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新山聡美(行ってきます)

Contest Entry

Anything Goes Casual Posting Festival!

#Donna matura #Guardarsi indietro #Salutare con la mano #Ringhiera #Sound! Euphonium #ponte pedonale #Satomi Niiyama #strada #Coda di cavallo bassa

Pubblicato il Nov 10, 2026

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, low ponytail, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, a natural street scene image capturing a moment on a sunny day in late October, in front of a pedestrian overpass around Shiroishi Station in Shiroishi City, Miyagi Prefecture, where a woman heading to work looks back and waves with a smile, conveying "I'm off." The scenery is a calm urban landscape typical of a regional city station area, realistically depicting a pale light-blue metal pedestrian overpass, stairs extending from the ground, concrete-paved sidewalks, surrounding low-rise buildings and greenery, utility poles and power lines, and streetlights along the road. It is a refreshing, everyday-feeling photograph bathed in bright natural autumn sunlight, where the overpass, the surrounding cityscape, and the woman's expression and clothing are clearly visible. From the center to the right side of the screen, there is a metal pedestrian overpass painted pale light blue or bright blue-grey. The overpass passes horizontally at a height of about 5 meters above ground, consisting of a walkway extending horizontally from the left outside toward the center, and stairs descending diagonally from there to the ground. The stairs extend from a high position near the center of the screen toward the bottom right, connecting to the concrete pavement on the ground. Pale light-blue metal side panels and handrails are provided on both sides of the stairs, and the stair treads are arranged regularly. The angle and steps of the stairs are realistic, with the shape of each step clearly visible. The pillars supporting the horizontal part of the overpass and the metal structures at the joints are also naturally depicted. It is expressed not as a decorative bridge, but as a practical pedestrian overpass actually installed around a station. In the foreground, there is a wide concrete-paved ground leading to the stairs of the overpass. In the right foreground, the bottom of the stairs and a wide concrete step near the ground are visible. From the center to the left, a narrow sidewalk extends into the distance, showing natural cracks and discoloration of the ground and the texture of the curbs. Along the sidewalk, there are low stone walls, concrete edges, grass, and small plants. On the left, a green-covered slope and trees are visible, with old-fashioned houses and small buildings dotted behind them. On the right, there is an open paved space and low-rise buildings, creating an environment that feels close to a plaza or road around a station. The woman's clothing is professional adult commuting wear suitable for someone heading to work. She wears an ivory-colored blouse and an elegant trench coat in pale beige or greige over it. For bottoms, she wears neat tapered pants in dark navy or charcoal grey, and on her feet, she wears elegant black low-heel pumps. She carries a neat business handbag or an elegant commuting tote bag. Accessories are kept modest, such as small earrings, giving an overall clean and intellectual impression. The clothing is not too formal and looks natural as a daily commuting style for a woman in her 30s. The woman's long hair is in a neat and clean style, well-groomed for work. The hair has a natural gloss and either flows from her shoulders to her back or is elegantly tied loosely in the back. The hair does not completely hide her face, so her profile and expression are naturally visible when she looks back. The hairstyle is not overly flamboyant, giving an impression befitting a calm adult woman. The woman's clothing, hairstyle, accessories, posture, and expression are depicted according to these specifications. The woman is standing on the flat ground in front of the overpass stairs. Just as she is about to climb the stairs and cross the overpass to go to work, she looks back to greet someone behind her the moment she takes a step forward. While her body remains facing the stairs and the direction of travel, her upper body and face are naturally twisted toward the camera. One hand is raised slightly above shoulder height, palm facing here, waving brightly and naturally. The fingers are slightly open, making a soft motion as if saying a farewell greeting. The other hand naturally holds the handle or shoulder strap of her commuting bag. With one foot slightly forward, her posture suggests she is about to start walking. The woman's expression is based on a modest smile, with her mouth slightly open, conveying a gentle greeting of "I'm off." Do not actually draw text or speech bubbles in the image; express the greeting through her facial expression, the waving motion, and the posture of looking back. Rather than posing and staring straight at the camera, it is an intimate