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tomoharu
Mostra parametri
- Modalità
- flash
- Dimensione
- 1536 x 2048
Modello e LoRA utilizzati
Creation Assistant
Agent
Mio.2
Minimal input, professional output
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響鬼
イノシシ
響鬼
cinematic still life, no humans, 16:9 widescreen, dark wooden table, abundant feast, roasted vegetables, fresh berries, nuts, rustic bread, glasses of red wine, glowing wine glasses, candlelit room, many candles, candlelight, warm amber palette, rich colors, deep shadows, warm sacred atmosphere, table level camera, low angle, slight from below, wide shot, close-up on foreground produce, strong foreshortening along the table, no text, no letters, no writing, no watermark, no signature, bare unmarked surfaces, hyper-detailed
A long dark wooden table seen from a low, slightly from-below camera set at the near edge of the tabletop, the plank grain running away from the lens so the near lip fills the bottom of the frame, slightly out of focus, and the table stretches deep into the room until the far end dissolves into darkness. The camera is close to table level, so the nearest platter of roasted vegetables looms large and foreshortened in the near foreground -- carrots split and blistered at their edges, wedges of squash caramelized to burnt orange, red onion petals curling at the tips, sprouts charred black-green on their cut faces, the roasted skins glossy with oil that catches pinpoint highlights. Midground, a shallow wooden bowl heaped with dark red and purple grapes and a scatter of raspberries, blackberries and halved strawberries, each berry's tiny drupelets reading individually, some dusted with a faint frost of sugar; beside it a small dish of walnuts and almonds, and a torn rustic loaf with a deep scored crust, its crumb exposed and honeycombed where a piece has been pulled away. Further back, two slender stemmed glasses of deep red wine stand among the dishes, and these are the one warm glow inside a warm scene: the candle flames behind them burn through the wine as a luminous ruby core, the liquid's surface a bright meniscus ring, the glass barrels rimmed with a thin hot amber line, and each glass throws a soft red caustic pool onto the dark wood at its base.
The light is entirely candlelight. A cluster of tall ivory tapers in a low iron candelabra stands at the table's far third, their flames the only source; they strike the near sides of the platters, rims and glassware with warm amber, gild the crust of the bread and the curve of every berry, and throw long soft shadows away from the flames, so the deep shadows between the dishes and beyond the table's edge go to near-black. The polished dark wood carries blurred, elongated reflections of the flames and a faint red streak under each wine glass. Where the candlelight grazes the food, the surfaces are warm and saturated -- amber, burnt orange, oxblood red, deep green -- and where it misses, the colour falls away into brown-black.
Foreground, a single linen napkin lies crumpled with real weight, its folds catching one bright edge of light; a few loose almonds and a fallen blackberry rest on the bare wood beside it, casting minute shadows. The room behind the table stays almost unreadable -- a suggestion of dark plaster wall, the candelabra's iron arms, and absolute darkness at the frame's top corners. A faint warm haze hangs in the air above the flames, and the thinnest thread of steam or smoke rises from the roasted platter, drifting upward through the candle glow. The composition is off-centre, the platters running as a receding diagonal from the heavy near-left corner to the candle cluster at the upper right, leaving the right foreground as a quiet dark pocket of wood that holds the eye before releasing it into the spread.
Palette discipline: warm amber light, oxblood and ruby in the wine and berries, burnt orange and charred green in the vegetables, deep honey gold in the bread crust, everything grounded in the near-black of the wood and shadows; no cool tones admitted except the faint blue-white at the very centre of each flame. Hyper-detailed surface work on the roasted edges, the berry skins, the bread crumb and the glass. Quiet abundance, hushed and sacramental.
C9I
Pepita
༻❁Umbrella❀༺
cinematic still life, no humans, 16:9 widescreen, dark wooden table, abundant feast, roasted vegetables, fresh berries, nuts, rustic bread, glasses of red wine, glowing wine glasses, candlelit room, many candles, candlelight, warm amber palette, rich colors, deep shadows, warm sacred atmosphere, table level camera, low angle, slight from below, wide shot, close-up on foreground produce, strong foreshortening along the table, no text, no letters, no writing, no watermark, no signature, bare unmarked surfaces, hyper-detailed
A long dark wooden table seen from a low, slightly from-below camera set at the near edge of the tabletop, the plank grain running away from the lens so the near lip fills the bottom of the frame, slightly out of focus, and the table stretches deep into the room until the far end dissolves into darkness. The camera is close to table level, so the nearest platter of roasted vegetables looms large and foreshortened in the near foreground -- carrots split and blistered at their edges, wedges of squash caramelized to burnt orange, red onion petals curling at the tips, sprouts charred black-green on their cut faces, the roasted skins glossy with oil that catches pinpoint highlights. Midground, a shallow wooden bowl heaped with dark red and purple grapes and a scatter of raspberries, blackberries and halved strawberries, each berry's tiny drupelets reading individually, some dusted with a faint frost of sugar; beside it a small dish of walnuts and almonds, and a torn rustic loaf with a deep scored crust, its crumb exposed and honeycombed where a piece has been pulled away. Further back, two slender stemmed glasses of deep red wine stand among the dishes, and these are the one warm glow inside a warm scene: the candle flames behind them burn through the wine as a luminous ruby core, the liquid's surface a bright meniscus ring, the glass barrels rimmed with a thin hot amber line, and each glass throws a soft red caustic pool onto the dark wood at its base.
The light is entirely candlelight. A cluster of tall ivory tapers in a low iron candelabra stands at the table's far third, their flames the only source; they strike the near sides of the platters, rims and glassware with warm amber, gild the crust of the bread and the curve of every berry, and throw long soft shadows away from the flames, so the deep shadows between the dishes and beyond the table's edge go to near-black. The polished dark wood carries blurred, elongated reflections of the flames and a faint red streak under each wine glass. Where the candlelight grazes the food, the surfaces are warm and saturated -- amber, burnt orange, oxblood red, deep green -- and where it misses, the colour falls away into brown-black.
Foreground, a single linen napkin lies crumpled with real weight, its folds catching one bright edge of light; a few loose almonds and a fallen blackberry rest on the bare wood beside it, casting minute shadows. The room behind the table stays almost unreadable -- a suggestion of dark plaster wall, the candelabra's iron arms, and absolute darkness at the frame's top corners. A faint warm haze hangs in the air above the flames, and the thinnest thread of steam or smoke rises from the roasted platter, drifting upward through the candle glow. The composition is off-centre, the platters running as a receding diagonal from the heavy near-left corner to the candle cluster at the upper right, leaving the right foreground as a quiet dark pocket of wood that holds the eye before releasing it into the spread.
Palette discipline: warm amber light, oxblood and ruby in the wine and berries, burnt orange and charred green in the vegetables, deep honey gold in the bread crust, everything grounded in the near-black of the wood and shadows; no cool tones admitted except the faint blue-white at the very centre of each flame. Hyper-detailed surface work on the roasted edges, the berry skins, the bread crumb and the glass. Quiet abundance, hushed and sacramental.
C9I
Scopri altro
Utenti consigliati
Potrebbe piacerti
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
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