Nov 9, 2026

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AI art "ピュアな心を奪われる赤城みりあ" featuring #The Idolmaster, #The Idolmaster Cinderella Girls and #Miria Akagi

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ピュアな心を奪われる赤城みりあ

背中から抜き取られるイメージを試みたが捕獲銃で撃ち出される感じになってしまった

#The Idolmaster #The Idolmaster Cinderella Girls #Miria Akagi

Pubblicato il Nov 9, 2026

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character: akagi_miria, copyright: idolmaster 1girl, solo, akagi miria, from side, side view, profile, cowboy shot, small breasts, flat chest, white training bra with pale pink line, bare midriff, pale pink panties, standing on floor, barefoot, strong updraft of wind blowing up from the ground, classroom interior, classroom corner, arms spread out horizontally, leaning against wall, upper body tilted backward, elbows extended, screaming in fear and heavy pain, crying, tears streaming, gritted teeth, wide open eyes, sweat, clenched hands, trembling, black transparent sphere below shoulder blades, expanding sphere, black energy beam from her back hitting the sphere, glowing particles of light clustering randomly inside the sphere, open window, sunlight, 3:00 pm, afternoon, long shadow, dust motes, brown hair, black hair, short hair, hair bow, hair ornament, brown eyes, ((( one expanding black transparent sphere is generated below her shoulder blades and a beam of black energy fired from behind her back aimed the sphere, inside the sphere Particles of light randomly cluster together))), dutch angle, from below, dynamic composition Seen from a low side view in the corner of a classroom in the mid-afternoon, the girl is framed in a cowboy shot from barefoot feet to mid-thigh. Her body is angled in profile: her back is pressed against the wall, her spine positioned so her shoulder blades touch it. Her torso is tilted backward from her hips, her chest below her collarbone thrust forward, her pelvis angled slightly under her body weight. Her elbows are extended horizontally, both arms thrown out wide and rigid to either side, hands clenched into white-knuckled fists. Her bare feet are planted on the floor set slightly apart, heels pressed down as though braced against a strong wind blowing up from below. The updraft lifts the hem of her panties and sweeps her short brown-black hair up around her jaw; the hair is wildly blown, held up and out by the ground-current, and the bow ornament is not visible, lifted out of frame. A faint white spray of the wind is not visible, but the taut, flattened curve of the fabric and the upward whipping of her hair show the direction of the current from below. Her face wears an expression of extreme fear and heavy pain: eyebrows raised high and drawn together in the middle, eyes forced wide open with tears streaming down from the outer corners, mouth stretched wide open in a scream, teeth visible, a cold sweat gathering at her temples and neck. The tears track down the side of her face and run along the jaw. Her gaze is cut off to one side and down towards the floor, unfocused, as if she is focused on the source of the pain or the wind rather than the viewer. Below and behind the level of her shoulder blades, centered in the gap between her back and the wall, hangs a black transparent sphere that is swelling and thickening at its rim. The sphere is a lens of black glass, its interior filled with a slowly churning cloud of tiny white light particles that clump together and drift randomly, forming a bright clustered knot at the middle of the dark orb and thinning out towards the edge. The sphere's interior light pulses, throwing a faint white glow across the back of the girl's shoulder and the underside of her hair. From a point behind her back, halfway up the shoulder blade, a tight, narrow beam of black energy extends unbroken to the near surface of the sphere; where the beam enters the sphere, the surface dimples inward slightly, and the sphere's outline is bent at that point. The beam is a third element: behind the girl's back, a narrow line of black is fired horizontally from a short distance behind her shoulder blade towards the sphere. It crosses the space between her shoulder and the sphere, cutting a dark edge into the sphere and the wall behind it. The beam is the source of the sphere's glow: the airborne light particles gather in the sphere and flare brightest where the beam touches it, as though fed by the black line. The environment is a classroom corner: to the left, the open window frame and the sill; behind, the wall; on the floor, a linoleum grid with the window mullion's shadow lying on it as a hard-edged pattern of dark and light. A school desk is left of the open window, its top slightly darkened by the barred shadow of the window grid. The light is a clear afternoon sun from the open window to the left of the frame, striking the near side of her face, the front of her body and the near side of the sphere, leaving a hard diagonal shadow line across the wall behind her and a full-body shadow on the floor stretching to the right. The unpainted ceiling and the far corner fall into a softer, cooler shade. The room's palette is limited to the warm pale yellow of late afternoon sun on skin and linoleum, the cold blue-gray of the shaded corner, pure black in the beam and the sphere's rim, and the clipped white of the clustered light inside the sphere and of her bra's trim. The sphere's glow is the only light in the room that does not come through the window. In the wedge of window-light on the floor, the blown dust is visible as a slowly turning cloud. Cinematic and tense, with the eerie quiet of an afternoon after a sudden scream.

ピュアな心を奪われる赤城みりあ

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