moment of naturally greeting family or a close companion just before leaving. The woman's posture is natural and effortless, without overly arching her arms or shoulders, balancing the calmness and lightness of a commute. Position the woman on the flat ground slightly before the lowest step of the stairs. Do not place her on the stair treads, but at a position just before she begins to climb. Place her slightly to the left of center or near the center, so as not to hide the shape of the overpass stairs too much. Make her as large as possible so that her entire body from head to shoes is visible, and her looking back face, waving arm, commuting bag, and the direction of her feet are clear at a glance. Draw the figure at a realistic size and do not make the bridge or stairs extremely small. The composition should convey both that the woman is greeting someone and that she is about to head toward the overpass. In the background are buildings and facilities typical of a regional city around a station. In the distance on the left, low-rise houses and small buildings are lined up, with green trees and shrubs visible around them. On the right, there is an open paved space, low-rise buildings, and a space near a parking lot, with several streetlights standing. The streetlights are attached to slender metal poles with modern lighting fixtures at the top. At the top of the screen, utility poles and multiple power lines extend, diagonally crossing the blue sky. The power lines are naturally placed as part of a realistic scenery around a regional station and do not intersect unnaturally with the overpass. The background should not be a city of skyscrapers, but a calm scenery around a station where houses and greenery remain. The season is late October autumn, and the weather is sunny. The sky is bright blue with white clouds floating here and there. The sunlight is sufficiently bright, and the clear autumn air can be felt. The surrounding trees retain green leaves while mixed with leaves that have begun to turn yellow or orange. A small amount of fallen leaves may be seen on the ground, but do not cover the ground entirely. Add the autumn seasonal feeling naturally, making the structures such as the overpass, road, and buildings the main focus. Do not draw snow, rain, or fog; make it a bright commuting scene on a clear day. Place the camera on the ground sidewalk, overlooking the overpass stairs and the woman from an oblique front angle. Maintain the general structure of the original image: the overpass extending horizontally at the top, stairs descending diagonally from the center to the right, concrete steps in the right foreground, a narrow sidewalk and green slope on the left, and houses and trees further back. Place the blue sky and power lines at the top of the screen so the overall shape of the overpass is understood. Place the woman in front of the stairs, showing as much of the connection between the horizontal part of the bridge and the stairs as possible. This should be a landscape photograph where the structure of the overpass and the surrounding road layout are fully understood, rather than a portrait that focuses heavily on the person. The camera position does not need to perfectly match the original image, but maintain the positional relationship between the stairs and sidewalk, the direction of the overpass, and the spatial arrangement of the surroundings as much as possible. Use bright, soft natural light to create the atmosphere of a realistic street photograph. There should be subtle reflections on the metal parts of the overpass, and the color of the paint, pillars, and details of the stair treads should be visible. Ensure the woman's face, hair, coat, pants, and bag are brightly visible, so that her eyes, mouth, and the shape of her waving fingers are not hidden in dark shadows. Avoid extremely strong backlight or deep shadows, suppress highlights and crushed blacks, and naturally adjust the overall exposure. Use a clean, bright autumn color palette where the brightness of the blue sky, the pale light blue of the overpass, and the woman's beige and navy clothing harmonize. Aim for high-quality textures in the background, detailing the paint of the metal overpass, the stair treads, concrete pavement, curbs, greenery, exterior walls of buildings, and the fabric of the commuting clothes. Do not distort the straight lines of the overpass crossing and stairs, and keep the positional relationship of the handrails and pillars realistic. Do not make the stairs irregular overlapping steps, but a structure where treads are arranged at equal intervals. Draw the woman's hands, feet, fingers, face, shoulders, and legs naturally, ensuring no unnatural twisting in the motion of looking back or the posture of waving. Do not generate extra limbs or bags; there should be only one woman. Do not include text, logos, speech bubbles, or watermarks; depict a daily and warm moment of a woman heading to work on a sunny autumn day, looking back

新山聡美(行ってきます)

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