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AI art "博麗霊夢＆霧雨魔理沙：魔理沙の忘れ物" featuring #Touhou Project, #Marisa Kirisame and #Reimu Hakurei
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博麗霊夢＆霧雨魔理沙：魔理沙の忘れ物

#Touhou Project#Marisa Kirisame#Reimu Hakurei
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みかずし

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character: kirisame_marisa, hakurei_reimu character: kirisame_marisa, hakurei_reimu, 4koma, comic, multiple panels, 2girls, full color, thin white borders, gutters, vertical gutters, slanted gutters, right-to-left reading order, wordless comic, no speech bubbles, japanese text, engawa, japanese veranda, wooden porch, sitting, sitting on floor, holding cup, teacup, yunomi, green tea, drinking tea, steam, black witch hat, wide brim, pointed hat, hat bow, witch hat on floor, looking at object, deadpan, calm, afternoon sunlight, garden background, blonde hair, long hair, side braid, white bow, yellow eyes, brown hair, long hair, sidelocks, red hair tubes, frilled hair tubes, red bow, detached sleeves, wide sleeves, red skirt, yellow ascot, broom, flying, from side, close-up, bareheaded style: sophisticated 2D anime style, soft gradient coloring, smooth cel shading, crisp clean lineart, sharp focus, cinematic depth, soft lighting, soft shadow, high-gloss specular highlights, bloom, warm color palette, extremely detailed background, meticulously rendered environment, intricate details, masterpiece, best quality, very aesthetic, highres, best illustration. A four-panel full-color comic strip read right to left, stacked as four wide horizontal panels separated by thin white borders and slanted vertical gutters that shear a few degrees off plumb, giving the whole page a lazy lean; the panels are silent, carried only by staging and light. Panel 1 (top): a medium-wide side view of the shrine maiden sitting alone on the wooden engawa, seen in profile from her left, her legs folded under her on the sun-warmed planks, one hand wrapped around a tall handleless yunomi of green tea while the other supports its base; her red detached sleeves pool on the boards, her red skirt spread around her knees, the red bow in her long brown hair and the frilled tubes at her sidelocks catching the light, both eyes lowered to the cup with a flat, matter-of-fact deadpan calm, lips closed, no reaction at all to the afternoon. Beside her lies a black witch’s hat—left behind by her friend Marisa—resting upside down. Behind her the garden recedes: clipped shrubs, a stone lantern, a low hedge, all in the shallow depth of a wide domestic yard, and the low sun throws long soft shadows from the veranda posts across the planks. Panel 2: a tight overhead-looking-down insert of the floorboards only, no people anywhere in the frame -- the black witch hat lies upside down on the sunlit wood, wide brim flattened against the planks, pointed crown tipped over, the pale bow at its band slack, its shadow cast short and crisp beneath it; a single drifting mote of dust and the hat's dark inner curve are the only content of the panel. Panel 3: a close-up of the shrine maiden's face and shoulders, angled slightly from below, her brown eyes turned sideways and down toward the hat just off-frame, gaze fixed on the object rather than the viewer; her expression stays deadpan and unhurried, one brow level, lips a straight quiet line, the steam from the yunomi rising past her chin and softening the edge of her cheek, the red bow and hair tubes crisp against the out-of-focus garden green behind her. Panel 4 (bottom): Marisa returns. She is not wearing her hat, and her long, blonde hair streams out behind her, caught in the momentum of her flight. The braids at the sides of her head trail far behind her shoulders, and a white ribbon flutters in the air. Squinting her yellow eyes against the wind, she circles low over the garden, mounted on her broomstick. Her body is turned toward Reimu; her knees are drawn up, and her apron and skirt are whipped back by the breeze. Facing Reimu, Marisa offers a broad, beaming smile—the look of someone who has come back to retrieve something she left behind. on the veranda at the right edge of the frame Reimu has turned her head and now smiles, a small warm closed-lip smile, the cup still in her hands, and her gaze lands on the incoming figure while Marisa's gaze meets hers. Afternoon sunlight rakes in from the upper left across all four panels, warm gold on the wood and the tea steam, cool green in the garden shadows; the palette is the black hat, the red of bow and skirt, blonde and brown hair, and gold-green light. Quiet, sun-warmed, gently comic.
