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- 幻想郷、東方の色んな女の子たち、鳥居、階段、紅葉、光が差し込む、霊夢、十六夜咲夜、魔理沙
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- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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character: izayoi_sakuya, kirisame_marisa, hakurei_reimu, copyright: touhou
multiple girls, 3girls, touhou, hakurei reimu, izayoi sakuya, kirisame marisa, gensokyo, torii gate, stone stairs, autumn, maple leaves, falling leaves, light rays, sunbeam, dappled sunlight, from below, looking up, dutch angle, wide shot, low angle, outstretched arm, walking down, mid-step, hair bow, hair tubes, sidelocks, red skirt, detached sleeves, yellow ascot, maid, maid headdress, twin braids, grey hair, blue eyes, green bow, white apron, puffy short sleeves, witch hat, black hat, blonde hair, single braid, side braid, white bow, yellow eyes, holding broom, grin, one eye closed, light smile, open mouth, looking at another, looking to the side, wind, hair blowing, skirt lift, backlighting, rim light, warm palette, autumn palette
The camera sits low at the foot of the stone stairs, tilted a few degrees off level, looking up: the staircase climbs away through the frame from bottom-left to upper-right, its worn granite steps broad in the foreground and narrowing with perspective toward a great torii gate that straddles the top of the flight, its vermilion pillars bright against the sky. The three girls descend toward the viewer in a loose diagonal file, mid-step and caught in motion.
Reimu leads on the highest step, right of center, one geta-clad foot planted on the tread and the other heel lifted behind her, weight on her front leg; her detached red-and-white sleeves hang wide and her yellow ascot lifts at her throat in the draught, the long brown hair and its red frilled bow and two frilled hair tubes swinging forward over her shoulders as she turns her chin down toward the other two, both red eyes on them, one corner of her mouth pulled into a small wry smile. Her right arm is flung out low and back toward the stairs behind her, palm open, as if she has just said something over her shoulder.
Sakuya stands a step below and to the left, seen slightly from the side: her short grey hair with its green bow and twin braids sways out from her cheek, blue eyes turned up and sideways toward Reimu, lips closed in a faint patient smile, one brow faintly raised. She holds the front hem of her white waist-apron pinched between finger and thumb so it will not catch the wind, her puffy short-sleeved maid dress and headdress crisped by the moving air, her other hand loose at her side, one foot poised on the next tread with the toe touching down first.
Marisa is lowest and nearest the camera on the left, half turned, blonde single side-braid with its white bow whipping across her shoulder; her black witch hat with its bow is tipped back and one yellow eye is squeezed shut against the low sun, the other wide and bright, her mouth open in a broad grin aimed up at the two above her. She plants the broom's shaft on the step beside her like a walking staff, her right hand wrapped around it near the top, her left hand flung up in the air for balance, coat and apron swinging as she drops one step.
Above and behind them the torii's great crossbeam frames the sky, and beyond it the maple canopy burns deep red and orange; leaves come loose and tumble down the stairwell past the figures, and the few that have already landed lie scattered and flattened on the upward-facing treads, dusting the edges of the steps while the risers stay bare. The sun is low behind the gate, the only light source: it rakes down the stairs from the upper right, so the girls are rimmed in warm gold along hair, shoulders and hat brims, long soft shadows cast forward down the steps toward the viewer, and visible shafts of light cut through the leaf haze in slanted bands across the middle distance. The palette is autumn throughout -- vermilion gate, deep crimson and amber leaves, grey stone, and the red, white, black and blonde of the three figures.
Wide shot, generous depth, figures at mid-size rather than portrait crop, the staircase and gate carrying the scale around them; crisp cel-style linework, flat clean colour with warm gradients in the leaf mass and the light shafts. Bright, buoyant, late-autumn warmth.
ilu
i
character: izayoi_sakuya, kirisame_marisa, hakurei_reimu, copyright: touhou
multiple girls, 3girls, touhou, hakurei reimu, izayoi sakuya, kirisame marisa, gensokyo, torii gate, stone stairs, autumn, maple leaves, falling leaves, light rays, sunbeam, dappled sunlight, from below, looking up, dutch angle, wide shot, low angle, outstretched arm, walking down, mid-step, hair bow, hair tubes, sidelocks, red skirt, detached sleeves, yellow ascot, maid, maid headdress, twin braids, grey hair, blue eyes, green bow, white apron, puffy short sleeves, witch hat, black hat, blonde hair, single braid, side braid, white bow, yellow eyes, holding broom, grin, one eye closed, light smile, open mouth, looking at another, looking to the side, wind, hair blowing, skirt lift, backlighting, rim light, warm palette, autumn palette
The camera sits low at the foot of the stone stairs, tilted a few degrees off level, looking up: the staircase climbs away through the frame from bottom-left to upper-right, its worn granite steps broad in the foreground and narrowing with perspective toward a great torii gate that straddles the top of the flight, its vermilion pillars bright against the sky. The three girls descend toward the viewer in a loose diagonal file, mid-step and caught in motion.
