertips close to her jaw and not touching it; her left arm is flung out and back, the long sleeve swinging away from the wrist with its teal cuff ribbon trailing. Her chin tips up and her head tilts toward her raised hand; her left eye squeezes shut in a cheerful wink, the right eye wide and bright emerald, lashes thick, pupil catching a spotlight glint, and she looks straight down the lens. Her lips pull into a lopsided open grin, one corner higher than the other. Her long wavy blonde hair lifts and streams sideways off her shoulders in the stage breeze, one lock crossing her collarbone, the ends curling out of frame behind her; the layered skirt's panels ripple in the same direction, the teal over-layer flaring away from the white under-layer. A horizontal paper tear cuts the image from left edge to right edge straight through the center, and its ragged, fibrous, slightly lifted white-paper seam wraps the region around her waist and hips. The whole figure keeps one pose through it — the spine, the raised knee and the peace sign line up perfectly across the seam, and her silhouette never breaks. Above and below the torn band the costume is intact and fully covering: white blouse closed to the high neckline with its ring of white frills, teal vest buttoned over it, long sleeves with teal cuff ribbons at the wrists, the layered teal-and-white skirt falling below her knees, white tights sheathing both legs, white boots laced to the ankle of the standing foot and to the raised one. Inside the torn-overlap band every cloth surface is gone and her body reads continuous with itself, bare from the lower ribs to the top of her thighs, only a pair of plain white panties sitting at her hips; the skirt's torn ends curl away above her waist and the tights' frayed tops stop below the band, nothing layered over her within it. The paper seam's shadow falls on her skin in a thin dark line, and the raised fibers cast tiny shadows onto her stomach. Two hard spotlights stab down from the upper corners of the frame, one on each side of her, so the light wraps her edges and leaves a soft core shadow down the center of her torso and under the raised knee; a third, cooler fill rises from the stage floor and lights the underside of her chin and the inside of her lifted arm. Teal and white glow sticks wave in the dark below the stage lip, a slow constellation of small bright bars, and their light climbs faintly onto the front of the platform. A lens flare lays a string of teal-and-white hexagonal ghosts diagonally across her hip, and a broad soft streak of light bleeds from the upper-left spotlight toward her face. The palette is held strictly to white, teal, warm blonde and her skin tone against near-black stage darkness, with only the tiny warm sparks of the glow sticks allowed to break it. Glow-stick light reflects off the wet sheen of her eyes and off the white of her boots. Electric, jubilant.
句点むら寿司

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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