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- Immissione richiesta originale
- nunnally lamperouge, long hair,hair up brown hair, very long hair,open eyes,purple eyes,dark red kimono,,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,pink and white dress,sad,cry,tears,colossal engagement ring,colossal bracelets,1 goblin,ugly goblin,kiss,goblin forced kiss woman
- Modalità
- pro
- Tag qualità
- ﹝Prompt﹞
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di piùsg
character: nunnally_vi_britannia
2girls, female, male, nunnally vi britannia, brown hair, very long hair, hair up, high ponytail, sidelocks, curtained hair, purple eyes, open eyes, crying, tears, sad, streaming tears, wet cheeks, dark red kimono, pink and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, colossal earrings, colossal engagement ring, colossal bracelets, goblin, ugly goblin, green skin, fangs, pointed nose, pointed ears, forced kiss, kiss, from side, profile, close-up, head tilt, clenched hands, trembling, looking at another, depth of field, soft rim light.
Profile close-up from the side: a brown-haired girl with very long hair, her high ponytail cinched and swung back, sidelocks curling against her jaw, fills the left two-thirds of the frame in semi-profile facing screen right. Her eyes are open and wide, purple irises swimming in tears; wet shine streaks down both cheeks and a heavy drop hangs from her lower lash line, chin lifted and pulled away at a shallow angle. Her mouth is pressed shut and skewed by a green goblin that leans in from frame right, only half in view — a short child-sized body, mottled green skin, pointed ears nearly half the length of its head, a jutting pointed nose and a grin of bared fangs, one gnarled hand clamped on her jaw to hold it. The dark red kimono crosses her chest and wraps over the shoulder nearest the camera, its collar pulled askew by the grip, and the pink and white dress she has been forced into is worn over it — an enormous puffy long skirt spilling to the bottom edge of the frame and out of it, every surface buried under excess: tiers of lace, ruffles stacked on ruffles, bows crowding bows at the waist and sleeves, sequins and glitter fabric catching the light in scattered pinpricks, absurd beaded and beribboned ornaments sagging at the hem. A colossal engagement ring sits on her clenched left hand raised near her collarbone, its oversized stone half the width of her knuckles, and colossal bracelets ring her wrists in stacked chunky bands. Her other hand grips a fold of the puffy skirt and crushes the lace between her fingers. The goblin's face occludes her near cheek and the corner of her lips; her ear on the camera side is visible, borne down by a colossal earring that drags the lobe with its weight. Warm low light comes from upper screen left, striking the tears and the sequins so they flare while the goblin's face falls into shadow; the background is a soft, dark, out-of-focus room. Palette: dark red, blush pink, white, goblin green. Small physics note: the tears well at the lower lid before they break, catching the key light brighter than the skin around them. Distressing, garish.
Shylpfiette greyrat
el
character: nunnally_vi_britannia
2girls, 1boy, nunnally vi britannia, brown hair, very long hair, hair up, high ponytail, sidelocks, curtained hair, purple eyes, open eyes, crying, tears, sad, crying with eyes open, tears streaming down cheeks, dark red kimono, pink and white dress, oversized dress, puffy skirt, huge skirt, long skirt, layered kimono under dress, too much lace, excessive ruffles, too many bows, sequins, glitter fabric, overdecorated, tacky dress, ridiculous ornaments, colossal earrings, colossal bracelets, colossal engagement ring, ugly goblin, male goblin, green skin, pointed ears, long pointed nose, fangs, short stature, forced kiss, kiss, man forcing kiss on woman, grabbing her chin, hand on jaw, holding her wrist, from side, profile, close-up, dutch angle, motion lines, trembling, crying while being kissed, half-closed eyes, tears, looking away, struggling, leaning back, dark ornate interior, candlelight, warm single light source, dramatic shadows, somber, tragic, tense
A tight dutch-angled side profile close-up of two figures pressed together in a darkened ornate room. On the left, the woman — brown very long hair swept up into a high ponytail with sidelocks curtaining her cheeks — is caught mid-struggle, body leaning back and away as her purple eyes stay wide open, wet with tears that streak down her cheeks, brows drawn up in distress, lips pressed shut against the kiss. On the right, a squat green-skinned goblin with pointed ears, a long pointed nose and small fangs leans in hard, one grubby hand clamped on her jaw to force her head toward him, the other gripping her wrist. Their faces meet in a forced, unwanted kiss, his mouth pressing to hers while her chin is tilted up and her shoulders twist. She is layered in a ludicrous pink-and-white dress: a dark red kimono collar showing at the neck, then an enormous puffy-tiered skirt in pink and white frothing with too much lace, excessive ruffles, cascading bows and glittering sequins that catch the candlelight, absurd oversized ornaments knotted through the trim, colossal hoop earrings and colossal bracelets swinging at her wrists, and a colossal engagement ring glinting on her finger as her hand is held. A single warm candle source from the upper right rakes across both faces, throwing the goblin's shadow across her cheek and leaving the room's corners in absolute dark; the candlelight makes the sequins sparkle while the tears shine wet at the corners of her eyes. The dutch tilt and motion lines heighten the sense of being overpowered and trapped. Somber, tragic.