Reimu leads on the highest step, right of center, one geta-clad foot planted on the tread and the other heel lifted behind her, weight on her front leg; her detached red-and-white sleeves hang wide and her yellow ascot lifts at her throat in the draught, the long brown hair and its red frilled bow and two frilled hair tubes swinging forward over her shoulders as she turns her chin down toward the other two, both red eyes on them, one corner of her mouth pulled into a small wry smile. Her right arm is flung out low and back toward the stairs behind her, palm open, as if she has just said something over her shoulder.
Sakuya stands a step below and to the left, seen slightly from the side: her short grey hair with its green bow and twin braids sways out from her cheek, blue eyes turned up and sideways toward Reimu, lips closed in a faint patient smile, one brow faintly raised. She holds the front hem of her white waist-apron pinched between finger and thumb so it will not catch the wind, her puffy short-sleeved maid dress and headdress crisped by the moving air, her other hand loose at her side, one foot poised on the next tread with the toe touching down first.
Marisa is lowest and nearest the camera on the left, half turned, blonde single side-braid with its white bow whipping across her shoulder; her black witch hat with its bow is tipped back and one yellow eye is squeezed shut against the low sun, the other wide and bright, her mouth open in a broad grin aimed up at the two above her. She plants the broom's shaft on the step beside her like a walking staff, her right hand wrapped around it near the top, her left hand flung up in the air for balance, coat and apron swinging as she drops one step.
Above and behind them the torii's great crossbeam frames the sky, and beyond it the maple canopy burns deep red and orange; leaves come loose and tumble down the stairwell past the figures, and the few that have already landed lie scattered and flattened on the upward-facing treads, dusting the edges of the steps while the risers stay bare. The sun is low behind the gate, the only light source: it rakes down the stairs from the upper right, so the girls are rimmed in warm gold along hair, shoulders and hat brims, long soft shadows cast forward down the steps toward the viewer, and visible shafts of light cut through the leaf haze in slanted bands across the middle distance. The palette is autumn throughout -- vermilion gate, deep crimson and amber leaves, grey stone, and the red, white, black and blonde of the three figures.
Wide shot, generous depth, figures at mid-size rather than portrait crop, the staircase and gate carrying the scale around them; crisp cel-style linework, flat clean colour with warm gradients in the leaf mass and the light shafts. Bright, buoyant, late-autumn warmth.
ilu
i
character: izayoi_sakuya, kirisame_marisa, hakurei_reimu, copyright: touhou
multiple girls, 3girls, touhou, hakurei reimu, izayoi sakuya, kirisame marisa, gensokyo, torii gate, stone stairs, autumn, maple leaves, falling leaves, light rays, sunbeam, dappled sunlight, from below, looking up, dutch angle, wide shot, low angle, outstretched arm, walking down, mid-step, hair bow, hair tubes, sidelocks, red skirt, detached sleeves, yellow ascot, maid, maid headdress, twin braids, grey hair, blue eyes, green bow, white apron, puffy short sleeves, witch hat, black hat, blonde hair, single braid, side braid, white bow, yellow eyes, holding broom, grin, one eye closed, light smile, open mouth, looking at another, looking to the side, wind, hair blowing, skirt lift, backlighting, rim light, warm palette, autumn palette
The camera sits low at the foot of the stone stairs, tilted a few degrees off level, looking up: the staircase climbs away through the frame from bottom-left to upper-right, its worn granite steps broad in the foreground and narrowing with perspective toward a great torii gate that straddles the top of the flight, its vermilion pillars bright against the sky. The three girls descend toward the viewer in a loose diagonal file, mid-step and caught in motion.
Reimu leads on the highest step, right of center, one geta-clad foot planted on the tread and the other heel lifted behind her, weight on her front leg; her detached red-and-white sleeves hang wide and her yellow ascot lifts at her throat in the draught, the long brown hair and its red frilled bow and two frilled hair tubes swinging forward over her shoulders as she turns her chin down toward the other two, both red eyes on them, one corner of her mouth pulled into a small wry smile. Her right arm is flung out low and back toward the stairs behind her, palm open, as if she has just said something over her shoulder.
Sakuya stands a step below and to the left, seen slightly from the side: her short grey hair with its green bow and twin braids sways out from her cheek, blue eyes turned up and sideways toward Reimu, lips closed in a faint patient smile, one brow faintly raised. She holds the front hem of her white waist-apron pinched between finger and thumb so it will not catch the wind, her puffy short-sleeved maid dress and headdress crisped by the moving air, her other hand loose at her side, one foot poised on the next tread with the toe touching down first.