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Immissione richiesta originale
character: kirisame_marisa, hakurei_reimu, 4koma, comic, multiple panels, 2girls, full color, thin white borders, gutters, vertical gutters, slanted gutters, right-to-left reading order, wordless comic, no speech bubbles, japanese text, engawa, japanese veranda, wooden porch, sitting, sitting on floor, holding cup, teacup, yunomi, green tea, drinking tea, steam, black witch hat, wide brim, pointed hat, hat bow, witch hat on floor, looking at object, deadpan, calm, afternoon sunlight, garden background, blonde hair, long hair, side braid, white bow, yellow eyes, brown hair, long hair, sidelocks, red hair tubes, frilled hair tubes, red bow, detached sleeves, wide sleeves, red skirt, yellow ascot, broom, flying, from side, close-up, bareheaded style: sophisticated 2D anime style, soft gradient coloring, smooth cel shading, crisp clean lineart, sharp focus, cinematic depth, soft lighting, soft shadow, high-gloss specular highlights, bloom, warm color palette, extremely detailed background, meticulously rendered environment, intricate details, masterpiece, best quality, very aesthetic, highres, best illustration. A four-panel full-color comic strip read right to left, stacked as four wide horizontal panels separated by thin white borders and slanted vertical gutters that shear a few degrees off plumb, giving the whole page a lazy lean; the panels are silent, carried only by staging and light. Panel 1 (top): a medium-wide side view of the shrine maiden sitting alone on the wooden engawa, seen in profile from her left, her legs folded under her on the sun-warmed planks, one hand wrapped around a tall handleless yunomi of green tea while the other supports its base; her red detached sleeves pool on the boards, her red skirt spread around her knees, the red bow in her long brown hair and the frilled tubes at her sidelocks catching the light, both eyes lowered to the cup with a flat, matter-of-fact deadpan calm, lips closed, no reaction at all to the afternoon. Beside her lies a black witch’s hat—left behind by her friend Marisa—resting upside down. Behind her the garden recedes: clipped shrubs, a stone lantern, a low hedge, all in the shallow depth of a wide domestic yard, and the low sun throws long soft shadows from the veranda posts across the planks. Panel 2: a tight overhead-looking-down insert of the floorboards only, no people anywhere in the frame -- the black witch hat lies upside down on the sunlit wood, wide brim flattened against the planks, pointed crown tipped over, the pale bow at its band slack, its shadow cast short and crisp beneath it; a single drifting mote of dust and the hat's dark inner curve are the only content of the panel. Panel 3: a close-up of the shrine maiden's face and shoulders, angled slightly from below, her brown eyes turned sideways and down toward the hat just off-frame, gaze fixed on the object rather than the viewer; her expression stays deadpan and unhurried, one brow level, lips a straight quiet line, the steam from the yunomi rising past her chin and softening the edge of her cheek, the red bow and hair tubes crisp against the out-of-focus garden green behind her. Panel 4 (bottom): Marisa returns. She is not wearing her hat, and her long, blonde hair streams out behind her, caught in the momentum of her flight. The braids at the sides of her head trail far behind her shoulders, and a white ribbon flutters in the air. Squinting her yellow eyes against the wind, she circles low over the garden, mounted on her broomstick. Her body is turned toward Reimu; her knees are drawn up, and her apron and skirt are whipped back by the breeze. Facing Reimu, Marisa offers a broad, beaming smile—the look of someone who has come back to retrieve something she left behind. on the veranda at the right edge of the frame Reimu has turned her head and now smiles, a small warm closed-lip smile, the cup still in her hands, and her gaze lands on the incoming figure while Marisa's gaze meets hers. Afternoon sunlight rakes in from the upper left across all four panels, warm gold on the wood and the tea steam, cool green in the garden shadows; the palette is the black hat, the red of bow and skirt, blonde and brown hair, and gold-green light. Quiet, sun-warmed, gently comic.
Modalità
ultra
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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