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龍虎の日向ぼっこ

Arte IA «龍虎の日向ぼっこ» di 鐵霧夜 su PixAI. Tag: Touken Ranbu. Creato con Tsubaki.3.

我が本丸の大倶利伽羅と五虎退は仲良しです。今日も仲良く日向ぼっこしています。

#Touken Ranbu #Gokotai #Ookurikara

Pubblicato il Nov 9, 2026

鐵

鐵霧夜

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character: gokotai, ookurikara, copyright: touken_ranbu 2girls, male and female, short white-haired boy on a tall dark-skinned man's lap, cross-legged sitting, sitting on lap, lap sitting, snug, sunbathing, cheek poke, finger on cheek, poking, engawa, wooden veranda, traditional japanese mansion, sunlight, warm light, closed eyes, relaxed, light smile, looking at another, from side, cowboy shot, seated, bare feet, tabi, dark blue military uniform, shorts, long sleeves, necktie, black hair with brown two-tone ends, medium hair, yellow eyes, dark skin, gloves, hand on own knee, head tilt, soft shadow, shoji, garden, pine branch, butterflies, atmospheric perspective, tender A three-quarter side view, camera low at the level of the veranda boards, looking slightly up and across so the polished wood runs as a bright diagonal from the lower left to the right edge of frame. The tall dark-skinned man sits cross-legged on the engawa in the center-right, his back against a varnished pillar, one knee raised high and the other folded flat; his long two-tone hair — black at the crown, warm brown through the ends — hangs forward over his shoulder as he leans down. The small white-haired boy sits snug inside the V of that lap, his whole weight settled onto the man's folded shin, knees drawn up, both socked feet tucked against the man's outer thigh, and the back of his head resting back against the man's chest. The boy wears his dark blue military uniform: high collar, long sleeves buttoned at the wrist, shorts, necktie hanging loose down his front, white socks on his feet; his military cap is pushed back off his forehead so his short white hair — pale blond at the tips — falls free, and his butter-yellow eyes are shut, lashes low, mouth a faint closed-lip curve of comfort. The man's left arm curls loosely around the boy's waist, gloved palm flat over the uniform's side, holding him secure and still. His right hand comes forward and up: the gloved index finger, exposed at the tip, presses into the boy's right cheek and dents the soft skin — the flesh bunches around the fingertip, the boy's cheek pushed slightly sideways, a second shallow dimple of an earlier poke still fading beside it. The man's yellow eyes are angled down onto that cheek, brow level, mouth flat and patient, his whole attention narrowed to the small circle of skin under his finger. The boy's face turns a fraction toward the touch, cheek leaning into the pressure rather than away. Behind them the shoji panels stand open, their paper glowing opaque white where the sun hits and dark where the frame ribs cross; beyond, a garden of clipped pine and raked gravel recedes in soft haze. The sun is low and comes in from the right at a shallow angle, striking the boy's white hair into a hot rim, catching the man's bare forearm and the ridge of his cheekbone, and laying a long double shadow of the two bodies back across the veranda boards toward the left. The polished wood under them throws a weak, blurred reflection of the boy's pale hair, dimmer and softer than the boy himself. Butterflies drift at the garden's edge. Palette: warm honey wood, deep indigo uniform, white hair, brown-black hair, green-grey garden haze, nothing sharper. Quiet, tender.

龍虎の日向ぼっこ

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