Marisa is lowest and nearest the camera on the left, half turned, blonde single side-braid with its white bow whipping across her shoulder; her black witch hat with its bow is tipped back and one yellow eye is squeezed shut against the low sun, the other wide and bright, her mouth open in a broad grin aimed up at the two above her. She plants the broom's shaft on the step beside her like a walking staff, her right hand wrapped around it near the top, her left hand flung up in the air for balance, coat and apron swinging as she drops one step.
Above and behind them the torii's great crossbeam frames the sky, and beyond it the maple canopy burns deep red and orange; leaves come loose and tumble down the stairwell past the figures, and the few that have already landed lie scattered and flattened on the upward-facing treads, dusting the edges of the steps while the risers stay bare. The sun is low behind the gate, the only light source: it rakes down the stairs from the upper right, so the girls are rimmed in warm gold along hair, shoulders and hat brims, long soft shadows cast forward down the steps toward the viewer, and visible shafts of light cut through the leaf haze in slanted bands across the middle distance. The palette is autumn throughout -- vermilion gate, deep crimson and amber leaves, grey stone, and the red, white, black and blonde of the three figures.
Wide shot, generous depth, figures at mid-size rather than portrait crop, the staircase and gate carrying the scale around them; crisp cel-style linework, flat clean colour with warm gradients in the leaf mass and the light shafts. Bright, buoyant, late-autumn warmth.
ilu
i
copyright: touhou
multiple girls, touhou, group, ensemble cast, gensokyo, japanese folklore, from above, dutch angle, high angle, wide shot, diagonal composition, looking up, looking at another, depth of field, kimono, frilled dress, witch hat, hair ribbon, bow, shrine maiden outfit, detached sleeves, long hair, short hair, silver hair, blonde hair, blue hair, green hair, red eyes, blue eyes, yellow eyes, smile, grin, open mouth, one eye closed, light smile, half-closed eyes, arms up, outstretched arm, pointing, waving, head tilt, crossed legs, arm support, sitting, standing, leaning, paper lantern, stone steps, torii gate, autumn leaves, falling leaves, tree, shrine, sky, clouds, daylight, warm light, backlighting, lens flare, colorful, vivid,
A high-angle wide shot looking down a long flight of weathered stone steps that climb toward a red torii gate, the whole staircase filled with a scattered crowd of girls caught in the middle of their own small moments. The camera is tilted into a slight dutch angle so the steps run as a diagonal band from the lower-left foreground to the upper-right, and the depth of field keeps the nearest figures crisp while the girls higher up soften into colour and shape. In the near foreground, at the bottom-left, a girl in a red-and-white shrine maiden outfit crouches on the lowest step with her knees drawn up, one palm flat on the stone for balance, the other hand raised to shade her eyes as she looks back up the stairs toward the others; her detached sleeves slide down her forearms with the lifted arm, and her long black hair spills over one shoulder down to the step below. Two steps above her a green-haired girl in a frilled dress sits side-saddle on the edge of the stair with her legs crossed at the ankle, one hand braced on the step behind her hip, head tilted and eyes half-closed in a lazy light smile aimed up the slope. Midway up the stairs a blonde girl in a dark witch hat with a wide brim launches off the step with both arms flung up and out, her dress and the hat's ribbon bellied upward by the motion, one eye squeezed shut and her mouth open in a delighted grin; a red-eyed girl right beside her leans out past the handrail with one arm stretched out pointing up at the gate, her short hair swinging forward across her cheek. Behind them a silver-haired girl in a ribboned kimono stands half-turned on the landing watching the leaping girl, a small closed-lip smile on her face, one hand lifting the hem of her sleeve clear of the wind. Higher still near the torii, a blue-haired girl waves with her arm up and her head tipped back; a scattering of further girls in kimonos and frilled dresses range up the steps in looser silhouette, their faces simplified into colour and gesture, none of them repeating another's pose. Every visible pair of eyes is pointed at someone or something -- up the stairs, at the gate, at the leaping girl -- and the nearest figures' glances cross and catch each other. Autumn leaves fall across the whole frame, and the ones that have already landed lie only on the flat upward-facing treads of the steps, never on the vertical risers, drifting in a slow diagonal that echoes the line of the staircase. Low warm late-afternoon light comes from behind and above the torii, so the gate and the figures near it stand in backlit rim light with their faces in soft open shade, long shadows of the girls and the railing thrown down the steps toward the viewer, and thin lens flare bleeding across the upper right of the frame. The palette is warm and saturated -- vermilion gate and shrine-maiden red, deep gold leaves, green and blonde and silver hair, blue sky between the gate's crossbeam -- with the shaded stone reading cool and blue-grey against all of it. Festive, sunlit.
ilu
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Potrebbe piacerti
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
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logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
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2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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