eter lumine
sg
character: nunnally_vi_britannia
2girls, nunnally vi britannia, brown hair, very long hair, hair up, high ponytail, sidelocks, curtained hair, purple eyes, open eyes, crying, tears, sad, streaming tears, wet cheeks, dark red kimono, pink and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, colossal earrings, colossal engagement ring, colossal bracelets, 1 goblin, ugly goblin, green skin, pointed ears, fangs, pointed nose, small stature, kiss, forced kiss, grabbing face, from side, profile, close-up, dutch angle, clenched hands, struggling, looking at another, tears caught in lashes, rim light, confetti bokeh,
A tight dutch-angled profile close-up, tilted about eight degrees off level, so the frame cuts the figures at the shoulders and everything outside that band falls away. At the left of frame, in profile facing right, stands the girl: brown hair swept up into a high ponytail, its very long mass gathered at the crown and spilling down behind her shoulders in a loose tail that the tilt throws across the upper left corner, with two long sidelocks curtaining forward past her cheek and one strand of it stuck to the wet corner of her jaw. Her eyes are wide open and purple, both of them, glossy with standing water; a thick tear has broken from the lower lid of the right eye and runs a clean wet track through the powder on her cheek to the corner of her chin, and a second tear hangs trembling and unbroken on the lower lashes of the left eye. Her brows are pulled up at the inner ends, her mouth is pressed shut and dragged sideways by the contact, her nostrils flared on a caught breath. Her shoulders are hunched forward and both hands are clenched into white-knuckled fists at the height of her collarbones, the knuckles jammed together, arms drawn in tight against her ribs -- she is not pushing him away and the smallness of that gesture is the point.
At the right of frame, small and rising only to her chin, the goblin leans up onto his toes to reach her: child-sized, green-skinned, a heavy jutting brow, a long pointed nose crushed flat against her upper lip, two lower fangs pressing out over his lip, ears long and pointed and swept back. His left hand is clamped on her jaw, thumb dug into the soft hollow under her cheekbone, fingers spread over the far side of her face and dragging the skin; his right hand fists a wad of her skirt for balance. His mouth is mashed onto hers, lips flattened out of shape by the pressure, and his eyes are squeezed shut. Her eyes stay open over his shoulder and look past him, off frame to the upper right, unfocused -- she is not looking at him at all, and the whole performance of the picture lives in that refusal.
Everything at her neck and ears is colossal and absurd and unmistakably expensive: saucer-sized hoop earrings of gold and clustered gemstone drag her earlobes down, a bracelet the width of a cuff, studded and layered in three bands, swallows her wrist on the near arm, and on the far hand a ring so oversized that its stone covers two knuckles and catches the light as a hard white star. Her dress is a crime of excess, pink and white and drowning in itself: lace in four different patterns stacked at the collar and cuffs, ruffles on ruffles down the bodice, bows of every size -- at the shoulder, the waist, the hip, the wrist -- crowding each other until they overlap, sequins scattered so densely that the fabric reads as glitter slush, cheap gilt ornaments and enamel charms and ribbon rosettes pinned everywhere they will fit. The skirt balloons out from her waist in a puff so wide the frame cannot hold it, the hem gone entirely off the bottom edge. Over the whole thing the dark red kimono is thrown like a coat, its collar pulled crooked over one shoulder and its sleeve hanging loose beside her clenched fist, the deep red the only quiet thing in the picture.
Light comes from a single hard source above and behind her left shoulder, warm and stage-like; it rims the loose tail of her ponytail in gold, lays a wet highlight along the track of the tear, catches the flat plane of the ring's stone, and drops the front of both faces and the goblin's whole body into shadow so that his green skin reads near-black at the jaw. The background is an indistinguishable glittering bokeh of the same pink and white as the dress, thrown far out of focus. The one piece of physics the picture turns on: the tear track on her cheek is the brightest thing on her face, wet and reflective, while the skin around it is matte with powder -- the water shows the light, the powder swallows it. Loud, garish, and quietly unbearable.
Shylpfiette greyrat
eb
character: nunnally_vi_britannia
1girl, 1goblin, brown hair, very long hair, long hair, sidelocks, open eyes, purple eyes, colossal earrings, colossal engagement ring, colossal bracelets, pink and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, wedding day, sad, crying, tears, streaming tears, mini goblin, goblin sitting on shoulder, goblin grabbing chin, goblin kissing girl, girl facing front, standing, perfect anatomy, from below, cowboy shot, dutch angle, looking at viewer, open mouth, trembling lip, wet cheeks, green skin, pointed ears, fangs, small body, hugging own waist,
She faces front, seen from a low angle and canted a few degrees off level, the camera just above the hem of a skirt so wide the frame cannot hold its edges. Her very long brown hair falls in two long sidelocks and a curtain of strands to below her hips, parted so both open purple eyes stay fully visible and catch the key light. The dress is pink and white in exaggerated excess: layers of lace massed at the neckline and cuffs, cascading ruffles stacked on ruffles, bows crowding every seam until their loops overlap, a stiff pointless sash and absurd ornaments fixed at hip and bodice, and fabric dusted in glitter with visible sequins each returning a tiny hard point of highlight. The skirt puffs and swells outward and downward into a huge long silhouette that flares beyond the frame. At each ear a colossal earring drags the lobe low; a colossal engagement ring pulls the left hand down with its weight; colossal bracelets sit heavy around both wrists, leaving a faint compressed crease in the skin beneath. Her right arm hangs and the ring tugs the whole shoulder lower; her left hand is loose at her waist, fingers curled. A mini goblin is perched on her right shoulder, its green-skinned thighs pressed to the fabric, its small pointed shoes dug in; its little clawed fingers grip her chin and jaw and lift her face, pointed nose and fangs pushing toward her cheek where it kisses her — while her eyes stay open, gaze sliding off to the side, lips parted, streaming tears running down both cheeks, jaw and neck, glittering where the light catches them, one tear caught on the goblin's knuckle. A faint shadow from its small legs falls across her collarbone. Soft ceremonial daylight falls from the front-left, catching the sequins, the giant earrings and the wet trails on her face; the far edges of the skirt fall into shadow. Palette held to pink, white, and the green of the goblin, with her brown hair and purple eyes the only other colors. Quiet, unbearable ceremony.
Eris Boreas greyrat
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Winter joy in the snow
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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